“我要伤你的心”评论：音乐二重奏解开他们的音乐差异，也是婚姻的差异
‘I’m Going to Break Your Heart’ Review: Music Duo Unfurl Their Musical Differences, and Marital Ones Too
歌曲创作的合作经常被描绘成神秘的工会，以至于我们当中那些不在房间里的人不得不怀疑，油气和水拒绝啮合的情况不太多。最后，在写作会话向南时可能产生的验证性在“我要伤心”的屏幕上描绘，这是一部有关歌手兼作曲家Raine Maida（我们的乐队我们的和平夫人）和Chantal Kreviazuk的纪录片，他们组成了二人组Moon vs Sun。两人从洛杉矶逃脱了法国圣皮埃尔岛上的歌曲创作静修，只是在协作过程中不断以错误的方式互相摩擦。Maida和Kreviazuk也是丈夫和妻子，当他们以共同作者的身份与之抗争时，他们确实提供了一些额外的赌注：这可能是第一部婚姻戏剧纪录片，在其症结中，与前核心相比，不可调和的差异。音乐拯救他们的爱吗？”问电影的标语，清楚地表明Doc的创作者认为，在其两个婚礼校长之间争吵的刻画是其最大的特征，而不是缺陷。有时使这对夫妇看起来像离婚法院竞争者的场景的最终结果并不是真正的疑问。 “我要伤你的心。大多数刺刺的时刻。好像“一次”产生了续集，事实证明是“婚姻中的场景”的民间电影音乐。 La Land”，仅是因为Maida和Kreviazuk的屏幕角色和Frenemy化学。他非常是瑞安·高斯林ntegrity。 （这对夫妇在电影中最大的斗争是在她无辜地暗示他们正在考虑的一场演出的替代方案之一时，它会更“为群众”，这会触发他的深深的，生气的放弃。）她是两者中更外向，更诱人的需要。每当她的伴侣在预扣上亮起时，观看Kreviazuk的脸都会带着一种震惊的震惊，并给她一个称赞或甜蜜的东西，这确实可以伤心。在一个寒冷的圣皮埃尔（Saint Pierre）中，心情像天气一样不断变化，因为两人显然在近20年的婚姻中从三个孩子那里延长了他们的第一次突破。他们的婚姻顾问建议这是一个治愈的度假胜地，但是隔离，加上有史以来第一首真实的联合歌曲的压力，事实证明，这比香脂更负担。一个小时，他们回来了向南加州和另一次咨询会议上，他们与治疗师一起抚养新鲜的抓地力 - 他们的建议是，他们参加了大量关注的会议，这是一个快速的解决方案，并不完全令人信服地建立令人愉快的最后一段。这部电影与这对夫妇和他们的乐队一起在里克·鲁宾（Rick Rubin）的马里布（Malibu）工作室综合大事上录制，您可能会开始怀疑是否一直在他们的问题上，没有更多的人能够通过有更多的人来帮助他们远离他们。说不敏感的话。出于电影戏剧的目的，当他们不断地按下那个雪岛，他们一直在推开彼此的按钮，这真是太好了。为了电影的最终好处，其中一些争论性的场景似乎太好了，以至于无法真实。他们可能会忘记在创作过程中对彼此的自负造成小小的伤口时，有一个船员在闲逛吗？显然他们真的可以，因为没有太多怀疑Kreviazuk并没有伪造当她被她认为“导师”和丈夫的男人击落时，她的伤害是多么的伤害。迈达（Maida）很难阅读，尽管无论如何，摄像机试图跟随他，当他不得不逃脱时要在海滩上闷闷不乐或参观当地教堂。音乐提供宣泄的力量 - 正在为一些扩展的工作室表演提供足够强大的扩展时间，以使您相信爱情已经征服了一切，甚至关于歌曲结构的辩论。而且，很难为这部电影而蒙蔽，以至于当前的大部分内容都被确定为所有这些自我制作的音乐文档的滋补品时，就会看到愉快的面孔。
Songwriting collaborations are so often portrayed as mystical unions that those of us who aren’t in the room where it happens have to wonder if there aren’t just as many instances where oil and water refuse to mesh. At last, the testiness that can result when writing sessions go south is portrayed on screen in “I’m Going to Break Your Heart,” a documentary about singer-songwriters Raine Maida (of the group Our Lady Peace) and Chantal Kreviazuk, who comprise the duo Moon Vs Sun.
The two escape from L.A. for a songwriting retreat on the French island of Saint Pierre, only to be constantly rubbing each other the wrong way in the collaborative process. That Maida and Kreviazuk are also husband and wife does lend some extra stakes when they battle it out as co-writers: This might be the first marital-drama documentary that has, at its crux, irreconcilable differences over a pre-chorus.
“Can music save their love?” asks the tagline for the film, making it clear that the doc’s creators consider the unflinching portrayal of squabbling between its two wedded principals to be its greatest feature, not a flaw. The ultimate outcome of scenes that sometimes make the couple look like divorce court contenders is not really in doubt. “I’m Going to Break Your Heart” glides along a little too easily toward its preordained happy ending in the last stretch, but it’s quite bracing to see just how willing the two are to let the world in on some of their least flattering and most prickly moments. It’s as if “Once” generated a sequel, and it turned out to be a folk-movie-musical version of “Scenes from a Marriage.”
Another film that might come to mind, just for a passing moment or two, is “La La Land,” only because of the on-screen personas and frenemy chemistry of Maida and Kreviazuk. He’s very much a Ryan Gosling type, looking fairly inexpressive in comparison to his heart-on-her-sleeve female lead, and someone who’s willing to go to battle over points of personal integrity. (The couple’s biggest fight in the movie comes when she innocently suggests that one of the alternatives they’re considering for a song-in-progress would be more “for the masses,” which triggers a deep, peeved funk on his part.) She’s the far more outgoing and more beguilingly needy of the two. Watching Kreviazuk’s face light up with a kind of smitten shock every time her partner lightens up on the withholding and offers her a compliment or sweet nothing is the kind of thing that really could break your heart.
The first two-thirds of the movie take place in a wintry Saint Pierre, with moods constantly shifting like the weather, as the two take what is apparently their first extended break from their three kids in almost 20 years of marriage. Their marriage counselor has suggested it as a healing getaway, but the isolation, combined with the pressure to come up with their first real set of joint songs ever, turns out to be more of a burden than a balm. An hour in, they return to southern California and another counseling session, where they air their fresh gripes with their therapist — whose suggestion that they engage in an extended eye-gazing session is a quick fix that isn’t entirely convincing in setting up the pleasant final stretch. As the film plays out with the couple and their band fruitfully recording at Rick Rubin’s Malibu studio complex, you may begin to wonder if all along their problems weren’t anything that couldn’t be solved by having more people around to help keep them from saying insensitive stuff.
For the purposes of film drama, of course, it’s great that they keep pushing each other’s buttons for as long as they do back on that snowy isle. To the movie’s ultimate benefit, some of those argumentative scenes almost seem too good to be true. Could they possibly forget there’s a crew hanging out as they inflict minor wounds upon each other’s egos in the course of the creative process? Apparently they really could, as there’s not much doubt to be had that Kreviazuk isn’t faking how hurt she is when she feels shot down by the man she considers her “mentor” as well as husband. Maida is harder to read, though the cameras try to, anyway, following him when he has to escape for a sullen walk on the beach or visit to a local church.
The movie’s trick — or maybe it’s just a reality about the real or illusory powers of music to provide catharsis — is in rounding out the running time with some extended studio performances powerful enough to make you believe that love has conquered all, even debates about song structure. And it’s hard to begrudge the film too much for the sight of happy faces in the clinch when so much of what preceded is determined to act as a tonic for all those self-produced music docs that dole out their warts far more sparingly.
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发表于 2022-7-5 09:04:37
发表于 2023-5-12 19:02:44