玛丽·布利格(Mary J.
Mary J. Blige and Director Vanessa Roth Talk ‘My Life’ Film, and the Album That Impacted a Generation
玛丽·J·布利格(Mary J. Blige)的1992年首张专辑“ What What是411?”将这位歌手放在地图上并定义了嘻哈灵魂,许多粉丝感到她的第二个“我的生活”是定义她的。观察创伤,虐待和破坏性关系的歌曲。它讲述了她的一代人和之后的那些人,并继续这样做。诸如“玛丽·简(Mary Jane)(整夜),“我是唯一的女人”和“我要去”之类的歌曲结合了嘻哈,福音和灵魂,不仅为Blige打开了情感上的门粉丝。在专辑成立25周年的巡回演出中,Blige决定是时候记录“所有这些痛苦的来源 - 我想与歌迷交谈”。在“玛丽·J·布利格的我的生活”中给她的年轻自我的信,该书于周三首映,并在周五(6月25日)上播放了亚马逊元素视频。罗斯说:“这是关于那张专辑的制作和她的生活。” “这是关于专辑如何代表她的。”访谈包括家人,朋友和专辑执行制片人Sean“ Diddy”梳子。性虐待的经验。她说:“为什么一个小女孩会发生很多事情?” “我正在考虑世界上有多少个小女孩(那个)不安全,以及他们正在经历的事情。”最艰难的部分是恢复了我妈妈的单身方式,抚养她的孩子 - 我们的事情发生在我们身上因为她在工作。那是最艰难的部分,讲述了我小时候我如何受到某些人的伤害的那些故事。”为了说明这一点,罗斯使用了动画。她说:“我仍然需要确定她的成长以及导致专辑制作的原因。”多年来,她听到了许多粉丝的声音,专辑的歌曲与他们产生了共鸣。她说:“这是如此谦卑,因为我不知道自己影响了人们。”她说:“他们会说,‘这张专辑挽救了我的生命。’”罗斯也对专辑的影响力的程度感到惊讶。“我不知道与歌迷的这种联系,”她说。“玛丽对女人和男人也意味着非常深刻的事情。她总是在提醒人们你并不孤单。”一个有力的场景显示,粉丝们坐在一起听专辑讨论其影响。罗斯最大的挑战不是让自己的恐惧妨碍自己。她说:“正是发现要忠于这需要的平衡,而不是让自己受到她,职业或影响力的恐吓。”
While Mary J. Blige’s groundbreaking debut 1992 album “What’s the 411?” put the singer on the map and defined hip-hop soul, many fans feel her second, “My Life,” is the one that defined her.
The album, released when she was just 23 years old, allowed listeners into a confessional box of songs that looked at trauma, abuse and destructive relationships. It speaks to her generation and those before and after, and continues to do so. Songs like "Mary Jane (All Night Long),” “I’m the Only Woman” and “I’m Goin’ Down” combine hip-hop, gospel and soul, and opened an emotional door not just for Blige, but her fans.
While on tour behind the album’s 25 th anniversary, Blige decided it was time to document “where all this pain came from — I wanted to talk to the fans,” she says.
She turned to director Vanessa Roth to capture the “love letter” to her younger self in “Mary J. Blige’s My Life,” which premiered Wednesday and is streaming on Amazon Prime Video from Friday (June 25).
Blige, who serves as an executive producer, and Roth wanted to tell the story of her evolution. “It’s about the making of that album and her life leading up to that,” Roth says. “It was about how that album represented her.”
Interviews include family members, friends and album executive producer Sean “Diddy” Combs.
Blige admits one of the toughest parts was revisiting being five years old — the time when her father left — and her experience with sexual abuse. “Why does much stuff happen to a little girl?,” she says. “I’m thinking about how many little girls in the world [that] are not safe, and the things they're going through.
“The toughest part was reliving how my mom was single, raising her kids — things were happening to us because she was working. That was the toughest part, telling those stories of how I got hurt by some people when I was younger."
To illustrate that, Roth used animation. "I still needed to establish her growing up and what led to making the album," she says.
Over the years she’s heard from many fans how much the album’s songs resonated with them. “It was so humbling because I didn’t know I affected people,” she says. “They would say, ‘This album saved my life.’”
Roth was surprised by the extent of the album’s influence as well.
“I had no idea of that connection with the fans,” she says. “Mary means something very profound to women, and men too. She’s always reminding people that you're not alone.” A powerful scene shows fans sitting together listening to the album discussing its impact.
The biggest challenge for Roth was not letting her own fears get in the way. “It was finding that balance to just stay true to what this needed to be about,” she says, “and not get myself intimidated by her, her career or her influence.”
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