Ji.Hlava的第25版推出，表彰在白俄罗斯的艰难捷克报道和“勇敢”纪录片拍摄
Ji.hlava’s 25th Edition Launches, Honoring Tough Czech Reporting and ‘Brave’ Documentary Filming in Belarus
捷克共和国的首屈一指的非小说节节《 JI.Hlava国际纪录片电影节》在历史悠久的城镇翻新的文化中心周二推出了第25版，预览了一项令人印象深刻的节目，该节目在两年内伴随着其第一个全面现场版本。自从Ji.hlava Fest推出以来，观众对活动的改进以及共产主义时代的大厅的喜好，因为同事们回忆说，当时这被认为是一个疯狂的主意。霍沃卡（Hovorka）指出，不仅是电影节，而且教育和文化在过去一年中大部分都被陷入困境，由全球观众选出的电影在线观看电影节平台Dafilms.cz，今年被哥伦比亚电影制片人Mari授予哥伦比亚 - 葡萄牙电影“ Open Mountain”Rojas Aria。短暂的重点是“一场长期遗忘的革命”，1929年7月，一群补鞋匠在一个村庄组织了一日革命，试图改善该国的生活和工作条件。远程，表示感谢并保证这部电影必须继续进行。她描述了这部电影的斗争和警惕性信息，他说：“这个故事中的人物现场认为他们的斗争并没有结束。”达菲姆斯执行董事戴安娜·塔巴科夫（Diana Tabakov当代世界。塔巴科夫说，罗哈斯·阿里亚斯（Rojas Arias）用发现的镜头作品制成的作品“融合在一起创造出精美的视听体验”的作品说，这种方法的例证说，这种方法的说法，他还宣布。 Platform启动Dafilms Junior，它将为3至12岁的儿童提供创新内容。st TV, video and online investigative reporting, given out by the Czech news magazine Respekt, went to a “reportage collage” that followed the Czech prime minister's unsuccessful campaign to be re-elected this year, “A Look at Babis and his Rallies,或者他的公关永远不会透露的” vaclav dolejsi。捷克视听制作人协会获得了杰出制作人的奖项，并获得了世界卓越奖，作为捷克纪录片人和制片人Radim Prochazka授予了法国同事Jacques Bidou.flowllool。 ，Ji.hlava Fest的当前版本将提供捷克和英语的现场活动流，包括对电影制片人的采访，电影推荐和O提示以及观众民意调查。还将有一个定期的时间老虎机专门针对儿童的ji.hlava，值得纪录片的人物的灵感论坛以及行业计划，该计划表彰了即将到来的生产者的工作，并提供了从中的新文档的工作，从美国和欧洲将是灵感论坛上的两个讨论，这是美国女权主义者，哲学家和性别研究管理局朱迪思·巴特勒（Judith Butler）的在线外观。加拿大哲学家兼作家尼克·斯里尼切克（Nick Srnicek）也将出现，谈论数字技术的发展。安德烈·库特拉（Andrei Kutsila）的开幕盛会“当鲜花不寂静”的开场盛会被放映，详细捕捉了对示威者对示威的残酷镇压在白俄罗斯举行的选举。Kutsila介绍了这部电影，说他希望这将帮助“所有人在战斗中支持我们”。亚历山大·卢卡申科（Alexander Lukashenko）的连任，后者看到了反对派CAndidates受到恐怖袭击，被欧盟称为欺诈，并被大部分人口拒绝。库特拉（Kutsila）的电影显示，示威者围绕着苏联时代以来未见的监禁，虐待和殴打。“这部纪录片是该州暴力镇压和平抗议的勇敢证词，”霍沃卡（Hovorka）说。 “它表明了这最后一个欧洲独裁政权是多么残酷地抵抗白俄罗斯向自由社会的转变。通过这项特别的放映，我们希望支持白俄罗斯的反对派和所有想生活在自由世界中的国家公民。”这部电影的导演补充说：“无论是有组织的，但是白俄罗斯除了某些在线论坛外都没有任何这样的方法。”“当花不寂静的时候”在主要国际比赛部分中包括Opus Bonum。节日还宣布了N nEW寻找其奖项，即Federico Diaz的作品，Federico Diaz是一位著名的捷克艺术家，他的根源是该活动的Twitter评论的数字可视化。它的电影将继续播放两个星期。
The Czech Republic’s premier nonfiction fest, the Ji.hlava International Documentary Film Festival, launched its 25th edition Tuesday in the historic town’s renovated cultural center, previewing an impressive program that accompanies its first fully live version in two years.
Fest director Marek Hovorka greeted the audience with fond memories of the improvements the event – and the communist-era hall – have seen since the Ji.hlava fest was launched as colleagues recalled it was considered a crazy idea at the time. Noting that not just film festivals but education and culture were largely sidetracked over the past year due to COVID risks, Hovorka said the lesson is that losing these “can have bad consequences for society.”
Following tradition, the prize for the Short Joy competition winner, chosen by a global audience watching the films online on the fest platform DAFilms.cz, was awarded this year to Colombian-Portuguese film “Open Mountain” by Colombian filmmaker Maria Rojas Arias.
The short focuses on “a long-forgotten revolution” when, in July 1929, a group of cobblers organized a one-day revolution in a village in an attempt to improve living and working conditions in the country.
The director appeared remotely, offering thanks and pledging that film must carry on. She has described the film’s message of struggle and vigilance, saying, “The characters in this story live believing that their struggle does not end.”
Diana Tabakov, executive director of DAFilms, said, “This year, Short Joy offered a remarkable representation of the contemporary world. However, the weight of the current problems must not eliminate the lessons of the past.”
Rojas Arias’ work made of found footage pieces “that come together to create an exquisite audiovisual experience,” exemplifies that approach, said Tabakov, who also announced the platform’s launch of DAFilms Junior, which will provides innovative content for children ages 3 to 12.
The Respekt Award for the best TV, video and online investigative reporting, given out by the Czech news magazine Respekt, went to a “reportage collage” that followed the Czech prime minister’s unsuccessful campaign to be re-elected this year, “A Look at Babis and his Rallies, or What his PR Will Never Reveal” by Vaclav Dolejsi.
His footage shows a phalanx of burly bodyguards blocking critics of Babis, a controversial billionaire who controls a media empire, from getting close to him and records a promotional event devolving into fights as authorities tangle with an angry crowd.
The award for outstanding producer, recognized by the Czech Audiovisual Producers Association with its World Excellence Award, was also given out, as Czech documentarian and producer Radim Prochazka honored French colleague Jacques Bidou.
Following its online-only version last year, the Ji.hlava fest’s current edition will offer streaming of live events in Czech and English, including interviews with filmmakers, film recommendations and other tips as well as audience polls. There will also be a regular time slot devoted to Ji.hlava for Kids, the Inspiration Forum of figures who are docu-worthy subjects, and the Industry program, which recognizes the work of upcoming producers and offers looks at new docs in the pipeline from the U.S. and Europe.
Highlights will be two discussions in the Inspiration Forum, one the online appearance of American feminist, philosopher and gender studies authority Judith Butler. Canadian philosopher and writer Nick Srnicek will also appear, talking about developments in digital technologies.
Following the opening gala, the Belarussian doc “When Flowers Are Not Silent” by Andrei Kutsila screened, capturing in detail the brutal suppression of demonstrations against last year’s rigged presidential election in Belarus.
Kutsila introduced the film, saying he hopes it will help “all people to support us in our fight.”
The re-election of Alexander Lukashenko, which saw opposition candidates terrorized, was called fraudulent by the European Union, and has been rejected by a large part of the population. Kutsila’s film shows demonstrators rounded up and recounting imprisonment, abuse and beatings on a scale not seen since the days of the Soviet Union.
“The documentary is a brave testimony of the state's violent repression against peaceful protests,” Hovorka says. “It shows how brutally this last European dictatorship resists the transformation of Belarus into a freer society. With this special screening, we want to support the Belarusian opposition and all of the country’s citizens who want to live in a free world.”
The film’s director added, “Both in the Czech Republic and in Poland demonstrations and regular manifestations of freedom of speech are organized, but Belarus has nothing like that, except perhaps for some online forums.”
“When Flowers Are Not Silent” is included in the main international competition section, Opus Bonum.
The fest has also announced a new look for its awards, the work of Federico Diaz, a prominent Czech artist with Argentinean roots, who has created digital visualizations of Twitter comments for the event.
The fest, running in live and streaming versions, runs through Oct. 31, after which its films will continue to stream for two weeks.
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发表于 2022-7-5 04:07:17
发表于 2022-10-18 03:57:05