“兄弟会” Helmer Francesco Montagner将继续探索男性气质，无论是积极还是有毒
‘Brotherhood’ Helmer Francesco Montagner Will Continue to Explore Masculinity, Whether It’s Positive or Toxic
FAMU毕业生弗朗切斯科·蒙塔格纳（Francesco Montagner）在洛克诺（Locarno）赢得了另一个奖杯：吉尔拉瓦（Ji.hlava）的捷克喜悦部分中最佳电影的标题。在ProkopSouček提供的摄影作品中，“兄弟会”也被陪审团摄影，称为“他这一代最好的摄影师之一”。它是与Nefertiti Film和Rai Cinema，Arte G.E.I.E.，Czech Television和Al Jazeera纪录片共同制作的。Deckert分销正在处理销售。这位意大利董事专注于三个激进的萨拉夫主义传教士的十几岁的儿子，因参与叙利亚战争和恐怖主义而被判处两年徒刑，意大利董事在2015年的报道中瞥见了家庭后，在波斯尼亚山上出发。“男孩的父亲正试图在审判前获得一些媒体的曝光，并可能影响他的公众形象。但是，我们希望他会被判刑，他将不得不为他在叙利亚所做的一切付出代价虽然我不是法官。我们想看看接下来会发生什么，”他说。 “我们不一定将他视为受害者，但他是战争的受害者。所有这些创伤和仇恨都与他同在，并一直从一代人转移到另一代。蒙塔格纳最终陪伴贾比尔，乌苏玛和二手赛了几年，目睹他们试图按照父亲的意愿生活，同时意识到他们严格的宗教飞机规则可能不是对他们来说。“他们渴望某种人类的接触，”他谈到自己的主角，承认他的工作的一部分与绕过最初的害羞有关。“他们在这个非常男性化的世界中成长。您只是不分享自己的感受。他们试图压制自己的情绪，像父亲和周围的其他牧羊人一样坚强。我们的相机和我们的参与方式使他们能说出他们想要的东西。我注意到这个公司的挫败感太多了mmunity，这种被卡住的感觉。蒙塔格纳说，虽然男孩们能够经历了世俗的替代方案，但由于他们的学校和社交媒体，开放了孤立的世界，但未来的逃生并不容易。您天生就决定了自己的样子。无论您跑多远，它仍然会在某个地方。他们有某种悲伤。”他观察到。 “与他们在一起很漂亮，因为他们是美丽的人，但是很难看到他们挣扎，看到乌萨马从一个可爱的小男孩变成一个粗鲁，残酷的年轻人。我们可以在电影中看到他们在那段时间里的迷失，寻找向导。”他说，蒙塔格纳从来不想专注于电影中的一个角色，他对兄弟俩不断变化的动态感兴趣和最年轻的useir的纯真，慢慢地离开了他的童年beh印第安“'兄弟情谊'的概念在伊斯兰教中非常重要，我觉得有必要代表所有这些。在这些社区中，家庭纽带是如此牢固。”他说。“他们将我视为这个年轻人，比他们大得多，是他们世界和宗教的完全外国人，以及所有这些复杂的政治动态。我和我的船员，我们成为了他们的小宇宙的一部分，他们的哥哥和他们一起玩，听他们，与他们一起吸烟，”他本人出生于1989年。沮丧的感觉，被困和想要自由的感觉。现在，我将继续探索男性气质，这对我来说是一个非常有趣的话题，无论是积极的还是有毒的。我被既是天堂又是监狱的地方所吸引。”“兄弟会”
FAMU graduate Francesco Montagner is following his win at Locarno with another trophy: the title of the best film in Ji.hlava’s Czech Joy section. “Brotherhood” was also noticed for its cinematography courtesy of Prokop Souček, called "one of the best cinematographers of his generation" by the jury.
A Nutprodukce production, it was made in co-production with Nefertiti Film and Rai Cinema, Arte G.E.I.E., Czech television and Al Jazeera Documentary. Deckert Distribution is handling the sales.
Focusing on three teenage sons of a radical Salafist preacher, sentenced to two years in prison for his involvement in the Syrian war and terrorism, the Italian director set out for the Bosnian mountains after catching a glimpse of the family in a 2015 reportage.
“The boys’ father was trying to get some media exposure and possibly influence his public image before the trial. We expected that he would be sentenced, however, that he would have to pay for what he has done in Syria, although I am no judge. We wanted to see what would happen next,” he says.
“We don’t necessarily see him as a victim but he is the victim of war. All this trauma and hatred has stayed with him and keeps transferring from one generation to another. But these boys want to challenge it.”
Montagner ended up accompanying Jabir, Usama and Useir for a few years, witnessing them try to live according to their father’s wishes, at the same time realizing that the rules of their strict religious enclave might not be for them.
“They were longing for some human contact,” he says about his protagonists, admitting that part of his job had to do with bypassing their initial shyness.
“They are growing up in this very masculine world. You just don’t share your feelings. They try to suppress their own emotions, to be tough like their father and other shepherds around them. Our camera and our participatory way of working allowed them to say what they wanted. I noticed so much frustration in this community, this sense of being stuck. They lack the motivation to really change and improve.”
While the boys were able to experience a secular alternative thanks to their school and social media, opening up their isolated world, future escape won’t be easy, says Montagner, convinced that the environment you are born into determines the way you are.
“Your father’s personality, his faults, will always follow you. No matter how far you run, it will still be there somewhere. There is a certain kind of sadness to them," he observes.
"Staying with them was beautiful because they are beautiful people, but it was hard to see them struggle, to see Usama turning from a sweet little boy into a rude, brutal young man. We can see in the film how lost they were during that time, looking for a guide.”
Montagner never wanted to focus on just one character in the film, he states, interested in the brothers’ ever-changing dynamic and the innocence of the youngest, Useir, slowly leaving his childhood behind.
“The concept of ‘brotherhood’ is very important in Islam and I felt the need to represent all of them. In these communities, family bonds are so strong,” he says.
“They saw me as this young guy, not much older than them, a complete foreigner to their world and religion, and all these complicated political dynamics. Me and my crew, we became a part of their little universe, their older brothers who play with them, listen to them, smoke with them,” adds the helmer, himself born in 1989.
“Because of my youth, I related to this feeling of frustration, of being stuck and wanting to break free. Now, I will continue to explore masculinity, which is a very interesting topic for me, whether it’s positive or toxic. I am attracted to places which are both a paradise and a prison.”
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发表于 2022-7-5 03:57:23
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