Berlinale的“ 1341帧爱与战争”首次亮相预告片,Reservoir Docs推出了销售(独家)
Berlinale’s ‘1341 Frames of Love and War’ Debuts Trailer, Reservoir Docs Launches Sales (EXCLUSIVE)
“ 1341年的爱与战争框架”在柏林电影节的柏林特殊部分首映,已与《综艺》首次亮相。世界销售由北美,以色列,希腊和葡萄牙的水库文档处理,这些文档由电影制片人出售。这部电影是世界领先摄影师之一以色列的米歇尔·巴尔·阿姆(Micha Bar-Am)的纪录片肖像。它由以色列电影制片人Ran Tal(“太阳之子”,“博物馆”,“伊甸园”)撰写和导演。制片人是萨利格·佩克(Sarig Peker)和塔尔(Tal),这部电影得到了1930年柏林的耶斯多克·波尔(Jesdocu。他的照片描绘了一个新国家的斗争及其正在进行的战争和冲突等的多样化图像,包括在最私人时刻的个人形象。“ 1341年的爱与战争框架”他顽强地用莉卡相机顽强地追求的事件和战争已成为国际知名的标志性图像。他成为了著名的大酒杯集体的成员,与康奈尔·卡帕(Cornell Capa)共同创立了纽约国际摄影中心,他的照片为世界主要杂志的无数封面增添了丰厚的封面。在他的照片中重新想到他为何拍照的情感和紧迫性,以及他的图像反映了人类和历史的内容。这部电影是对他的纪念的考察,因为他努力探讨了记录战争图像的道德规范及其如何影响他的道德规范。他的职业生涯完全由Bar-Am拍摄的档案图像构成,他的职业生涯被叙述为双重配音:Micha和他的妻子Orna,敬业的档案管理员,他们已成为她丈夫的记忆。“框架”揭示了记录战争和其他人类暴行所带来的巨大心理价格。
“1341 Frames of Love and War,” which world premieres in the Berlinale Special section of the Berlin Film Festival, has debuted its trailer with Variety. World sales are being handled by Reservoir Docs, excluding North America, Israel, Greece and Portugal, which are being sold by the filmmakers.
The film is a documentary portrait of one of the world’s leading war photographers, Israel’s Micha Bar-Am. It is written and directed by Israeli filmmaker Ran Tal (“Children of the Sun,” “The Museum,” “The Garden of Eden”). The producers are Sarig Peker and Tal, and the film is supported by yesDOCU.
Born in Berlin in 1930, Bar-Am found his lifelong career as a new immigrant in Israel in the early 1950s. His photographs depict diverse images of the struggles of a new nation and its ongoing wars and conflicts and much more, including personal images of his family in the most private moments.
The events and wars he doggedly pursued with his Leica camera have become internationally known, iconic images. He became a member of the celebrated Magnum collective, co-founded the International Center of Photography in New York with Cornell Capa, and his photographs have graced countless covers of the world’s major magazines.
In the film, at the age of 91, he looks at his photographs anew, wondering aloud with emotion and urgency why he photographed, and what his images reflect about humanity and history. The film is an examination of his remembrance as he grapples with the ethics of documenting war imagery and how it has affected him.
Composed entirely of archival images taken by Bar-Am over 50 years, his career is recounted as a dual voiceover: that of Micha and his wife Orna, the dedicated archivist, who has become her husband’s memory.
“Frames” reveals the enormous psychological price that comes with documenting war and other human atrocities.
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