西蒙·莱伦·威尔蒙特(Simon Lereng Wilmont
Simon Lereng Wilmont’s ‘A House Made of Splinters’ Takes Top Honors at Thessaloniki Documentary Festival
西蒙·莱伦·威尔蒙特(Simon Lereng Wilmont)的“一栋由碎片制成的房子”,这是乌克兰东部儿童庇护所的温柔而人道的故事,在塞萨洛尼基纪录片节上获得了最高奖项,并在周日的仪式上获得了金色亚历山大奖。称赞威尔蒙特备受赞誉的纪录片,该纪录片还赢得了圣丹斯(Sundance)的最佳导演奖,这是一部令人难忘的电影,揭示了孩子们因应照顾他们而遭受的恐怖和错误所承受的恐怖和错误所带来的负担。”陪审团还宣布了Declan McGrath和NeasaNíChianáin的“年轻柏拉图”特别陪审团奖,称其为“一部电影,只能在后代给我们带来希望及其使世界变得更好的地方的能力。”裁定颁奖典礼,陪审团将获奖的二人组描述为“两部深刻动人而错综复杂的电影,在许多方面都打动了我们作为同伴作品,应该被视为在新移民比赛中,年轻和新兴主管介绍了他们的第一个或第二个特征,金亚历山大·亚历山大·“迪米特里·埃皮德斯”奖获得了InkaAchté的“ Golden Land”,陪审团将其描述为“美丽的美丽以及以一种改变移民叙事的方式移动归属的家庭故事……[并且]以一种非道义的方式表明了一个家庭的挣扎和梦想。”特别陪审团奖获得了丹尼尔·赛车(Daniel Carsenty)和穆罕默德(Mohammed Abugeth)的“魔鬼的司机”。在电影前锋竞赛中,该竞赛展示了挑战流派大会的年轻和大胆导演的作品,金色亚历山大电影前锋奖获得了“新娘”。 ”,萨米拉·瓜达格诺洛(Samira Guadagnuolo)和蒂齐亚诺·多里亚(Tiziano Doria),陪审团称赞这部电影《醒目的电影》,沉默的声音比声音响亮……这是一个最小而强大而精确的电影手段,讲述了父权制如何压制女性的重要故事。”特别陪审团获得了MartínGutiérrez的“业余”,和哈拉·卡米纳拉(Hara Kaminara)的“给尼古拉的信”。国际电影评论家联合会(Fipresci)授予了国际比赛中最佳纪录片的Fipresci奖,以“用碎片制成的房子”,并获得了希腊人的第二个奖项Yorgos Goussis的“参加国际计划”的电影中,希腊电影中心因希腊官方选择的首次亮相导演而颁发了奖项,庆祝了Orestis athanasopoulos在塞萨洛尼基(Thessaloniki)庆祝其在Thessaloniki的首映式。GFC还为Vania Turner的“ Agora Docs”一部电影颁发了一部奖项,由Vania Turner。Spyros Mantzavinos的“ Panellinion”。塞萨洛尼基纪录片节于3月12日至20日举行。
Simon Lereng Wilmont’s “A House Made of Splinters,” a tender and humane story of a children’s shelter in eastern Ukraine, earned the top prize at the Thessaloniki Documentary Festival, taking home the Golden Alexander Award at a ceremony on Sunday.
The international competition jury praised Wilmont’s acclaimed documentary, which also won the best director prize at Sundance, as “an unforgettable film that shines a light on the burden carried by children for the horrors and mistakes perpetrated by the world of the adults who should be caring for them.”
The jury also announced a Special Jury Award for “Young Plato,” by Declan McGrath and Neasa Ní Chianáin, calling it “a film that can only give us hope in future generations and their capacity to make the world a better place.”
In handing out the awards, the jury described the prize-winning duo as “two profoundly moving and intricate films that, in many ways, struck us as companion pieces, and that deserve to be seen together.”
In the Newcomers Competition for young and up-and-comings directors presenting their first or second features, the Golden Alexander “Dimitri Eipides” Award went to “Golden Land,” by Inka Achté, which the jury described as “a beautiful and moving family story of belonging in a way which changes the narrative of migration…[and] shows – in a non-didactic manner – a family’s struggles and dreams.” The Special Jury Prize went to “The Devil’s Drivers,” by Daniel Carsenty and Mohammed Abugeth.
In the Film Forward Competition, which showcases the work of young and daring directors who challenge genre conventions, the Golden Alexander Film Forward Award went to “The Bride,” by Samira Guadagnuolo and Tiziano Doria, which the jury praised as a “striking film where silence speaks louder than voice…that, with minimal yet powerful and precise cinematic means, tells an important story of how patriarchal societies repress women.” The Special Jury Prize went to “Amateur,” by Martín Gutiérrez, and “Letter to Nikola,” by Hara Kaminara.
The International Federation of Film Critics (FIPRESCI) gave the FIPRESCI Award for the best documentary in the international competition to “A House Made of Splinters,” and handed out a second award for a Greek film participating in the international program to “Arm Wrestler,” by Yorgos Goussis.
The Greek Film Center gave its award for a debut director in the official Greek selection celebrating its premiere in Thessaloniki to “The Itinerary,” by Orestis Athanasopoulos. The GFC also gave an award for a film from the Agora Docs in Progress selection to “#MetiSofia,” by Vania Turner.
The Agora Lab Award, which was presented by the event’s tutors to a Greek project taking part in the lab, went to “Panellinion,” by Spyros Mantzavinos.
The Thessaloniki Documentary Festival ran from March 12-20.
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