水库文档将世界权利授予热门文档首映“无罪的终结”（独家）
Reservoir Docs Takes World Rights to Hot Docs Premiere ‘The End of Innocence’ (EXCLUSIVE)
Reservoir Docs已获得世界权利“无罪的终结”，导演Pauline Beugnies的纪录片关于一系列令人震惊的犯罪，这些罪行在1990年代在1990年代震撼了比利时，在Hot Docs的国际频谱竞赛部分之前，在世界首映之前。纯真”讲述了一系列臭名昭著的儿童绑架，谋杀和谋杀案，由捕食者马克·杜特鲁克斯（Marc Dutroux）及其同伙及其同伙 - 这是一场悲剧，遭到了灾难性的司法误差，阻碍了调查。震惊了国家，最终在1996年的“白人游行”中达到最终形式，在杜特鲁克斯被捕后，有35万多个示威者在布鲁塞尔的街道上进军。他们的记忆如何因时间而改变，因媒体报道而被扭曲，并受到青年和经验不足的限制。他们一起讲述了T的亲密版本继承人的故事变成了集体记忆。Beugnies在悲惨的事件展开时才13岁，他说，杜特鲁克斯（Dutroux）的恋情给她的家人留下了不可磨灭的印记。 “当时我们的生活发生了根本性的变化。她在一份声明中说。 “很难解决Dutroux案。这是一个巨大的禁忌。我花了很长时间才找到正确的形式。”“无罪的终结”结合了家庭视频和档案新闻镜头，揭示了电视新闻报道形状的集体记忆的方式，同时也破坏和侵犯了关于当时的私人生活。“我感兴趣的是媒体对杜特鲁克斯事件的叙述对我们这一代人留下的痕迹，”贝格尼说。 “这部电影是关于故事如何定义我们的，我们所讲的故事是如何允许我们建立今天的成年人的。这是我们被告知的一个故事，重新陈述，但总是以相同的方式从同一方式开始观点看法。导演说她还决心改变叙述有关今天如何谈论这种犯罪的叙述。这怎么可能？对我来说，这是难以忍受的。”她说。 “我们在监狱里放了一个怪物，关于杜特鲁克斯将有一天会让我们发疯的想法，但是儿童颅骨仍然是超塔博。受害者仍然感到内gui。“一切都被扔在我们的脸上，我们与家人一起看电视报道，他们在那里详细谈论\u200b\u200b了性虐待，但今天，受害者的话仍然听不清，” Beugnies继续说道。 “我想参与将其放在公共场所，试图让人们掌握这部电影，以使其成为一个可以谈论的主题。”AnaïsClanet，Reservoir Docs的合伙人兼销售和收购主管，说“纯真的终结”也引起了她的共鸣“我是个小孩（在杜特鲁克斯事件时期），我是一个小孩，不理会恋童癖和性掠食者的恐怖。当我们在电视上看到所有东西时，没有人向我们的孩子们解释任何东西。”她说。“杜特鲁克斯事件的集体创伤今天引起了共鸣。它适用于社交网络的损害，对不知道的年龄段的幼儿造成的损害，而沉默的这种统治需要停止。这部电影确实表明了沟通是如何关键的，以及我们如何将媒体所说的一切都视为理所当然。Wallonia-Brussels联合会，骗局，比利时新闻基金和比利时税收避难所的电影院和视听中心。
Reservoir Docs has acquired world rights to “The End of Innocence,” director Pauline Beugnies’ documentary about a string of shocking crimes that rattled Belgium in the 1990s, ahead of its world premiere in the International Spectrum competition section at Hot Docs.
“The End of Innocence” recounts an infamous series of child abductions, rapes and murders by the serial predator Marc Dutroux and his accomplices – a tragedy compounded by the egregious judicial errors that hampered the investigation.
The “Dutroux Affair,” as it came to be known, shocked the nation, culminating in the “White March” of 1996, where more than 350,000 demonstrators marched in silent protest through the streets of Brussels after Dutroux’s arrest.
The story is told through the testimonies of the survivors, now fully grown, shedding light on how their memories are altered by time, distorted by media coverage and limited by their youth and inexperience. Together, they tell an intimate version of their story in what becomes a piece of collective memory.
Beugnies, who was just 13 years old when the tragic events unfolded, said that the Dutroux affair left an indelible mark on her family. “Our life changed radically at that time. It is one of the stories that built the person I am today,” she said in a statement. “It’s very hard to tackle the Dutroux case. It’s a huge taboo. It took me a long time to find the right form.”
“The End of Innocence” uses a combination of home videos and archival news footage to reveal the ways in which TV news coverage shaped collective remembrance of the case, while also disrupting and intruding on private life at the time.
“What interests me is the trace that the media narrative of the Dutroux affair has left on our generation,” said Beugnies. “The film is about how stories define us, how the stories we are told as children allow us to build the adults we are today. It’s a story we’ve been told, re-told, but always in the same way, from the same point of view. I just want to try to tell the story differently.”
The director said she was also determined to shift the narrative around how such crimes are talked about today.
“In my daughter’s class one in five children is potentially sexually abused. How is this possible? For me, it’s unbearable,” she said. “We put a monster in prison, and the idea that Dutroux will be released one day drives us crazy, but pedocriminality continues to be ultra-taboo. The victims are still made to feel guilty.
“Everything has been thrown in our faces, we watched TV reports with our families where they talked about sexual abuse in detail, but today the word of a victim is still inaudible,” Beugnies continued. “I want to participate in putting this in the public arena, to try to get people to take hold of the film, to make it a subject that can be talked about.”
Anaïs Clanet, partner and head of sales and acquisitions for Reservoir Docs, said that “The End of Innocence” also resonated with her on a deep personal level.
“I was a young child [at the time of the Dutroux affair], oblivious to the horrors of pedophilia and sexual predators. Nobody explained anything to us kids, when we saw it all on TV,” she said. “The collective trauma the Dutroux affair caused resonates today. It’s applicable to the damage social networks and the like do to young children who don’t know better, and this reign of silence needs to stop. The film really shows how communication is the key here, and how we cannot take for granted everything the media say.”
“The End of Innocence” is produced by Laurence Buelens for Rayuela Productions, in co-production with Dipolodokus, with the support of the Cinema and Audiovisual Center of the Wallonia-Brussels Federation, the SCAM, the Belgian Journalism Funds and the Belgian Tax Shelter.
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发表于 2022-7-5 00:48:55
发表于 2022-10-9 12:56:26