安东尼·布尔登（Anthony Bourdain）Doc主任摩根·内维尔（Morgan Neville）如何在“ Roadrunner”中平衡悲剧和欢乐
Anthony Bourdain Doc Director Morgan Neville on How He Balanced Tragedy and Joy in ‘Roadrunner’
纪录片管理员摩根·内维尔（Morgan Neville）并不认识安东尼·布尔登（Anthony Bourdain），但他觉得全球旅行的厨师和作家是一种亲切的精神。奥斯卡奖的导演说：“从许多方面来说，我们正在做同样的工作。”他的原始和个人纪录片“ Roadrunner：关于安东尼·布尔登的电影”在7月16日的戏剧性开幕之前于周五在Tribeca Festival上首映。在内维尔的眼中，布尔登是“食物民主化，认真对待街头食品和认真对待街头食品的拥护者，打破了米其林星星烹饪的边界。”内维尔（Neville）凭借“ Roadrunner”，想探索每年从伊朗到刚果再到洛杉矶的Koreatown旅行数百天的人的冒险精神。但是，他说，他一生中也有一个问号：“这是怎么发生的？像这样的人如何自杀？由Focus Deveration Veartury Veartury Vearter Vearter Vearter Vearter Vearter Vearter Vearter Vearter Vearter Vearter Vearter确实认识了Bourdain轨道上的几个人，例如厨师David Chang，他与他一起工作了Netflix Food系列“丑陋的美味”。因此，他亲眼目睹了布尔登2018年自杀对他的亲密朋友和同事的毁灭性影响。让这些人开放他的死是有些技巧的。内维尔（Neville）导演了罗杰斯（Rogers Doc与Chang，CheféricRipert，音乐家John Lurie和Josh Homme，他的前妻和Bourdain的制作人员的成员与Chang，厨师埃里克·里珀特（ChandéricRipert），音乐家约翰·卢里（John Lurie）和乔什·霍姆（Josh Homme）的合伙人一起举办，这是奥斯卡奖得主的“来自明星的20英尺”电影制片人的一些最激烈的人。 “人们知道他们是否要坐下来聊天，他们将谈论一切。在某些情况下，跟我说话是第一个他们曾经谈论过的时间。”他说。 “我认为他们中的许多人并没有真正沉迷于他们的亲人或朋友的负担，真正深入了解了发生的事情和对他们的意义。”但是，内维尔也小心翼翼地展示了电视主持人的快乐，感激之情。他说：“对我来说，他的死不是对所有事情都造成骗局非常重要。进一步。内维尔解释说：“尽管他谈论并写了关于食物和旅行的文章，但他一生的真正主题是他本人。” “人们观看节目的真正原因不仅是因为他们想看到有趣的国家的镜头 - 他们想通过他的眼睛看到它。”许多布尔登的粉丝很难理解这个热情的人，地点和食物的热情爱好者本可以自杀。但是内维尔指出了其中有许多因素：“他有抑郁的质量ities。他患有强迫症，焦虑。他是一个从未去过康复的瘾君子，从未解决过很多问题。但是，一年这么多天的路上，尤其是作为一个小女儿的父亲，最终会压倒一切。在纪录片中，他的制片人莉迪亚·塔纳格利亚（Lydia Tenaglia）和克里斯托弗·柯林斯（Christopher Collins）透露，他们渴望停止仓鼠电视制作的渴望，但布尔丹无法设法下车。“他对搬到越南和写书有幻想，他本可以做到的。他甚至有一份书籍合同来写越南，并花了一年的时间去那里。Doc从团队获得的100,000个小时的材料中得出，该文档从他的电视连续剧中纳入了诸如“零件未知”，WIT的材料。H iPhone的镜头和一部未完成的纪录片是在他的第一本书出来时开始的，但后来被抛弃了。他的节目中的额外录像提供了一些亲密的时刻。 “当他开始与人开枪时，他通常会开放并谈论自己，只是为了让其他人开放自己。这是他的技术之一，”内维尔发现。 “然后他们只会把它切掉 - 有很多镜头，他与人公开谈论自己。”正如他的粉丝所知道的那样，布尔登不仅是食物和旅行的爱好者，而且是一部痴迷的电影和音乐扇子。当内维尔（Neville）开始为纪录片组装音乐时，他在每首歌曲Bourdain曾经提到过或写过关于他给该项目的每个人的歌曲中的播放列表。内维尔说：“当我们预算这部电影时，我说，‘我们需要钱才能在这里有很多歌曲，这必须是托尼一生中真正的音乐的电影，”内维尔说。它w从马文·盖伊（Marvin Gay）到伊吉·波普（Iggy Pop）到莉迪亚（Lydia）的午餐和说话的头脑，一切都在一切时。”内维尔说。这部纪录片以令人振奋的乔纳森·里奇曼（Jonathan Richman）的唱片曲目和电视歌曲，布莱恩·埃诺（Brian Eno）和汉克·威廉姆斯（Hank Williams Sr.）的歌曲，以及1983年大卫·鲍伊（David Bowie）主演的电影《快乐圣诞节劳伦斯先生》（Mr. Lawrence）。对于石器时代的乔什·霍姆（Josh Homme）的皇后区，他在采访中透露，自布尔丹（Bourdain）去世以来，他就无法制作任何音乐。内维尔（Neville）要求他为这部电影写一首歌，这是他从那以后录制的第一首歌。还包括布尔登（Bourdain）的预告片的Instagram故事，在他的生命结束时，他瞥见了他的黑暗思想。由于故事已经消失，因此他们去世后并没有被广泛传播。“我认为任何人都没有公开建立这种联系。直到这部电影。因此，这将是观众首次发现的东西。”内维尔说。“ Roadrunner”导演Morgan Nevillehubert Boesl/Picture-Alliance/Dphowever，内维尔没有与亚洲阿根廷交谈，阿根廷的阿根廷与布尔登的长期关系在他去世后与Bourdain进行了很大的剖析。他说：“我只是觉得最后，我不会与她交谈，因为她对事情有很清楚的观点，” “她在每次采访中都说同样的话。我觉得一旦您开始了解关系的并发症的细节，它就又提出了10个问题。在表明他的心态的许多因素中，内维尔发现了布尔登的纹身之一。它以希腊语阅读，“我一无所获。”“当您是一个寻找经验的人时，这可能是一件好事，但是另一方面，这意味着您一无所获，” Neville Moses。他一生的结束，他对自己的故事失去了看法，”导演总结道。如果您或您认识的任何人有了自杀的想法，请致电1-800-273-8255致电国家自杀预防生命线，或访问Speechofsuicide.com/Resources。
Documentarian Morgan Neville didn’t know Anthony Bourdain personally, but he felt the globe-trotting chef and author was a kindred spirit. “In many ways, we were doing the same kind of work,” says the Oscar-winning director, whose raw and personal documentary “Roadrunner: A Film About Anthony Bourdain” premieres Friday at the Tribeca Festival ahead of a theatrical opening on July 16.
In Neville's eyes, Bourdain was “this champion of the democratization of food, of treating street foods seriously and ethnic foods seriously, breaking down the border of Michelin star cooking." With "Roadrunner," Neville wanted to explore that adventurous side of the man who traveled hundreds of days every year, from Iran to the Congo to L.A.’s Koreatown. But, he says, there was also a question mark over his life: “How does that happen? How does a guy like that kill himself?”
Neville did know several people in Bourdain’s orbit, such as chef David Chang, with whom he worked on the Netflix food series “Ugly Delicious.” So he saw firsthand the devastating impact that Bourdain’s 2018 suicide had on his close friends and associates.
Getting those people to open up about his death took some finesse. It helped that Neville had directed Mister Rogers doc “Won’t You Be My Neighbor?,” which he says made it easier for Bourdain’s inner circle to trust that he would have an emotional intelligence when probing their still-raw feelings.
The interviews he conducted with associates such as Chang, chef Éric Ripert, musicians John Lurie and Josh Homme, his ex-wife and members of Bourdain’s production crew were some of the most intense the Oscar-winning "20 Feet From Stardom" filmmaker has ever done. “People knew if they were going to sit down and talk, they were going to talk about everything. In some cases, talking to me was the first time they've ever talked about it,” he says. “I think a lot of them hadn't really burdened their loved ones or friends with really going deep into what happened and what it meant to them.”
But Neville took care to also show the joyful, grateful part of the TV host’s life. “It was very important to me that his death not cast a pall over everything,” he says, so he fully embraced the Tony that was "very funny and outrageous."
Bourdain is often described as a chef, but he turned his early career into so much more. “As much as he talked and wrote about food and travel, the real subject of his life was himself,” Neville explains. “The real reason people watch the show was not just because they want to see footage of interesting countries – they want to see it through his eyes.”
Many of Bourdain’s fans had a hard time understanding how this passionate lover of people, places and food could have turned to suicide. But Neville points to many factors that played into it: “He had depressive qualities. He had OCD, anxiety. He’d been a junkie who never went to rehab, he never dealt with a lot of issues.”
When he was a working chef, the rigor and discipline of kitchen life gave him a way to deal with his own addiction. But the pressures of being on the road so many days a year, especially as the father of a young daughter, were ultimately overwhelming. In the documentary, his producers Lydia Tenaglia and Christopher Collins reveal that they were OK with his desire to stop the hamster wheel of TV production, but Bourdain couldn’t manage to get off.
“He dreamt a lot about quitting,” Neville says. “He had fantasies about moving to Vietnam and writing books, and he could have done that. He even had a book contract to write about Vietnam and take a year to go live there. But he could never bring himself to do it.”
Sourced from the 100,000 hours of material to which the team had access, the doc incorporates outtakes from his TV series such as “Parts Unknown,” along with iPhone footage and an unfinished documentary that was started when his first book came out but was later abandoned.
The extra footage from his shows provide some intimate moments. “When he would start shooting with people, oftentimes he would open up and talk about himself, just to get other people to open up about themselves. It was one of his techniques,” Neville discovered. “Then they would just cut that out -- there was a lot of footage of him talking very openly about himself with people.”
As his fans know, Bourdain wasn’t just a lover of food and travel, but also an obsessive movie and music fan. When Neville started to assemble music for the documentary, he made an 18 hour-long playlist of every song Bourdain had ever mentioned or written about that he gave to everyone working on the project. “When we budgeted the film, I said, ‘we need money to have a bunch of songs in here, this has to be a film of real music from Tony’s life,” says Neville.
“He had great taste in music. It was everything from Marvin Gay to Iggy Pop to Lydia Lunch and Talking Heads,” Neville says. The documentary sets the mood with the rousing Jonathan Richman title track and songs by Television, Brian Eno and Hank Williams Sr., plus the haunting theme from the 1983 David Bowie-starring film “Merry Christmas Mr. Lawrence.”
His death hit especially hard for Queens of the Stone Age’s Josh Homme, who reveals in his interview that he hadn’t been able to make any music since Bourdain’s death. Neville asked him to write a song for the film, which was the first song he had recorded since.
Also incorporated are Bourdain’s foreboding Instagram stories, which give a glimpse into his dark thoughts at the end of his life. Since the stories had already disappeared, they weren’t widely disseminated after his death. “I don't think anybody's ever publicly made that connection. Until this film. So that will be something for the viewers to discover for the first time," Neville says.
However, Neville didn’t speak to Asia Argento, whose two year-long relationship with Bourdain was much dissected after his death. “I just felt like at the end, I wasn’t going to get closer to him by talking to her because she has her own very clear point of view about things,” he says. “She says the same thing in every interview. I felt like once you start to get into the details of the complications of the relationship, it just begs 10 more questions. And those questions don’t give you any insight into him.”
Among the many factors that indicated his state of mind, Neville found one of Bourdain's tattoos illuminating. It read in Greek, “I’m certain of nothing.”
“That can be a good thing when you’re a seeker of experiences, but the flip side is it means you’re sure of nothing,” Neville muses.
“At the end of his life, he lost perspective of his story,” the director concludes.
If you or anyone you know is having thoughts of suicide, please call the National Suicide Prevention Lifeline at 1-800-273-8255 or go to SpeakingOfSuicide.com/resources.
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发表于 2022-7-5 08:41:02
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