电视学院为“表演者”艾美奖打开了大门，并解决了纪录片的双打难题。
Television Academy Opens Door for ‘Performer’ Emmy, and Solves the Documentary Double-Dipping Conundrum for Good
电视学院在艾美奖竞赛中认识性别 - 非洲表演者的方式正在做出一个小但有意义的变化。立即生效，任何表演者类别中的提名人和/或获奖者都可以要求他们的提名证书和艾美·斯塔图特（Emmy Statuette）携带“表演者”一词代替“演员”或女演员。或支持女演员类别，但人们承认，“没有名为“演员”或“女演员”的表演者类别对提交的性别要求。非二进制表演者在一场主要的电视节目中扮演非二元角色，首先要求2017年电视学院澄清其性别的区别。最终，狄龙要求在艾米斯（Emmys）的“支持演员”类别中进入“支持演员”类别。last Year，在致以SAG奖的一封公开信中，狄龙要求Kudocast也放弃其Gende红色表演类别，并说他们现在意识到“在加强性别二进制的类别中被提交或提名应该已经被我完全拒绝这些提名，以及呼吁变革了。”电视评论家协会的TCA奖具有非性别类别。这是否为最终关于取消性别奖项和转向表演者艾美奖的对话奠定了基础。奥斯卡和艾美奖的“双重蘸”。在2022年开始，放置在AMPAS观看平台上的纪录片将不符合Emmy的考虑。换句话说，“放在AMPAS观看平台上的任何电影都将被视为戏剧电影，因此不符合艾美奖的资格。”此举是在Variety WRO之后的几天开始关于纪录片难题。去年，电视学院似乎终于解决了这一问题的裁决，即“在2021年有效，被提名为奥斯卡提名的计划将不再有资格参加艾美奖。”这意味着今年的奥斯卡奖得主“我的章鱼老师”无法进入 - 其他四个提名人也不会。但是曾竞选奥斯卡但没有进入五名提名人名单的文件能够再次尝试。这就是为什么回到艾米斯（Emmys）获得纪录片制作奖中出色功绩的参赛作品包括Apple TV Plus“ Boys State”，Netflix的“ Dick Johnson死了”和亚马逊的“全部：民主之战”，所有这些。所有这些。文档是第93届奥斯卡奖纪录片专辑《候选名单》中的15名文档之一，这使他们成为了奥斯卡争夺战的领先者。这提出了一个问题，说明他们为什么要做事，但奥斯卡提名人包括Netflix的“ Crip c”放大器，” PBS/POV的“痣代理人”和亚马逊的“时间”无法做到。在他们的网络上播放 - 可以说是电视项目。但是，如果他们在剧院放映，奥斯卡也可以要求他们。现在，这些媒体将不得不一开始就决定是否想在奥斯卡奖或艾美奖上竞争，就像他们使用脚本票价一样。
The Television Academy is making a small, but meaningful change in how it recognizes gender-nonbinary performers in the Emmy competition. Effective immediately, nominees and/or winners in any performer category can request that their nomination certificate and Emmy statuette carry the term "performer" in place of "actor" or actress."
The org isn't abolishing its actor, actress, supporting actor or supporting actress categories, but it is acknowledging that "no performer category titled 'actor' or 'actress' has ever had a gender requirement for submissions."
The move comes several years after “Billions” star Asia Kate Dillon, the first gender-nonbinary performer to play a nonbinary character on a major TV show, first asked the TV Academy in 2017 to clarify its gender distinctions. Ultimately, Dillon asked to be entered into the “supporting actor” category at the Emmys.
Last year, in an open letter to the SAG Awards, Dillon asked that kudocast to also drop its gendered acting categories, and said they now realize “that being submitted or nominated within categories that reinforce the gender-binary should have been met with my outright rejection of those nominations, alongside calling for change.”
Already, the MTV Movie & TV Awards and the Television Critics Assn.’s TCA Awards have non-gendered categories. Whether this sets the stage for an eventual conversation about doing away with gendered awards and moving to a performer Emmy remains to be seen.
Meanwhile, the TV Academy has also further clarified the eligibility for documentaries, which may further end the question of projects that have "double dipped" in both Oscar and Emmy contention.
Starting in 2022, documentary films placed on the AMPAS viewing platform will be ineligible for Emmy consideration. In other words, "Any film placed on the AMPAS viewing platform will be deemed a theatrical motion picture and thus ineligible for the Emmy competition."
The move comes just days after Variety wrote about the documentary conundrum. Last year, the Television Academy appeared to have finally resolved this issue of double dipping by firmly ruling that “effective in 2021, programs that have been nominated for an Oscar will no longer be eligible for the Emmys competition.”
That meant this year’s Oscar winner “My Octopus Teacher” couldn't enter — and neither could the other four other nominees. But docs that had campaigned for an Oscar yet didn’t make it to the list of five nominees were able to try again. That's why back in the hunt at the Emmys for the exceptional merit in documentary filmmaking award are entries including Apple TV Plus’ “Boys State,” Netflix’s “Dick Johnson Is Dead” and Amazon’s “All In: The Fight for Democracy.”
All those docs were among the 15 that made it on the 93rd Academy Awards documentary feature shortlist, which made them frontrunners for Oscar contention. That brought up a question of why they get a do-over, but Oscar nominees including Netflix’s “Crip Camp,” PBS/POV's “The Mole Agent” and Amazon’s “Time” couldn't.
In the past, the platform confusion came out of the fact that it’s often TV outlets such as HBO, PBS or Nat Geo commissioning and funding the projects to air on their networks — making them, arguably, TV projects. But if they’re screened in theaters, the Oscars could claim them too. Now, those outlets will have to decide at the outset whether they want to compete at the Oscars or the Emmys — much like they do with scripted fare.
本文资料/文案来自网络，如有侵权，请联系我们删除。
|
发表于 2022-7-5 08:15:45
发表于 2022-9-23 09:14:04