Maja Doroteja Prelog的“ Cent'Anni”在戛纳市场的Doc Day赢得了文档奖
Maja Doroteja Prelog’s ‘Cent’anni’ Wins Docs-in-Progress Award at Cannes Market’s Doc Day
Maja Doroteja Prelog的“ Cent’Anni”在INTL的支持下获得了戛纳电影市场颁发的今年的文档奖。电影人才协会。 （IEFTA）在周二在戛纳电影节举行的仪式上提出。PRELOG的功能是从本周在戛纳市场期间提出的32台工作中的32个工作中选出的。该奖项包括10,000欧元（$ 11,800）现金奖励和专业项目后续行动。“ Cent'Anni”是关于疾病对关系的影响的个人认罪，紧随Prelog的合作伙伴Blaž，白血病幸存者Blaž，踏上了非凡的人。从创伤经历中骑自行车的旅程。陪审团将其描述为“一段未知的旅程中的一个勇敢的步骤，以一种有希望的敏锐的态度融入了一对夫妻的斗争。 （波兰的Agresywna Banda）和Massimo Casula（意大利Zena Film）。这是pre作为Circle Women Doc Accelerator展示柜的一部分发送。“'Cent'Anni'不仅仅是我的电影。是我。这是我的生活。” Prelog在仪式上通过视频通话说。 “当我三年前开始这个项目时，我不确定它会带我去哪里。但是我向自己保证，无论发生什么，我总是会保持诚实。事实证明，我给自己的承诺比我想象的要困难得多，更具挑战性。“这需要很多勇气和内心，”她继续说道。 “拍摄个人电影真的很难，因为没人能告诉你该怎么做。您必须自己弄清楚。每年，戛纳与世界各地的领先的节日和组织的合作伙伴展示了为行业决策者提供精心策划的文档，包括节日，包括节日，包括节日，包括节日，包括节日，包括节日，包括节日，这是我的确认。程序员和销售代理商。这些项目处于编辑的最后阶段，目的是为了在未来几周和一个月内登上巡回赛。今年的八个展示是由加拿大电视台与Hot Docs和Montreal INTL合作的。纪录节； Sheffield Docfest；奇列多克；音乐节Dei Popoli - Intl。纪录片电影节与Toscana电影委员会和Piemonte电影委员会合作；圈子女Doc Accelerator； CinénaDuRéel的专业平台Parisdoc；巴勒斯坦电影学院；和intl。孟加拉国的电影倡议。 Doc Alliance是欧洲七个领先的纪录片电影节的网络：CPH：DOX（丹麦），Doclisboa（葡萄牙），Dok Leipzig（德国），Fidmarseille（法国），JI.Hlava IDFF（捷克共和国），千年对重力的文档（波兰）和视觉杜雷尔（瑞士）。最佳DOC Alliance奖授予“爱的失误”，由Dok Leipzig提名的Rocco Di Mento，由Valeria Venturelli在德国FilmuniversitätbabelsbergKonrad Wolf上制作。通过旧的8毫米家庭电影，一部未出版的小说，情书和许多长期以来的感情，迪·曼多（Di Mento）着手探索他祖父母的浪漫主义的神话，并试图纪念他的已故祖父在电影中的帮助，并在其幸存的亲戚，他们幸存的亲戚，他们的亲戚，只是发现事情可能并没有像家庭传说所描绘的那样发生。好奇心变成了真正的神话解构，对家庭秘密和创伤的离散启示以及它一代世代相传的启示。（Zdrastvuyte！），由Tatiana Chistova执导，由千年文档提名为重力。在背景圣彼得堡的庭院期间，这部电影融合了几乎空荡荡的城市的录音，并呼吁在政府对他们实施严格的全天候宵禁之后，呼吁为老年人指定的市政热线。 “在大流行中捕捉到焦虑，孤立，无聊和混乱的感觉，并找到了一种非常简单但强大而诚实的方法。” “祝福你！”由Maciek Hamela制作的Impakt电影制作，由总部位于柏林的MagnetFilm处理。“爱的失误”获得了5,000欧元（5,900美元）现金奖励，并获得了“祝福您！” 3,000欧元（$ 3,500）现金奖励，董事可以花在他们的下一个项目上。此外，DOC Alliance Festivals已承诺在其下一版中至少放映三部提名电影。其他奖项周二颁发的奖项包括：Think-Film Impact奖给予了Tahrima Khan和Tahrima Khan和由阿布·沙赫德·埃蒙（Abu Shahed Emon）（孟加拉国巴拜扬制作）生产。这部电影是作为Showcase南亚的一部分展示的。陪审团表示，该奖项是“支持她的任务中的主要角色，使这个世界变得更美好，因为正如Munni所说，“女孩在每个地方都无助。” DAE - 欧洲纪录片协会颁发了“ Gwetto”奖，陪审团赞扬了“欧洲纪录片协会”奖，陪审团赞扬了“欧洲纪录片协会”奖。这部电影由MichaëlAndrianaly执导，由MichaëlAndrianaly（Madagascar）制作，作为帕里斯多克（Parisdoc） - CinémaduRéel的一部分。该奖项包括免费的DAE会员资格和粗略的咨询。Alphapanda奖是授予Yousef Srougi的“三个诺言”的，该奖项由Marielle Olentine和Zein Khleif（美国）制作，并作为Showcase Pashestine颁发。陪审团称赞这是“一个个人看法过去并且仍然非常最新。”该奖项包括两次有关电影营销的私人量身定制咨询。Cineli Digital Award授予了洛朗·范·兰克（Laurent Van Lancker）执导的“狗和神”，由戴维·博尔格德（David Borgeaud）（比利时鲁伊·利伯（Roue Libre））制作。这部电影由陪审团“以其杰出的摄影视野”为预示，作为帕里斯多克（Parisdoc） - CinémaDuRéel的一部分。总部位于巴黎的Cineli Digital将为电影制片人提供专业的DCP。沃斯塔奥奖（Vostao Award）提供了来自巴黎实验室的法语和英语字幕，前往Roberto Baeza的“会议点”，由Paulina Costa（La Toma，La Toma，La Toma，La Toma，智利）。这部电影是作为Showcase智利的一部分展示的。陪审团选择了它“为了深刻影响我们的情感经历。南亚;和由Beat执导的“ Savoia”赖斯·萨拉诺（Rice Surano），邓贾·拉维奇亚（Dunja Lavecchia）和莫雷娜·特拉诺瓦（Morena Terranova），由斯特凡诺·克拉维罗（Stefano Cravero）和恩里科·比西（Enrico Bisi）（意大利零基地）生产，它们是意大利展示的一部分。
Maja Doroteja Prelog’s “Cent’anni” won this year’s Docs-in-Progress Award given out by the Cannes Film Market with the support of the Intl. Film Talent Assn. (IEFTA), which was presented at a ceremony on Tuesday in Cannes.
Prelog’s feature was chosen out of the 32 works-in-progress that were presented this week during the Cannes Market. The award includes a €10,000 ($11,800) cash prize and professional project follow-up.
“Cent’anni” is a personal confession about the impact of illness on a relationship, following Prelog’s partner, Blaž, a leukemia survivor who embarks on an extraordinary cycling journey to heal from the traumatic experience. The jury described it as “a courageous step in an unknown journey that dives into a couple’s struggle through a fight for life and love, with a promising cinematic approach.”
The film is produced by Rok Biček (Cvinger Film, Slovenia), Alessandro Leone (Agresywna Banda, Poland), and Massimo Casula (Zena Film, Italy). It was presented as part of the CIRCLE Women Doc Accelerator Showcase.
"'Cent’anni' is more than a film to me. It's me. It's my life," Prelog said at the ceremony by video call. "When I started on this project three years ago, I wasn't exactly sure where it would take me. But I promised myself that no matter what would happen, I would always stay honest. And it turns out that this promise that I gave to myself was harder to keep, and more challenging, than I thought it would be.
"It takes a lot of courage and heart," she continued. "It's really hard to do a personal film, because nobody can tell you what to do. You have to figure it out yourself. So this award is a confirmation for me that I'm on the right path."
Each year, Cannes Docs partners with leading festivals and organizations from across the world to showcase curated selections of docs-in-progress for industry decision makers, including festival programmers and sales agents. The projects are in the final stages of editing and are aiming to hit the circuit within the coming weeks and months.
The eight showcases this year were presented by Telefilm Canada, in partnership with Hot Docs and the Montreal Intl. Documentary Festival; Sheffield DocFest; Chiledoc; the Festival dei Popoli – Intl. Documentary Film Festival, in collaboration with the Toscana Film Commission and the Piemonte Film Commission; the CIRCLE Women Doc Accelerator; ParisDOC, the professional platform of Cinéna du Réel; the Palestine Film Institute; and the Intl. Film Initiative of Bangladesh.
Earlier in the day, the Doc Alliance hosted its 14th annual award ceremony during a special lunch reception in Cannes. Doc Alliance is the network of seven of Europe’s leading documentary film festivals: CPH:DOX (Denmark), Doclisboa (Portugal), DOK Leipzig (Germany), FIDMarseille (France), Ji.hlava IDFF (Czech Republic), Millennium Docs Against Gravity (Poland) and Visions du Réel (Switzerland).
The Doc Alliance Award for best feature went to “The Blunder of Love,” by Rocco Di Mento, which was nominated by DOK Leipzig and produced by Valeria Venturelli at the German Filmuniversität Babelsberg Konrad Wolf. Through old 8mm home movies, an unpublished novel, love letters and a host of long-suppressed feelings, Di Mento sets out to explore the myth of his grandparents’ romance and tries to honor his deceased grandfather on film, assisted by their surviving relatives, only to discover that things might not have gone as family lore depicted.
The jury said that while “The Blunder of Love” isn’t the first film in which a director turns the camera on their own family, “it is done with a charming curiosity that evolves into a genuine deconstruction of myth and a discrete revelation of family secrets and trauma and how it is passed on from generation to generation.”
The Doc Alliance Award for short film went to “Bless You!” (Zdrastvuyte!), directed by Tatiana Chistova and nominated by Millennium Docs Against Gravity. Against the backdrop of Saint Petersburg’s courtyards during the COVID-19 lockdown, the film fuses recordings of the almost empty city and calls to a municipal hotline designated for the elderly, after the government imposed a strict round-the-clock curfew on them.
The jury said the film “captures the feeling of anxiety, isolation, boredom and confusion in the pandemic and finds a very simple, but powerful and honest way to do it.” “Bless You!” is produced by Maciek Hamela for Impakt Film, with sales handled by Berlin-based MAGNETFILM.
“The Blunder of Love" received a €5,000 ($5,900) cash prize, and “Bless You!” a €3,000 ($3,500) cash prize, for the directors to spend on their next projects. Additionally, the Doc Alliance festivals have committed to screen at least three of the nominated films at their next editions.
Other awards handed out on Tuesday include:
The Think-Film Impact Award was given to “Munni,” which is directed by Tahrima Khan and produced by Abu Shahed Emon (Batayan Productions, Bangladesh). The film was presented as part of Showcase South Asia. The jury said the prize is “to support the main character on her mission to make this world a better place, and because as Munni says, ‘Girls are helpless in every place.’” The award comes with a personalized consultation on the film’s impact and outreach strategy courtesy of Think-Film.
The DAE – Documentary Association of Europe Award was given to “Gwetto,” which the jury praised “for a powerful presentation of a strong and gifted author.” The film, which is directed by Michaël Andrianaly and produced by Michaël Andrianaly (IMASOA FILM, Madagascar), was presented as part of the Showcase ParisDOC – Cinéma du Réel. The award includes free DAE membership and rough cut consultation.
The Alphapanda Award was given to Yousef Srougi’s “Three Promises,” which is produced by Marielle Olentine and Zein Khleif (U.S.) and was presented as part of Showcase Palestine. The jury praised it “for a personal take on a story that takes place in the past and remains very current.” The award includes two private tailored consultations on film marketing.
The Cineli Digital Award went to “Of Dogs and Gods,” which is directed by Laurent Van Lancker and produced by David Borgeaud (Roue Libre, Belgium). Heralded by the jury “for its outstanding cinematographic vision,” the film was presented as part of Showcase ParisDOC – Cinéma du Réel. Paris-based Cineli Digital will provide the filmmakers with a professional DCP.
The VOSTAO Award, which offers French and English subtitles from the Paris-based lab, went to Roberto Baeza’s “Meeting Point,” which is produced by Paulina Costa (La Toma, Chile). The film was presented as part of Showcase Chile. The jury selected it “for a very emotional experience that affected us profoundly.”
Honorary mentions were given to “Devi,” which is directed by Subina Shrestha and produced by Rosie Garthwaite (Mediadante, U.K.), which was presented as part of the Showcase South Asia; and “Savoia,” directed by Beatrice Surano, Dunja Lavecchia and Morena Terranova and produced by Stefano Cravero and Enrico Bisi (Base Zero, Italy), which was presented as part of the Showcase Italy.
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发表于 2022-7-5 06:46:52
发表于 2023-1-16 15:51:05