克洛伊·特雷纳（Chloe Trayner
Chloe Trayner Named Artistic Director of True/False Documentary Fest (EXCLUSIVE)
克洛伊·特雷纳（Chloe Trayner）被任命为Ragtag电影协会的艺术总监，这是一家23岁的非营利组织，在哥伦比亚举行了杰出的国际非小说纪录节，True/false，在哥伦比亚，也参加了节日的策展人阵容。艾伦·哈奇（Allen Hatch）担任音乐导演和电影程序员的新角色。由联合创始人戴维·威尔逊（David Wilson）和保罗·斯特茨（Paul Sturtz）于2004年推出，True/False已成为纪录片社区最喜欢的电影节之一，通常在2月下旬 - 早期的三月进行谈话。 True/fals是一个以社区为基础的事物，而不是首映音乐节，而不是首映音乐节，以其热情的，政治上的观众和乐观的氛围而闻名。true/false是独一无二的，因为它不是戛纳电影节，圣丹斯（Sundance）或圣丹斯（Sundance）或诸如戛纳电影节（Sundance），或者多伦多，这不是像伍德斯托克或萨拉索塔这样的区域节。该阵容通常包括40个功能文档和15至25个短纪录片。这不是分销交易或公共场所的活动需要STS来确保人才的采访，从而使其更加轻松。冬季中旬前往中西部大学小镇的朝圣是非小说类电影制片人的急切期待的旅程。凯文·麦克唐纳（Kevin MacDonald），利兹·加布斯（Liz Garbus），罗杰·罗斯·威廉姆斯（Roger Ross Williams），布雷特·摩根（Brett Morgen），露西·沃克（Lucy Walker），拉乌尔·佩克（Raoul Peck）和摩根·内维尔（Morgan Nevillle）是流派的顶级导演之一，他们跋涉前往哥伦比亚（Columbia）进行电影放映。分别寻求其他机会。2021年，威尔逊（Wilson）担任音乐节的临时艺术总监。Trayner除了担任Ragtag Film Society的艺术总监外，还负责那些艺术总监的职责。伦敦开放城市纪录片节的节日主任以及大会纪录片开发实验室的创始人，Trayner计划进行“次要”调整到第19版的True/fals，将于2022年3月3日至6日运行，播放跨媒体格式。开放城市，重点关注跨不同格式的非小说类，”特雷纳指出。 “因此，除了电影外，我们在音频纪录片中做了很多事情，并且在跨媒体上做了很多事情，虽然这是true/false一直存在的东西，但我非常热衷于将更多的事情带入最前沿。特雷纳（Trayner）说，她还计划在2022年的音乐节上扩展小组讨论和大师班。在2020年3月上旬，True/False是美国最后一次在Covid-19-19大流行中进行的美国电影节之一，吸引了许多活动，吸引了许多活动。 46,600张售票员。今年，从5月5日至9日举行的“ True/fals”进行了缩放的阵容。只有少数电影制片人能够参加音乐节，这是一场混合动力。实际上，共有9,500 - 7,500个面对面的人和2,000个参加了音乐节。在这种在线体验中，”特雷纳说。“因此，这是我们仍在努力的事情。我们尚未做出决定（大约2022年是混合动力），但我们不想忽略我们在国际和全国范围内的任何观众。因此，除了她的真实/虚假职责外，Trayner与程序员Ted Rogers还将领导Ragtag Cinema的策展人，这是哥伦比亚哥伦比亚郡的两屏，全年的Arthouse Cinema的策展人，但Trayner还将领导Trayner，这是我们试图做到的。伦敦本地人，特雷纳（Trayner）将在英国远程工作。直到获得美国在美国工作的适当签证为止。他将正式开始9月份的职责，并将与特雷纳（Trayner），资深电影和艺术程序员阿米尔·乔治（Amir George）和第四名少年程序员一起编写节日电影阵容，他们尚未提名。
Chloe Trayner has been named artistic director of the Ragtag Film Society, a 23-year-old non-profit that runs the preeminent international non-fiction documentary festival, True/False, in Columbia, Mo.
Also joining the festival’s curatorial squad is Eric Allen Hatch in a new role as music director and film programmer.
Launched in 2004 by co-founders David Wilson and Paul Sturtz, True/False has become one of the documentary community’s favorite film festivals, normally talking place in late February-early March. More of a showcase than premiere festival, True/False is a community-based affair known for its enthusiastic, politically diverse audience and upbeat vibe.
True/False is unique in that it’s not a premiere-driven international festival like Cannes, Sundance, or Toronto, and it’s not a regional festival like Woodstock or Sarasota. The line-up typically includes 40 features docs and 15 to 25 short documentaries. It’s not an event where distribution deals are made or where publicists are needed to secure interviews with talent, thus making it more relaxing. The pilgrimage to the midwestern college town in the middle of winter is an eagerly anticipated journey for nonfiction filmmakers. Kevin Macdonald, Liz Garbus, Roger Ross Williams, Brett Morgen, Lucy Walker, Raoul Peck and Morgan Nevillle are among the genre’s top directors who have made the trek to Columbia to screen their films.
Wilson and Sturtz left True/False in 2018 and 2019 respectively to pursue other opportunities. In 2021 Wilson served as the festival’s interim artistic director. Trayner is taking over those artistic director duties in addition to serving as artistic director of the Ragtag Film Society.
Formerly the festival director of Open City Documentary Festival in London and founder of the Assembly Documentary Development Lab, Trayner is planning on making “minor” tweaks to the 19th edition of True/False, which will run March 3-6, 2022, playing up cross media formats.
“At Open City, there was a big focus on celebrating nonfiction across different formats,” Trayner notes. “So, in addition to film, we did a lot with audio documentary and a lot with cross media, and while that's something that's always been present at True/False, it's something that I'm quite keen to bring more to the forefront.”
Trayner says that she also plans on expanding upon panel discussions and masterclasses at the 2022 festival.
In early March 2020, True/False was one of the last U.S. film festivals to get underway before the COVID-19 pandemic shut down many events, attracting 46,600 ticket buyers. This year, True/False ran a scaled down lineup from May 5-9 that was held outdoors. Only a handful of filmmakers were able to attend the festival, which was a hybrid affair. A total of 9,500 - 7,500 in-person and 2,000 virtually – attended the festival.
“The difficulty with doing a hybrid festival is keeping the personality and identity of what you get when you actually go to a festival in that online experience,” says Trayner. “So, that's something that we're still grappling with. We haven't made a decision yet (about 2022 being hybrid) but we don't want to ignore any of our audiences – internationally and nationwide. So, it's something that we're trying to do very purposefully.”
In addition to her True/False duties, Trayner alongside programmer Ted Rogers will lead the curation team of Ragtag Cinema, a two-screen, year-round arthouse cinema in Columbia.
A London-native, Trayner will work remotely in the U.K. until the appropriate visa to work in the U.S. is obtained.
Hatch was previously director of programming for the Maryland Film Festival. He will officially begin his duties September, and will program the festival film lineup along with Trayner, veteran film and art programmer Amir George, and a fourth junior programmer, who has not yet been named.
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发表于 2022-7-5 06:00:36
发表于 2022-10-9 18:49:48