JI.Hlava纪录片节的首席升级比赛部分，将重点转移到工匠
Ji.hlava Documentary Festival Chief on Ramping Up Competition Section, Shifting Focus to Artisans
随着JI.Hlava国际纪录片电影节在捷克共和国推出的第25届纪念版，Fest总监兼创始人Marek Hovorka没有表现出自满的迹象。今年重新格式化和简化了今年的海洋之间的区域部分，将其折叠成主要的Opus Bonum竞赛，并通过纪录片摄影，编辑和声音设计获得了新的奖品，Hovorka还致力于几位资深电影制片人的作品，并致力于全球DOC电影制片人之间建立联系。与往常一样，有1000多个电影专业人士预期，Jihlava的悠久元素从其新兴生产者行业计划到East Silver在线市场，以及专注于实验电影院的会议迷人，使其成为一次重大会议DOC行业的场所和关键的区域枢纽。白俄罗斯导演安德烈·库特西拉（Andrei Kutsila）的节日电影《当花朵没有沉默》（Flowers not Silent）反对去年在该国举行的总统大选的示威游行似乎很像。选择该文档的信息是什么？在西欧捷克斯洛伐克的抗议者中得到了重要的支持，从而导致了天鹅绒革命。现在，我们处于一个可以支持与我们遇到的麻烦几乎相同的人的位置。在白俄罗斯发生的事情确实是欧洲几乎无法想象的，就像独裁统治一样。因此，我们想支持激进分子。我们真的很高兴拍摄这部电影，这确实传达了氛围，这是自选举以来发生了很大变化。制作电影的人真的很勇敢，因为他们见证了抗议者发生的事情和国家的反应。如果他们这样做，我们想在参加这项国际首映式的筛选的董事中支持他们。塞维克娃（Sevcikova）今年（“ Gyumri”）为她对世界电影的贡献。您最想庆祝的她的作品是什么？我记得Ji.hlava在节日的早期版本中放映她的电影，所以我们与她的作品有很大的联系，其中一位赢得了观众奖 - “春天的仪式” 2002年 - 尽管这不是典型的观众电影。她现年70岁，现在正在制作她的第八部电影。她将所有可能的东西都赋予了她的每个项目，并且不会使她从电影中谋生。她没有为电视或某种平台制作电影 - 她只是在拍摄电影并做的事情。她具有非常个人，受人尊敬的方法，她的风格是有时在拍摄之前与她的主题一起度过数年。对于大多数电影，她与伟大的捷克摄影师Jaromir Kacer合作，她的电影非常视觉。我们还将放映她2001年关于一个古老的基督教教派成员被迫离开俄罗斯的电影成员的电影《老信徒》由于他们的信念，我真的认为这是她的杰作。奥利弗·斯通（Oliver Stone Virtual Master Class）和弗拉基米尔·曼斯基（Vladimir Mansky）现场直播应该是一个很大的吸引力 - 两者几乎不会带来更多不同的观点。“肯尼迪（JFK）重新审视：通过看着玻璃杯，”今年戛纳放映，对肯尼迪（JFK）母亲和整个肯尼迪（Kennedy）时代的细节展示了新的启示，我认为这是一个严重的问题。斯通对美国历史的问题非常感兴趣。曼斯基的新电影《戈尔巴乔夫》。天堂，”他将亲自讨论，确实有师父的触摸。对于电影制片人来说，他的情况并不容易，因为他和一个老人在一起没有太多时间，但确实向我们展示了成为改变世界历史的人的意义。和生产 - 今年在JI.Hlava新景观论坛上18年。你是怎么发现的？对我们来说，连接所有类型的电影很重要。我们从欧洲展示了很多，但我们也对美国纪录片风格和面向观众的电影感兴趣。对我们来说，成为欧洲和美国之间的桥梁至关重要，并为来自美国董事和生产商的项目打开了这个空间。电影中的电影或生产中的质量非常高且非常多样化。我认为，美国和欧洲生产商有很多方法可以连接和利用双方的优势。
As the Ji.hlava International Documentary Film Festival’s 25th-anniversary edition launches in the Czech Republic, fest director and founder Marek Hovorka shows no signs of complacency. Reformatted and streamlined this year, with the former regional section Between the Seas folded into the main Opus Bonum competition, and with new prizes awarded for documentary cinematography, editing and sound design, Hovorka is also honoring the work of several veteran filmmakers and is committed to building connections between doc filmmakers worldwide.
With more than 1,000 film professionals expected as usual, Jihlava’s long-established elements, from its Emerging Producers industry program to the East Silver online market, and Conference Fascinations, focused on experimental cinema, make it a major meeting place for the doc sector and a critical regional hub.
The fest’s opening film, “When Flowers Are Not Silent” by Belarusian director Andrei Kutsila, capturing the brutal suppression of demonstrations against last year’s rigged presidential election in that country, seems quite emblematic. What was the message in selecting this doc?
There was important support for protesters in Czechoslovakia in Western Europe leading up to the Velvet Revolution. Now we are in a position where we can support someone who is in pretty much the same troubles we had. And the things that have happened in Belarus are really something hardly imaginable as possible in Europe – really like a dictatorship. So we want to support the activists.
We are really happy to have the film, which really conveys the atmosphere, which is changing a lot since the election. The people who made the film are really brave because they witness what happens to the protestors and the reaction from the state. If they did this, we want to support them with the director attending the screening of this international premiere.
You’re also honoring Czech maverick documentary writer, director and producer Jana Sevcikova this year (“Gyumri”) for her contribution to world cinema. What is it about her work you most wanted to celebrate?
I remember Ji.hlava screening her films in early editions of the festival so we are very much connected to her work and one of them won the audience award – “Rite of Spring” from 2002 – although it’s not a typical audience film. She is nearly 70 and is now working on her eighth film. She gives everything possible to each of her projects and doesn’t make her living from her films. She’s not making films for TV or some platform – she’s just making her films and doing what it takes. She has a very personal, respectful approach and also her style is to sometimes spend years with her subjects before she starts to shoot.
And for most of her films she works with Jaromir Kacer, the great Czech cinematographer, so her films are very visual. We will also screen “The Old Believers,” her 2001 film about members of an ancient Christian sect forced to leave their native Russia because of their beliefs, which I really think is her masterpiece.
The Oliver Stone virtual master class and the Vladimir Mansky live one should be quite a big draw this year – the two could hardly bring more different perspectives.
We were really touched by Stone’s film “JFK Revisited: Through the Looking Glass,” screening in Cannes this year, shedding new light on the details of the mother of JFK and the whole era of Kennedy, and I think this is a serious issue. Stone is deeply interested in questions of American history.
Mansky’s new film, “Gorbachev. Heaven,” which he will discuss in person, really has a master’s touch. The situation he had was not easy for a filmmaker because he had not much time with an old man, but really showed us what it means to be someone who has changed the history of the world.
There’s also a strong showing of American films in development and production – 18 this year in the Ji.hlava New Visions Forum. How did you discover these?
For us, it’s important to connect all types of filmmaking. We present a lot from Europe but we are also interested in American documentary style and audience-oriented films. For us, it’s crucial to become a bridge between Europe and the U.S. and open this space for projects coming from U.S. directors and producers. The quality of the films in development or in production is very high and very diverse. I think there are many ways for U.S. and European producers to connect and to use the advantages of both sides.
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发表于 2022-7-5 04:10:02
发表于 2022-12-3 06:32:52