Barbora Sliepkova的“线条”在Ji.hlava上获胜，作为节日纪念Urban Explorations，Creative Crafts
Barbora Sliepkova’s ‘Lines’ Wins at Ji.hlava as Festival Honors Urban Explorations, Creative Crafts
压力下的城市生活的故事主导了第25届吉拉瓦国际纪录片电影节，周六结束了最高的荣誉，斯洛伐克导演巴尔伯拉·斯莱普科娃（Barbora Sliepkova在社会和经济矛盾和联系中，亲密和空间是交织在一起的。“线条”还获得了米歇尔·霍瓦斯（Michal Horvath）的最佳处女作和声音设计奖，并获得了10,000美元，并因其“复杂且精心制作的工作精良”而受到称赞。特别提到“当您离我很近时”，看意大利导演Laura Viezzoli的聋人和盲人的生活，包括叙利亚作家和电影制片人Orwa Al Mokdad和罗马尼亚制片人Anamaria Antoci，包括陪审团，包括陪审团的陪审团。探索“敏感和亲密空间”。今年发起的至关重要的非导向工作的奖品交给了墨西哥导演Tin Dirdamal在“深光”上编辑航行，”摄影奖获得了Barbu Balasoiu的“您对我来说是Ceausescu”。声音设计冠军米歇尔·霍尔瓦斯（Michal Horvath）因其在“线条”中创建“城市交响乐”的声音和音乐。在纽约过上美好生活的梦想“不想躲藏”。导演安德烈·库特拉（Andrei Kutsila中欧和东欧都向罗马尼亚导演塞巴斯蒂安·米哈利斯库（Sebastian Mihailescu）致以讽刺意味Duo Adela Spaljova和Tomas Etzler赢得了Fest观众奖，击败了120部比赛，64片在世界首映中，在国际冠军中击败了36部。纳尔（Nal）或欧洲首映式。当节日现在进入其为期两周的在线阶段，结束了历史悠久的捷克镇的现场放映，曾经是古斯塔夫·马勒（Gustav Mahler）的家，家庭观众将在今天赢得冠军电影，包括捷克欢乐冠军“兄弟冠军，兄弟赛”， “捷克代表众议员弗朗切斯科·蒙塔格纳（Francesco Montagner）的波斯尼亚牧民家庭缩影。《证词陪审团》的陪审团，专注于变革和危机的主题，授予了芬兰董事Tuija Halttunen，Tuija Halttunen，Tuija Halttunen，Tuija Halttunen，Tuija Halttunen，Tuija tuija气象学家Hannele Korhonen的工作强调了道德困境。赢得了世界电影院的贡献奖。塞维克娃（Sevcikova Confesse）在DKO文化中心的闭幕晚会上发表讲话。d她几乎流泪，因为她归功于她足智多谋的摄影师Jaromir Kacer“一直与我在一起。导演萨莎·库拉克（Sasha Kulak）为“玛拉（Mara）”（Mara），而“疲倦的声音”获得了简短的文档奖，并特别提及了瓦迪姆·科斯特罗夫（Vadim Kostrov）的“ Orpheus”，但对现代俄罗斯的电影制作进行了研究。费德里科·迪亚兹（Federico Diaz）是基于他们的情感背景的单词的图形表示 - 这是一个长期以来一直在接受实验性工作，辩论，散文电影，图形艺术和声音设计以及电影制片人自己经常说他们惊讶地学习学习的电影的奖项被认为是纪录片。截至11月3日，流媒体运行，在捷克地区提供100多部电影，以及电影制片人的采访，提示和讨论。M - 包括参与社会运动和创新的演讲者 - 以及与俄罗斯导演Vitaly Mansky的大师班，也获得了“ Gorbachev.heaven.heaven”的证词陪审团的荣誉，他在大胆的前苏联领导者上。 winnersopus bonum主竞赛“线”特别提及 - “当你靠近我时”，“当花不沉默”编辑 - “深光航行”摄影 - “你对我来说是ceausescu”线条”原始方法 - “不想隐藏”学生陪审团 - “ Yoon”捷克Joy“兄弟会”特殊提及 - “折磨”，“电影T的准备。” “爱，爸爸”学生陪审团奖 - “离开开始后面”中欧和东欧“你是我的ceausescu”着迷实验文档“在窗口中”着迷：exprmntl.cz“美丽的解决方案”证词“如何杀死一个云特殊提及 - “来自野海”，“深红色森林，“戈尔巴乔夫。
Stories of urban life under pressure dominated the 25th Ji.hlava International Documentary Film Festival as the event wrapped Saturday with top honors going to Slovak director Barbora Sliepkova for “Lines,” called by the jury an “exceptional” approach to showing how “beauty, intimacy and space are intertwined” amid social and economic contradictions and connections.
“Lines” also took the prize for best debut and sound design by Michal Horvath along with $10,000, and was praised for its “complex and perfectly well crafted work.”
Main competition special mention went to “When You Are Close to Me,” a look at the lives of deaf and blind people by Italian director Laura Viezzoli, which the jury, including Syrian writer and filmmaker Orwa Al Mokdad and Romanian producer Anamaria Antoci, honored for its explorations of “sensitive and intimate space.”
Prizes for crucial non-directing work initiated this year went to Mexican director Tin Dirdamal for editing on “Dark Light Voyage,” while the cinematography prize went to Barbu Balasoiu for “You Are Ceausescu To Me.” The sound design winner, Michal Horvath, won for his creation of an “urban symphony” of sound and music in “Lines.”
Chinese indie docmaker and festival organizer Rikun Zhu won honors for the original approach for his story of a young Maoist artist who dreams of a better life in New York, “No Desire to Hide.”
Director Andrei Kutsila also took a special mention for his searing look at the repression of protestors in Belarus, “When Flowers Are Not Silent.”
The prize for best film from Central and Eastern Europe went to Romanian director Sebastian Mihailescu for his ironic treatment of recent history “You Are Ceausescu to Me” along with a prize of $3,652.
The doc “Heaven,” a chronicle of disabled children in a Chinese village facility directed by the duo Adela Spaljova and Tomas Etzler, won the fest audience prize, beating out some 120 competition films, 64 in world premieres and 36 in international or European premieres.
As the fest now moves into its two-week online phase, ending live screenings in the historic Czech town, once home to Gustav Mahler, home audiences will be taking in today winning films including Czech Joy competition champ “Brotherhood,” a Bosnian pastoral family microcosm by Czech Rep.-based Italian director Francesco Montagner.
The jury of the Testimonies section, focused on themes of change and crisis, granted the top prize to “How to Kill a Cloud” by Finnish director Tuija Halttunen, a look at ethical dilemmas highlighted by the work of meteorologist Hannele Korhonen.
Czech doc maestro Jana Sevcikova, known for carefully crafting lush and incisive films she works on for years from subjects ranging to persecuted Russian Christian cults to the aftermath of the 1988 Armenian earthquake, won the prize for contribution to world cinema. Speaking at the closing gala in the DKO cultural center, amid lights and cameras for a Czech TV broadcast, Sevcikova confessed she was near tears as she gave credit to her resourceful cameraman Jaromir Kacer “for staying with me all this time.”
The Silver Eye Award for the best feature doc in the East Silver Market, granted by the Institute of Documentary Film, went to director Sasha Kulak for “Mara,” while “Sounds of Weariness” won the short doc prize and special mention went to “Orpheus” by Vadim Kostrov, a look at filmmaking in modern Russia.
Each winner received a work of original art by digital innovator Federico Diaz, a graphic representation of words based on their emotional context – a fitting prize for a fest that has long embraced experimental work, debate, essay films, graphic art and sound design along with films that filmmakers themselves often say they are surprised to learn are considered documentaries.
Fest streaming runs through Nov. 3, offering access to more than 100 films in the Czech territory, alongside filmmaker interviews, tips and discussions from the Inspiration Forum – which includes speakers involved in social movements and innovation – and a master class with Russian director Vitaly Mansky, also honored with a Testimonies jury prize for “Gorbachev.Heaven,” his doc on the bold former Soviet leader.
Ji.hlava 25th edition winners
Opus Bonum main competition
"Lines"
Special mentions - "When You Are Close to Me," "When Flowers Are Not Silent"
Editing - "Dark Light Voyage"
Cinematography - "You Are Ceausescu to Me"
Sound - "Lines"
Debut - "Lines"
Original approach - "No Desire to Hide"
Student jury – "Yoon"
Czech Joy
"Brotherhood"
Special mentions – "Ordeal," "Preparations for Film T."
Editing - "Out in Force"
Cinematography - "Brotherhood"
Sound - "Love, Dad"
Student jury award - "Leaving Beginnings Behind"
Central and Eastern Europe
"You Are Ceausescu to Me"
Fascinations experimental docs
"In and Out a Window"
Fascinations: Exprmntl.cz
"Beautiful Solution"
Testimonies
"How to Kill a Cloud"
Special mentions - "From the Wild Sea," "Dark Red Forest," "Gorbachev.Heaven"
Audience Award
"Heaven"
Short Joy
"Open Mountain"
Contribution to World Cinema
Jana Sevcikova
Silver Eye
Feature – "Mara"
Short - "Sounds of Weariness"
Special mention - "Orpheus"
本文资料/文案来自网络，如有侵权，请联系我们删除。
|
发表于 2022-7-5 04:01:24
