瑞士文档节日愿景杜瑞尔揭幕了各种行业阵容
Swiss Doc Festival Visions du Réel Unveils Diverse Industry Lineup
瑞士纪录片电影节景观杜雷尔（DuRéel Cut Lab - 这是4月10日至1日在NYON举行的Fest行业活动的一部分。这些无法参加音乐节的人将能够在线参加，但组织者非常关注面对面的活动。“我们可以'可以'等待最终欢迎项目持有人和行业代表来到日内瓦湖的海岸。我们从过去两年的数字和混合版中学到的课程感到加强。实际上，他们为活动形式开辟了新的可能性，并使我们能够扩大参与VDR -Industry的专业人员的范围，” VisionsDuRéel行业负责人兼艺术顾问Madeline Robert补充说：“为我们说：“ ，对于胃肠道非常重要人们的特权再次开会 - 这是该行业的主要需求之一。组织者强调了选择在性别和地理方面所反映的巨大多样性：32名电影导演中有15位是女性，有17名是男性。它们来自29个不同的国家，近一半是由来自非洲，亚洲，南美和加勒比海，中东和东欧国家的电影制片人指导和制作的。电影制作及其越来越广泛的影响力。”罗伯特说。“我们也是来自生产能力较低的国家的摄影板的发射台：对我们来说，为他们提供扩展可能性的空间很重要。”成熟的电影制片人和新移民都是阵容的一部分。著名的声音包括Martina Parenti和Massimo d’Anolfi（“贝斯里亚里，埃尔巴里，拉皮达里”，vdr-pitching），其广受好评的作品（“城堡”，“暗物质”）是2019年视觉的回顾性的一部分。 “秘密朋友”正在进行中的VDR-work），他的先前作品“审判”在2018年的Visions duRéel上赢得了最佳故事片，阿根廷的Manuel Abramovich（“ The Monsters”，VDR-Pitching），其2019年Doc“ Blue Boy”在2019年的柏林纳尔（Berlinale）和著名的瑞士电影制片人莱昂内尔·拜尔（Lionel Baier）（“夜晚的解剖学”，VDR-Pitching）捡起了银熊。Newcomers包括Pamella Edouard，带有“ Faded”（VDR-Pitching），第一个电影探索毛里求斯岛上的身份问题，巴西电影制片人塔利·扬克利维奇（Tali Yankelevich）和她的大二学生“女孩 - 雅特布尔”（Girl-tubers），这是一个经营自己的YouTube频道的少年故事。 VDR-Pitching，国际联合制作和融资论坛。最后阶段的七个文档将是PR在VDR-work中进行了努力，以寻求分销，后期制作资金和节日作品，以及四个长度项目的项目将用于VDR-ROUGH CUT CUT LAB，这是一项针对创意纪录片的研讨会，以寻求反馈和建议的建议和建议。节日的完整节目将于3月15日宣布，请参阅下面的VDR-Induspry电影标题名单：戴安娜·萨拉·萨拉·布兹格鲁（Diane Sara Bouzgarrou）和托马斯·詹科（Thomas Jenkoe）（法国）的“狗的生活”，Jean由Jean制作。 -laurent csinidis（电影《不可关系》（电影）被Vytautas puidocas（Lithuania）“遗弃”，由RükaJakentaité（UKU电影）制作，由Lionel Baier（Switzerland）（由Agnieszka Ramu（Bandszka Rams）制作的RükaJakentaité（UKU电影）“夜晚的解剖”。由Margit Lillak（Allfilm），Karolina Veetamm（Tiny Desk Productions），Nadja Smith（Inselfilm Production Gmbh）制作的Margit Lillak（Estonia）（Estonia）的“ Bote Roosi”，由Martina smith（Inselfilm Production Gmbh）制作。意大利，法国，瑞士），由茉莉花生产Muhannad Lamin（Khayal Productions UG）制作的Sijercic（Bocalupo电影），Muhannad Lamin（Libya）的David Fonjallaz（Lomotion AG）“ Donga”（Libya），由Pamella Edouard（France，Maruritius），Mathilde Raczymof（by Mathilde Races）制作。电影du Bilboquet），Selven Naidu（制作电影）Christos Karakepelis（法国希腊），由Maria Drandaki（自制电影）制作，Julie Paratian（姊妹产品），由Tali Yankelevich（Brazil）（Brazil）制作了，由Leonardo Mecchi（EnquadramentoProduções）制作的“ Karatara - Teboho Edkins（南非）（南非），由玛丽亚·西尔维亚·埃斯特夫（Maria Silvia Esteve）（玛丽亚·西尔维亚·埃斯特夫（Maria Silvia eSteve）（阿根廷）制作，由唐·埃德金斯（Day Zero Edkins）制作，由Laura Mara Mara tablow的玛丽亚·西尔维亚·埃斯特夫（Maria Silvia Esteve）制作。 （Rita Cine）由JéromeLe Maire（法国比利时）撰写的“ Noor”，由Isabelle Truc（Iota Production）生产，Enrica Capra（标签薄膜），由Whitney Legge（美国），由Annie Marr，Laura Tejero，Laura Tejero制作Juan Pablo LaBonia（Ruido）生产的Manuel Abramovich（德国阿根廷）的“怪物”由Colleen Casingham（使用Mountain LLC）制作的Anuel Abramovich（美国）由Casey Carter（美国）（美国）制作的“比天空宽”，由Milena Stokar（Aura Film Film Sagl）制作的Valerio Jalongo（意大利瑞士）由Valerio Jalongo（意大利瑞士）制作。 ，Martina Latini（Ameuropa International）VDR-Work正在进行“革命的5个季节”（叙利亚，德国，挪威，卡塔尔），由戴安娜·埃尔·耶鲁迪（No Notnation Film Gmbh），Torstein Grude（Piraya Film）“反对”由科瓦尔·巴蒂亚（Sarvnik Kaur）（法国印度）萨尔维尼克·考尔（Sarvnik Kaur）（由科瓦尔·巴蒂亚（Koval Bhatia）（一部小小的电影）制作的，萨夫尼克·考尔（Snooker Club Films Pvt Ltd），昆汀·劳伦特（Quentin Laurent） ＆Estefania Contreras（美国），由吉利安·施莱辛格（Jillian Schlesinger），莱斯利·贝纳维德斯（Leslie Benavides）（我Love you you you chingos llc）由Canela Reyes＆SebastianPinzónSilva（美国哥伦比亚）制作，由Gabriella Garcia-garcia-Pardo（La Bonga）（La Bonga）“哥伦比亚）制作。朋友”玛丽亚·奥古斯塔·拉莫斯（Maria Augusta Ramos）（德国荷兰巴西），由Nofoco Filmes，Docmakers，Gebroeders Bee制作TZ，由茉莉花·西吉（Jasmina Sijercic）（Bocalupo Films）制作的Armel Hostiou（法国）的Vitrine Films“另一个配置文件”，由Mara Adina（Vernon Films），Mara Adina（美国亚美尼亚）（美国亚美尼亚）（美国亚美尼亚，美国，没有，没有，没有”。Emily Mkrtichian（没有LLC）Vdr-Rough Cut Lab实验室“Cúcuta”（工作标题）（由AnaïsMichel＆Braulio Jatar（美国哥伦比亚，美国，委内瑞拉），由AnaïsMichel，Braulio Jatar（Quicksand Films Llc）制作的AnaïsMichel＆Braulio jatar（美国哥伦比亚，美国，委内瑞拉）。玛丽亚·斯托亚诺瓦（Maria Stoianova）（乌克兰）的《冰碎片》，由阿里纳·戈洛娃（Alina Gorlova）制作，马克西姆·纳科尼奇尼（Maksym Nakonechnyi）（塔布尔）（Tabor）的《我们的第二故乡》，作者：弗兰基·辛（Frankie Sin）（法国台湾，台湾），由史蒂芬诺·塞诺尼（Stefano Centiini）（peter yam ltd），peter yam制作。（Blue Island Limited），Xavier Rocher（La Fabrica Nocturna Cinema）“使我们活着的生命” Amine Kabbes Mohamed（阿尔及利亚），由Yacine Bouaziz，FayçalHammoum（Thala Films）制作的Amine Kabbes Mohamed（阿尔及利亚）
Swiss documentary film festival Visions du Réel has unveiled its VdR-Industry selection, which includes 27 projects in different stages of production.
The works will be invited to participate in three key forums - VdR-Pitching, VdR-Work in Progress and VdR-Rough Cut Lab - that run as part of the fest's industry activities in Nyon from April 10-14.
Those who cannot make it to the festival will be able to participate online but organizers are focusing strongly on the in-person event.
“We can't wait to finally welcome back project holders and industry representatives to the shores of Lake Geneva. We feel strengthened by the lessons we have learned from the digital and hybrid editions of the last two years. In fact, they have opened up new possibilities in terms of activities format and allowed us to widen the range of professionals participating in VdR–Industry,” said Madeline Robert, head of industry and artistic advisor of Visions du Réel, adding, “For us, it was super important to give people the privilege to meet again – that's one of the major needs of the industry right now.”
The projects were chosen from more than 500 submissions. Organizers highlight the great diversity reflected in the selection, both in terms of gender and geography: 15 of the 32 film directors are female, 17 are men. They come from 29 different countries and nearly half are directed and produced by filmmakers from countries in Africa, Asia, South America and the Caribbean, the Middle East and Eastern Europe.
“This year again VdR-Industry selection reflects the incredible diversity of contemporary documentary filmmaking, and its ever wider ranging influence,” said Robert. “We are also a launchpad for cinematography that comes from countries with a low capacity of production: it's important for us to give them space to extend possibilities.”
Both established filmmakers and newcomers are part of the lineup. Among the well-known voices are Martina Parenti and Massimo d’Anolfi (“Bestiari, Erbari, Lapidari,” VdR-Pitching), whose critically acclaimed work (“The Castle,” “Dark Matter”) was part of a retrospective at Visions du Réel in 2019.
Other familiar names include Maria Augusta Ramos (“Secret Friend,” VdR-Work in Progress), whose previous work, “The Trial,” won best feature film at Visions du Réel in 2018, Argentina's Manuel Abramovich (“The Monsters,” VdR-Pitching), whose 2019 doc “Blue Boy” picked up the Silver Bear at the 2019 Berlinale, and well-known Swiss filmmaker Lionel Baier (“Anatomy of the Night,” VdR-Pitching).
Newcomers include Pamella Edouard with “Faded” (VdR-Pitching), a first film that explores questions of identity on the island of Mauritius, and Brazilian filmmaker Tali Yankelevich with her sophomore feature “Girl-Tubers,” a coming-of-age story of a teenager who runs her own YouTube channel.
Sixteen projects will take part in VdR-Pitching, the international co-production and financing forum. Seven docs in their final stages will be presented at VdR-Work In Progress in search of distribution, post-production funds and festival entries, and four feature-length projects will go to the VdR-Rough Cut Lab, a workshop for creative documentaries seeking feedback and advice on their most up-to-date rough cut.
The festival's full program will be announced on March 15.
See the list of VdR-Industry film titles below:
VdR-Pitching
“A Dog’s Life” by Diane Sara Bouzgarrou & Thomas Jenkoe (France), produced by Jean-Laurent Csinidis (Films de Force Majeure)
“Abandoned” by Vytautas Puidocas (Lithuania), produced by Rüka Jakentaité (Uku Films)
“Anatomy of the Night” by Lionel Baier (Switzerland), produced by Agnieszka Ramu (Bande à Part Films)
“Becoming Roosi” by Margit Lillak (Estonia), produced by Margit Lillak (Allfilm), Karolina Veetamm (Tiny Desk Productions), Nadja Smith (Inselfilm Production Gmbh)
“Bestiari, Erbari, Lapidari” by Martina Parenti & Massimo d’Anolfi (Italy, France, Switzerland), produced by Jasmina Sijercic (Bocalupo Films), David Fonjallaz (Lomotion AG)
“Donga” by Muhannad Lamin (Libya), produced by Muhannad Lamin (Khayal Productions UG)
“Faded” by Pamella Edouard (France, Mauritius), produced by Mathilde Raczymow (Les Films du Bilboquet), Selven Naidu (Making Movies)
“Future Tenses” by Christos Karakepelis (Greece, France), produced by Maria Drandaki (Homemade Films), Julie Paratian (Sister Productions)
“Girl-Tubers” by Tali Yankelevich (Brazil), produced by Leonardo Mecchi (Enquadramento Produções)
“Karatara – Place of Dark Shadows” by Teboho Edkins (South Africa), produced by Don Edkins (Day Zero Films)
“MAILIN” by Maria Silvia Esteve (Argentina), produced by Laura Mara Tablón (Rita Cine)
“NOOR” by Jérome le Maire (Belgium, France), produced by Isabelle Truc (IOTA Production), Enrica Capra (Tag Film)
“Rodeo Queens” by Whitney Legge (U.S.), produced by Annie Marr, Laura Tejero
“The Monsters” by Manuel Abramovich (Argentina, Germany), produced by Juan Pablo Labonia (Ruido), Manuel Abramovich
“To Use a Mountain” by Casey Carter (U.S.), produced by Colleen Casingham (To Use a Mountain LLC)
“Wider Than the Sky” by Valerio Jalongo (Switzerland, Italy), produced by Milena Stokar (Aura Film sagl), Martina Latini (Ameuropa International)
VdR-Work in Progress
“5 Seasons of Revolution” by Lina (Syria, Germany, Norway, Qatar), produced by Diana El Jeiroudi (No Nations Film GmbH), Torstein Grude (Piraya Film)
“Against the Tide” by Sarvnik Kaur (India, France), produced by Koval Bhatia (A Little Anarky Films), Sarvnik Kaur (Snooker Club Films Pvt Ltd), Quentin Laurent (Les Films de l’œil sauvage)
“Hummingbirds” by Silvia Castaños & Estefania Contreras (U.S.), produced by Jillian Schlesinger, Leslie Benavides (I Love You Chingos LLC)
“La Bonga” by Canela Reyes & Sebastian Pinzón Silva (Colombia, U.S.), produced by Gabriella Garcia-Pardo (La Bonga)
“Secret Friend” by Maria Augusta Ramos (Brazil, Netherlands, Germany), produced by Nofoco Filmes, Docmakers, Gebroeders Beetz, Vitrine Films
“The Other Profile” by Armel Hostiou (France), produced by Jasmina Sijercic (Bocalupo Films)
“There Was, There Was Not” by Emily Mkrtichian (Armenia, U.S.), produced by Mara Adina (Vernon Films), Emily Mkrtichian (There Was, There Was Not LLC)
VdR-Rough Cut Lab
“Cúcuta” (Working Title) by Anaïs Michel & Braulio Jatar (Colombia, U.S., Venezuela), produced by Anaïs Michel, Braulio Jatar (Quicksand Films LLC)
“Fragments of Ice” by Maria Stoianova (Ukraine), produced by Alina Gorlova, Maksym Nakonechnyi (Tabor)
“Our Second Home” by Frankie Sin (Hong Kong, Taiwan, France), produced by Stefano Centini (Volos Films Ltd), Peter Yam (Blue Island Limited), Xavier Rocher (La Fabrica Nocturna Cinema)
“So That We Stay Alive” by Amine Kabbes Mohamed (Algeria), produced by Yacine Bouaziz, Fayçal Hammoum (Thala Films)
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发表于 2022-7-5 01:57:08
发表于 2022-11-12 20:05:11