Hot Docs节与Jennifer Baichwal的“ Into the Weeds”开放
Hot Docs Festival to Open With Jennifer Baichwal’s ‘Into the Weeds,’ Unveils Full Slate
第29届年度热门文档加拿大INTL。纪录节将与詹妮弗·拜瓦尔（Jennifer Baichwal）的“杂草”开放，讲述一位以前的地勤人员在他的癌症诊断后与一家农业化学公司作斗争，今天上午在多伦多举行的媒体会议上宣布了这位全面的片段。由于她与加拿大摄影师爱德华·伯蒂斯基（Edward Burtynsky）进行了视觉上的合作三人，探索了人类对地球的影响，例如“制造的景观”。她是Hot Docs历史上第一位举办第二部电影的导演，在2022年正式选择中，有49％的女导演中的49％。“ Into The Weeds”是在Hot Docs上获得全球首演的63个冠军之一，这是自2019年以来首次返回实时放映，在15个节目中展示了来自63个国家的226张电影。热门文档将于4月28日至5月8日运行。“我们很高兴能够带来这些杰出的，直言不讳Ories到多伦多电影院和整个加拿大的在线。” “今年的计划直接谈到了当今许多最紧迫的问题，并将使观众充满活力，受到启发和在某些情况下感到愤怒。”今年的竞争性国际频谱计划是温床，包括陈·顿（Chan Tze Woon）的“蓝岛，包括陈的蓝岛，” ”关于当代香港抗议历史的Doc-Drama混合体； Bogna Kowalczyk的“ Boylesque”，讲述了一个公开的同性恋82岁的波兰男子在他的同性恋国家中大声生活；卡尔·马拉基纳斯（Karl Malakynas）的“德里卡多（Delikado）”，约有三场环境十字军为拯救菲律宾的岛屿天堂而战；关于谋杀斯洛伐克记者的腐败调查的“杀害记者”； “小女孩（小女孩）”，重新审视了臭名昭著的杜特鲁克斯事务；里德·哈克尼斯（Reed Harkness）的“山姆现在”（Sam Now），讲述了一个儿子的20年搜索母亲，他抛弃了他。s上周宣布的特殊演示板块。加文·菲茨杰拉德（Gavin Fitzgerald）的“百万美元鸽子”（Million Dollar Pigeons）着眼于利润丰厚的国际鸽子赛车世界中的候选人和羽毛，而巴里·阿夫里奇（Barry Avrich）的“才华横溢的罗森伯格先生”（The Faltan the Planited Rosenberg先生”概况在多伦多臭名昭著的约克维尔·斯威德勒（Toryorious Yorkville Swindler）。目前的入侵是在世界展示中获得世界首映的几部电影之一。其他标题包括“射击战争”（冲突摄影记者），“妈妈”（母子康复过程），“仍然是我唱歌”（女歌手在“阿富汗明星”中竞争），“非洲人”（年度非洲人类”权利模拟法庭比赛）和“酷儿我的朋友”（韩国电影制片人记录了她最好的朋友作为同性恋男人的年龄）。不可能的加拿大频谱世界首演包括“不要来搜索”（牙买加移民从加拿大返回加拿大的移民工人与大新闻），“好吧！” （自闭症谱系的音乐家为他们的第一场演出做准备）伯尼·兰吉尔（Bernie Langille）想知道伯尼·兰吉尔（Bernie Langille）发生了什么”（一个男人调查了祖父未解决的死亡），“从所有事物中自由”（艾滋病和冠状病毒），“ scrap”（废弃的机器的空间）和“庇护所”（一个庇护所”（一个（一个”）电影制片人对房屋的探索）。在隐藏的历史中，新的主题链，阐明了埋葬的故事。该计划将放映世界首映的“不被人：休元的被遗忘的孩子”，研究安大略省最古老的政府经营的残疾儿童的虐待文化。欧洲的不断变化的面孔返回，探索电影的一部分，探索了探索过渡范围的范围地区，全球首演的头衔包括：“原子希望 - 亲核运动”，对解决气候危机的核能能力进行了调查；和“乐队”，看着一支全女性艺术摇滚乐队，正在处理孕产。“萨巴如何继续唱歌”，其中一名94岁的男子告诉他的家人，他在奥斯威辛集中营中幸存下来在Artscapes Strand上首映世界，以及：“美丽的伤疤”，这是加拿大歌手兼作曲家汤姆·威尔逊（Tom Wilson）面对深层家庭秘密的肖像； “真实的”法国 - 卡姆罗尼亚说唱歌手Ichonl的创造性再生；以及“艺术家的女儿，帆布上的石油”，其中一个女人试图通过他的作品来理解她遥远的父亲，尊敬的画家。伦敦数百万美元的唱片唱片交易的朋克乐队塔楼。妇女的声音在Persister计划中得到了放大，该计划在菲利斯·埃利斯（Phyllis Ellis）的世界首映式上展示了有关妇女对妇女身体政策的最新“类别：女人”的首映式体育以及“解构卡伦”（白人妇女用餐并讨论种族主义），“埃内斯托，格拉西亚斯”（孕妇的电影制片人，她的自闭症兄弟，她的单身母亲在哥斯达黎加面临经济和医疗挑战），“打包狩猎”（三个女性政治ANS与机构作战）和“沉默的美女”（一位面对祖父性暴力行为的电影制片人）。智利纪录片电影业的艺术和影响在今年的《制作》中展示了，而电影的纪录片形式和想法是在标记中展示。长长的情节系列鞠躬鞠躬，包括：“在风暴之眼：Yanis Varoufakis的政治奥德赛”，这是关于有争议的希腊政治家Yanis Varoufakis的六分之一；有争议的刺痛行动之后的一家纪录片“贝弗利·林恩·史密斯（Beverly Lynn Smith）的尚未解决”，以及“我们都会死（甚至是杰伊·巴鲁切尔（Jay Baruchel）），这是一个关于加拿大演员杰伊·巴鲁切尔（Jay Baruchel）主持的世界末日的系列。专注于节目庆祝加拿大电影制片人雷蒙德·普罗申（Raymonde Provencher）的作品，而印度纪录片人阿南德·帕特沃恩（Anand Patwardhan）则在杰出的成就奖回顾性计划中感到荣幸。电影院 - 重新点燃了今年的Redux计划，包括著名电影制作二人组合Janis Cole和Holly Dale的作品以及Inuk导演Zacharias Kunuk的作品。
The 29th annual Hot Docs Canadian Intl. Documentary Festival will open with Jennifer Baichwal’s “Into the Weeds,” about a former groundskeeper who battles an agrochemical corporation after his cancer diagnosis, it was announced this morning at a media conference in Toronto unveiling the full slate.
The acclaimed Toronto filmmaker is best known for her trio of visually arresting collaborations with Canadian photographer Edward Burtynsky exploring impact of humans on the planet, such as “Manufactured Landscapes.” She is the first director in Hot Docs history to have a second film open the festival, and among the 49% of female directors in its 2022 official selection.
“Into the Weeds” is one of 63 titles receiving their world premieres at Hot Docs, which returns to live screenings for the first time since 2019, presenting 226 films from 63 countries across 15 programs. Hot Docs runs April 28 to May 8.
“We are elated to be able to bring these outstanding, outspoken stories to Toronto cinemas, and online across Canada,” said Hot Docs’ director of programming Shane Smith. “This year’s program speaks directly to many of today’s most urgent issues and will leave audiences energized, inspired and, in some cases, outraged.”
This year’s competitive International Spectrum program is a hotbed, with world premieres including Chan Tze Woon’s “Blue Island,” a doc-drama hybrid about contemporary Hong Kong’s history of protest; Bogna Kowalczyk’s “Boylesque,” about an openly gay 82-year-old Polish man living loudly in his homophobic country; Karl Malakynas’ “Delikado,” about three environmental crusaders’ battle to save an island paradise in the Philippines; “The Killing of a Journalist,” about the corrupt investigation into the murder of a Slovakian journalist; “Petites (Little Girls),” which revisits the infamous Dutroux Affairs; and Reed Harkness’ “Sam Now,” about a son’s 20-year search for the mother who abandoned him.
Hot Docs adds two world premiering titles to its Special Presentations slate, which was announced last week. Gavin Fitzgerald’s “Million Dollar Pigeons” looks at the fanciers and feathers in the lucrative world of international pigeon racing, while Barry Avrich’s “The Talented Mr. Rosenberg” profiles Toronto’s notorious Yorkville Swindler.
“Zero Position,” filmed in Eastern Ukraine prior to the current invasion, is among several films receiving their world premieres in World Showcase. Other titles include “Shooting War” (conflict photojournalism), “Mom” (a mother-son healing process), “And Still I Sing” (female singers competing in “Afghan Star”), “African Moot” (the annual African Human Rights Moot Court Competition), and “Queer My Friends” (Korean filmmaker documents her best friend’s coming of age as a gay man).
Notable Canadian Spectrum world premieres include “Don’t Come Searching” (a Jamaican migrant worker returning home from Canada with big news), “Okay!” (musicians on autism spectrum prepare for their first show), “Bernie Langille Wants to Know What Happened to Bernie Langille” (a man investigates his grandfather’s unresolved death), “Freedom From Everything” (AIDS and the coronavirus), “Scrap” (the spaces of discarded machinery), and “Shelter” (a filmmaker’s exploration of home).
Films in Hidden Histories, a new themed strand, shed light on buried stories. The program will screen the world premiere of “Unloved: Huronia’s Forgotten Children,” examining the culture of abuse inside Ontario’s oldest government-run home for disabled children.
The Changing Face of Europe returns with a slate of films exploring the scope of transition in the region, with world premiering titles including: “Atomic Hope – Inside the Pro-Nuclear Movement,” an investigation into the capabilities of nuclear energy to tackle climate crisis; and “Band,” looking at an all-female art rock band dealing with motherhood.
“How Saba Kept Singing,” in which a 94-year-old man tells his family how he survived Auschwitz, has its world premiere in the Artscapes strand, along with: “Beautiful Scars,” a portrait of Canadian singer-songwriter Tom Wilson as he confronts deep family secrets; “For Real,” the creative regeneration of French-Cameroonian rapper Ichonl; and “The Artist’s Daughter, Oil on Canvas,” in which a woman attempts to understand her distant father, an esteemed painter, through his work.
Nightvision’s edgy slate includes the world premiere of “F**ck It Up!,” which follows punk band Towers of London’s energetic ruination of their multi-million-dollar record deal.
Women’s voices are amplified in the Persister program, which presents the world premiere of Phyllis Ellis’ latest, “Category: Woman,” about the policing of women’s bodies in sports, as well as “Deconstructing Karen” (white women dine and discuss racism), “Ernesto, Gracias” (a pregnant filmmaker, her autistic brother, and her single mother face economic and medical challenges in Costa Rica), “Hunting in Packs” (three female politicians fight the establishment), and “Silent Beauty” (a filmmaker confronting her grandfather’s acts of sexual violence).
The artistry and impact of Chile’s documentary film industry is showcased in this year’s Made In program, while films experimenting with documentary form and ideas are showcased in Markers.
Long-form episodic series bowing in Deep Dive include: “In the Eye of the Storm: The Political Odyssey of Yanis Varoufakis,” a six-parter about controversial Greek politician Yanis Varoufakis; “The Unsolved Murder of Beverly Lynn Smith,” a docuseries following a controversial sting operation, and “We’re All Gonna Die (Even Jay Baruchel),” a series about the end of the world hosted by Canadian actor Jay Baruchel.
The 2022 Focus On program celebrates the work of Canadian filmmaker Raymonde Provencher, while Indian documentarian Anand Patwardhan is honored in the Outstanding Achievement Award Retrospective program.
Notable films from Telefilm Canada’s recent digitization project Canadian Cinema — Reignited are feature in this year's Redux program, including works by renowned filmmaking duo Janis Cole and Holly Dale and by Inuk director Zacharias Kunuk.
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发表于 2022-7-5 01:20:59
发表于 2022-10-30 00:09:07