纪录片自媒体解说素材-新闻动态参考-TizianBüchi在他的“像岛”的街区肖像中融合了现实和魔术/Tizian Büchi Blends Reality and Magic in His Portrait of a Neighborhood ‘Like an Island’

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TizianBüchi在他的“像岛”的街区肖像中融合了现实和魔术

Tizian Büchi Blends Reality and Magic in His Portrait of a Neighborhood ‘Like an Island’

想象一个大多数移民家庭和养老金领取者的郊区社区，藏在宽阔的大道下，楔入森林和河流的边缘。或正如瑞士导演蒂齐安·布奇（TizianBüchi）所说：“除非他们住在那儿，否则没人去的洞。”这是他的第一部长片《像岛》的背景，在瑞士尼恩的愿景的国际比赛中选出。确保没有人去河边任何地方。为什么？Ammar很想知道。丹尼尔（Daniel）似乎有了答案，他对他的神秘使命。当守望者做出毫无意义的回合并建立友谊时，居民对河岸上可能发生的事情分享了自己的看法。通过他们的话，他们对这个鲜为人知的洛桑（Lausanne）绘画了一个动人而活泼的肖像。很快，你在那里感到非常欢迎，哟你希望你能成为其中之一。“住在faverges的人具有强烈的身份感，使您想发现邻里，”导演在2019年夏季和2020年夏季拍摄的导演说：“当电影打屏幕，我们希望组织带导游的访问，以使体验完整。”他本人最近搬进了该地区。在这部电影上四年，他的第一部作品。他笑着说：“缓慢是我的特征。”“但是与此同时，我是工作，生活经历的乐趣，而且日子总是太短暂了。我的项目成熟并栩栩如生，我总是花了很长时间。我现在已经接受了它，但并不总是那么宁静。当您像我一样以后开始时，您倾向于比较自己的工作布奇发现电影很晚。他说，看着古斯·范·桑特（Gus van Sant）的“格里（Gerry）”证明了一个转折点，“当我想到时，它仍然给我带来鸡皮ump。” Büchi出生于Neuchâtel，搬到洛桑（Lausanne），研究那里的大学电影的历史和美学，同时是独立电影的发行人，以及包括NeuchâtelIntl在内的几个节日。梦幻般的电影节。然后，他前往布鲁塞尔参加Arts de de散布研究所（IAD）。目前，布奇是Solothurn和Winterthur Festival团队的一部分，经过两年的合作，与洛杉矶电影节合作。当他在布鲁塞尔学习后回到洛桑时，他的道路穿越了Faverges社区。 “我一直在寻找电影。有人告诉我这个地方。大自然在城市中间！他说：“一个田园般的地方，您可以在这里看到the和sal，在那里您得到这种神秘感。”“我觉得我们可以在那里讲很多故事。我一直认为大自然具有强大的想象力。当我工作时，我想了解设置，从不同的角度进行处理：结识人们，听取他们的故事，同时也了解该地方的性质，地质，建筑，历史和能量。起初我真的没有脚本。我只是对这个地区的好奇心，在河边和演员周围讲述的故事。布奇说：“他当时是一名公共汽车票务检查员，具有超凡魅力，相当专制但热情。” “那时我什至没有拍电影，但是当我第一次见到他时，我对自己说，如果有一天，我希望他能参加电影！”因此，当他有“像一个岛”的想法时，他立即想起了丹尼尔。多年来找到他并不容易，但值得：丹尼尔（Daniel）是一个真正的抓手。他的106分钟电影《布奇》（Büchi）巧妙地模糊了小说 - 守卫的使命与现实生活 - 丹尼尔（Daniel）和阿玛尔（Ammar）的邻里和生活轨迹，后者在拍摄时是布奇（Büchi）的室友。“我喜欢将小说的小触摸蒸到电影中，以在真实与不是真实的事物之间进行对话。当事情混合在一起时，我喜欢它，我们不知道什么是什么。”

Picture a suburban neighborhood that mostly immigrant families and pensioners call home, hidden under a wide avenue and wedged on the edge of a forest and a river. Or as Swiss director Tizian Büchi puts it: “A hole where no one ever goes, unless they live there.” This is the setting of his first feature film, “Like an Island,” selected in the international competition at Visions du Réel, in Nyon, Switzerland.

Now picture two guards, Daniel and his younger colleague Ammar, patrolling the area night and day to make sure no one goes anywhere near the river. Why? Ammar would love to know. Daniel, who fulfills his mysterious mission with zeal, seems to have answers. As the watchmen make their pointless rounds and develop a friendship, the residents share their own views on what may have happened on the banks of the river.

Through their words, they paint a touching and very lively portrait of this little-known district of Lausanne. Quickly, you feel so welcome there, you wish you’d be one of them.

“The people who live in Faverges have a strong sense of identity that makes you want to discover the neighborhood," says the director, who filmed there in summer 2019 and summer 2020. “When the movie hits the screens, we hope to organize guided visits to make the experience complete.” He himself has recently moved into the area, he confides.



After two shorts (including “The Sound of Silence,” awarded a special mention of the Youth Jury at Visions du Réel in 2017), Büchi worked for four years on this film, his first feature. “Slowness is what characterizes me,” he laughs. “But at the same time, I am a bulimic of work, of life experiences, and the days always seem too short. It always takes me a long time for my projects to mature and come to life. I have accepted it now, but wasn’t always so serene about it. When you start later in age as I did, you tend to compare what you do to everything others have already achieved.”

Büchi discovered cinema rather late. Watching Gus Van Sant's “Gerry” proved a turning point, “It still gives me goosebumps when I think about it,” he says. Born and raised in Neuchâtel, Büchi moved to Lausanne to study the history and aesthetics of cinema at the university there, while working as a distributor for independent movies, and for several festivals, including Neuchâtel Intl. Fantastic Film Festival. He then headed to Brussels to attend the Institut des Arts de Diffusion (IAD). Currently, Büchi is part of the Solothurn and the Winterthur festival teams, after two years collaborating with the Locarno Film Festival.

When he returned to Lausanne, after his studies in Brussels, his path crossed that of the Faverges neighborhood. “I was looking for a film setting. Someone told me about this place. Nature in the middle of the city! A bucolic place where you get to see badgers and salamanders, where you get this feeling of mystery," he says. "I felt we could tell a lot of stories there. I always thought nature holds a strong potential for imagination. When I work, I want to understand the setting, approach it from different angles: meet the people, hear their stories, but also understand the nature, geology, architecture, history, and energy of the place. I didn’t really have a script at first. I just had a curiosity for this area, the stories to be told around the river and the actor.”

Believe it or not, Büchi “cast” Daniel more than 10 years before shooting “Like an Island.” “He was a bus ticket inspector back then, charismatic, quite authoritarian but welcoming," says Büchi. "I wasn't even making films back then, but when I first saw him, I said to myself if one day I do, I'd like him to play in it!” So when he had the idea for “Like an Island,” he remembered Daniel immediately. Finding him after all the years wasn’t easy but worth it: Daniel's a real eye-catcher.

Questioning the surveillance society through his 106 minutes film, Büchi brilliantly blurs the lines between fiction - the guards’ mission - and real life - the neighborhood and life trajectories of Daniel and Ammar, who was Büchi’s roommate at the time of filming. “I love to distill little touches of fiction into a film, to create a dialogue between what is real and what is not. I like it when things are mixed up and we don't know exactly what is what.”



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nov99

感谢大佬分享。我又来学习了~