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[新闻动态] 纪录片自媒体解说素材-新闻动态参考-9/11纪录片追踪了令人震惊的攻击的后果/9/11 Documentaries Trace the Ramifications of the Shocking Attack

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发表于 2022-7-5 05:16:55 | 显示全部楼层 |阅读模式

9/11纪录片追踪了令人震惊的攻击的后果

9/11 Documentaries Trace the Ramifications of the Shocking Attack


在9/11恐怖袭击美国发生二十年后,纪录片制片人仍在努力理解可怕的事件 - 即使后果继续通过地缘政治景观浪费。在2001年发动攻击之后,大约9/11的阴谋理论渗透到了有关事件的论述。为了衡量该主题的含量,Spike Lee从HBO纪录片的第四集也是最后一集中,将30分钟的9/11 Truther材料剪裁出来,“ NYC Epicenters9/11-2021½”,最初将其释放到媒体上以供媒体释放到媒体上通过在《纽约时报》的一次采访中讨论他的疑问,以审查和引起进一步的争议/11是一个小鬼要解决的矫正话题。 “当今阿富汗正在发生的事情的线程可以追溯到9/11,”“ 9/11:总统战室内”的主任亚当·韦斯特(Adam Wishart)本月在Apple TV Plus上播放。纪录片在艾美奖奖得主杰夫·丹尼尔斯(Jeff Daniels)叙述中讲述:“因此,我们的理解至关重要。赖斯,国务卿科林·鲍威尔和其他官员。 Wishart说:“从历史上学习是我们作为公民职责的重要组成部分。” “并直接听取这些前官员的声音,不仅在9/11艾滋病上发生了什么,而且还提供了教训,理解和背景。”迈克尔·柯克(Michael Kirk)的两个小时的“前线”纪录片《 9/11之后的美国》(9/11)在9月首次亮相。 7在PBS上,追踪美国政府对乔治·W·布什政府的恐怖袭击的回应对唐纳德·特朗普(Donald Trump) “我们研究了我们如何达到这种不信任的水平,在哪里让人们生气,我应该接种疫苗吗?”柯克解释说。 “在1990年代,人们会在美国四处奔波,以争取是否要采用可能阻止死亡的疫苗?我不这么认为。”“ 9/11之后的美国”借鉴了柯克那天关于灾难性事件的众多纪录片,虽然他站在那些较早的作品中,但他相信直到他的最新文件,他和他的他和他的他和他的团队能够将有关美国正在发生的事情连接起来。他说:“当我们这样做时,我们从9/11到2021年1月6日。被指控计划一块基地组织,以炸毁美国建筑物。该系列最近也流了八个档案库。现在,以当代的方式融合了过去20年中发生的事情的历史,”“ Frontline”执行制片人Raney Aronson-Rath说。 “我认为这些文档会有很大的兴趣,尤其是考虑到现在正在发生的事情。”历史频道有四个有关悲剧的新纪录片,包括“ 9/11:我在那里”,这是事件的肖像,被普通百姓捕获。历史上编程执行副总裁Eli Lehrer表示,该网络正在寻找新的方法来年复一年地接近该主题,”雷勒说。 “但是,当9月11日来临时,人们似乎确实愿意停下来并真正记住,反映并沉浸在编程中,以表彰那些日子的事件和人们所做的牺牲。” Pamela Yoder和Steven Rosenbaum被认为是世界主要历史学家在trag上埃迪(Edy)指导“局外人”,讲述曼哈顿国家9/11纪念馆和博物馆。这部纪录片上个月在Facebook上首映,并在亚马逊和iTunes上发行,遵循这位挣扎的小说家转向博物馆创意总监Michael Shulan的旅程,建立了一个在声音和策划中“民主”的机构。导演二人组无限制地访问纪念馆和工作人员的内部会议,可以在内部查看博物馆的策展过程,但坐在录像带上,直到2018年,他们意识到Shulan是他们的主角。我们是迈克尔的故事,”罗森鲍姆说。 “我们之所以挣扎,是因为他不是传统意义上的英雄,最终他并没有赢。因此,我们必须以一种有用和相关的方式讲述他的故事。主持人乔恩·斯图尔特(Jon Stewart),社会活动家约翰·菲尔(John Feal)和FDNY英雄雷·菲佛导演罗布·林赛(Rob Lindsay)说。 “地面零的许多急救人员中有许多患有癌症,几乎所有的人都有呼吸系统问题。而且,如果他们没有生病,他们最终会得到PTSD。该系列与9/11纪念与博物馆合作制作,该系列介绍了那天的每一分钟。导演丹尼尔·博加多(Daniel Bogado)说,该系列展示了活动的恐怖和人类。“当您将它们放在一起时,这些故事实际上是一个很鼓舞人心的,”他说。 “您会一次又一次地看到团结,英勇,善良和勇气的主题。零件的总和比它们更大VES。”

Two decades after the 9/11 terrorist attacks on America, documentary filmmakers are still trying to make sense of the horrific events — even as aftereffects continue to ripple through the geopolitical landscape.

The U.S. military’s withdrawal from Afghanistan has renewed political debate over the invasion launched in the wake of the 2001 attacks as conspiracy theories about 9/11 permeate discourse about the events. In a measure of how fraught the subject remains, Spike Lee cut 30 minutes of 9/11 truther material from the fourth and final episode of his HBO documentary, “NYC Epicenters 9/11-2021½,” after initially releasing it to the media for review and stoking further controversy by discussing his doubts in a New York Times interview about how the twin towers were destroyed.

Filmmakers and TV programmers acknowledge that these projects require delicate treatment — especially concerning graphic scenes of the attacks and their aftermath — but stress that 9/11 is an important topic to tackle. “The threads of what is happening in Afghanistan today stretch back to 9/11,” says Adam Wishart, director of “9/11: Inside the President’s War Room,” streaming this month on Apple TV Plus. “And therefore, it is critical that we understand it.”

Narrated by Emmy Award winner Jeff Daniels, the documentary recounts the 12 hours after the terror strikes and offers insight from President George W. Bush, Vice President Dick Cheney, National Security Advisor Condoleezza Rice, Secretary of State Colin Powell and other officials. “Learning from history is a vital part of our duty as citizens,” says Wishart. “And hearing directly from these former officials about what happened on 9/11 aids not only accountability but also provides lessons, understanding and context.”

Michael Kirk’s two-hour “Frontline” documentary “America After 9/11,” which debuted Sept. 7 on PBS, traces the U.S. government’s response to the terrorist attacks from George W. Bush’s administration through to that of Donald Trump. “We examine how we got to this level of distrust, where you have people running around angry about should I get vaccinated or not?” Kirk explains. “In the 1990s, would people be running around in America having fights about whether to take a vaccine or not that could prevent death? I don’t think so.”

“America After 9/11” draws on Kirk’s numerous documentaries about the catastrophic events that day, and while he stands by those earlier works, he believes it wasn’t until his latest doc that he and his team were able to connect the dots about what was happening in America. “And when we did that, it took us from 9/11 to Jan. 6, 2021,” he says.

“Frontline” also debuted Dan Reed’s “In the Shadow of 9/11,” about a group of Black men from Miami accused of planning an al-Qaida plot to blow up U.S. buildings. The series has recently streamed eight archival 9/11 docs as well.

“Our hope is that [these docs] really help the next generation of people, who are growing up now, piece together the history of what’s happened in the last 20 years in contemporary terms,” says “Frontline” executive producer Raney Aronson-Rath. “I think that there will be a great appetite for these docs, especially considering what's going on now in Afghanistan.”

The History Channel has four new documentaries about the tragedy, including “9/11: I Was There,” a portrait of events captured by ordinary people. Eli Lehrer, executive VP of programming at History, says the network looks for new ways to approach the topic year after year.

“From a programming standpoint, we have found that asking people to enter that sort of emotional space in August or March is hard,” says Lehrer. “But when Sept. 11 rolls around, people do seem willing to stop and really remember and reflect and immerse themselves in programming that honors the events of those days and the sacrifices people made.”

Pamela Yoder and Steven Rosenbaum, considered the world’s leading historians on the tragedy, directed “The Outsider,” about the National 9/11 Memorial and Museum in Manhattan. The documentary, which premiered on Facebook last month and is available on Amazon and iTunes, follows the journey of the struggling novelist turned museum creative director Michael Shulan to build an institution that was “democratic” in its voice and curation.

The directing duo had unlimited access to the memorial and staff’s internal meetings, allowing for an inside look at the museum’s curatorial process, but sat on the footage until 2018, when they realized that Shulan was their protagonist.

“Every time I touched the material, the thing that spoke to us was Michael’s story,” says Rosenbaum. “We struggled with that because he's not a hero in the conventional sense and he doesn't win in the end. So, we had to get our arms around how to tell his story in a way that would be useful and relevant.”

Discovery Plus’ “No Responders Left Behind,” meanwhile, focuses on the fight waged by former “Daily Show” host Jon Stewart, social activist John Feal and FDNY hero Ray Pfeifer to get health benefits and compensation for 9/11 first responders.

“Our film isn’t really about 9/11 as much as it is about the 20 years that happened after,” says director Rob Lindsay. “Many of these first responders at ground zero got cancer, and almost all of them got respiratory problems. And if they didn’t get sick, they ended up getting PTSD.”

National Geographic’s six-part documentary “9/11: One Day in America,” also features first responders, along with survivors. The series, made in collaboration with the 9/11 Memorial & Museum, recounts close to every minute of that day. Director Daniel Bogado says that the series shows the horror as well as the humanity of the event.

“When you put them together, those stories are actually quite inspiring on their own,” he says. “You see the theme of solidarity and bravery and kindness and courage again and again and again. The sum of the parts becomes larger than themselves.”



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上一篇:纪录片自媒体解说素材-新闻动态参考-为什么NBC新闻要去电影/Why NBC News Is Going to the Movies
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发表于 2022-11-13 05:44:30 | 显示全部楼层
感谢分享啊。谢谢版主更新资源。
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发表于 2023-12-19 17:04:12 | 显示全部楼层
感谢论坛提供了这么多好资源啊
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发表于 2024-1-24 06:08:13 | 显示全部楼层
谢谢楼主分享,发现宝藏了。
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