尼克·凯夫（Nick Cave），辛纳·奥康纳（SinéadO’Connor），伦纳德·科恩（Leonard Cohen）纪录片CPH：DOX音乐节目
Nick Cave, Sinéad O’Connor, Leonard Cohen Documentaries Among CPH:DOX Music Program
哥本哈根英特尔。纪录片电影节（CPH：DOX）于3月21日至4月3日举行，揭示了其音乐节目，Sound＆Vision的阵容。该节目的Highlighlights包含18部电影，包括一部尼克洞穴纪录片，A看看SinéadO'Connor的音乐事业的兴衰，伦纳德·科恩（Leonard Cohen）热门歌曲“ Hallelujah”背后的故事以及由人工智能创作的专辑的考试。伦纳德·伯恩斯坦（Leonard Bernstein），斯托克豪森（Stockhausen），xxxtentaction和来自黎巴嫩的女权主义金属乐队的音乐也将展出。尽管人们一直在与科恩（Cohen）的“哈利路亚（Hallelujah）”一起唱歌已有40多年的历史，但它于1984年首次发行。哈利路亚：伦纳德·科恩（Leonard Cohen），一首旅程，一首歌“带我们完成了科恩的职业生涯和创作“哈利路亚”（Hallelujah），他从事了七年的工作。Cave的电影“ This Re This Re this Rease Reace tope at tirm”着重于亲密的音乐会体验，并提供了对他的合作的见解与他的创意合作伙伴沃伦·埃利斯（Warren Ellis）一起展示了音乐家的其他激情之一：制作魔鬼的雕塑。“我知道这是真实的，”由CPH提供：doxin“ Nothing Companie Compand”，我们遵循O'Connor从国际流行音乐中的道路明星从主流音乐中流放，同时还处理宗教，性别认同和男性主导的音乐行业。“看我！”探索少年Jahseh Onfroy如何成为SoundCloud说唱歌手XXXTENTACTION，这是世界上最流行的艺术家之一。家人，朋友和浪漫的合作伙伴，以及档案录像画了一张艺术家的照片，其暴力，原始的音乐才能和与心理健康的开放斗争在说唱歌手去世之前，在20岁时就给一代人留下了烙印。在被诊断出患有精神分裂症之前，Beach Boys前任Brian Wilson的生活充满了滥用药物，虐待关系和损失。“布莱恩·威尔逊：长期答应罗AD”是一个关于生存和在音乐中找到力量的敏感故事。“匿名俱乐部”跟随澳大利亚雄伟的澳大利亚歌手兼作词人考特尼·巴内特（Courtney Barnett）穿着三年的生活。这部电影描绘了艺术家的创作过程，音乐会经历，焦虑和不安全感的诚实肖像。“在浴室里见我”是对曼哈顿下东侧摇滚乐的复活的洞察力，突出了一些最伟大的音乐家在Noughties中，有像中风这样的乐队，是的，是的，LCD Soundsystem，Interpol和电视在广播中。美国流行乐队游艇一直在创新并尝试表达音乐的方式。在“计算机口音”中，乐队通过仅使用人工智能制作专辑来将他们的创作过程掌握在技术手中。 ，但可能性是有限的。这部电影跟随女乐队成员成为摇滚明星的道路，同时在贝鲁特爆发的友谊，爱情和暴力革命。愿景“我自己的声音”（德国丽贝卡·泽尔（Rebecca Zehr），她父亲去世后，玛哈（Marja）跟随他的脚步成为乐队Embryo乐队的新前锋。玛雅在音乐中找到自己的声音和忠于已故父亲的声音。“匿名俱乐部”（澳大利亚丹尼·科恩（Danny Cohen））与Slack-Queen Queen Courtney Barnett一起在电影的电影院明信片中，这是一部电影，这是一部季度的任何事物 - 生活危机和舞台恐惧。“伯恩斯坦的墙”（美国的道格拉斯·蒂罗拉，美国）通过访谈，电视露面，家庭视频和信件，我们得到了美国最伟大的作曲家之一伦纳德·伯恩斯坦的全面肖像。路”（美国布伦特·威尔逊）海滩男孩fr安特曼·布莱恩·威尔逊（Ontman Brian Wilson）通过滥用毒品，不健康的关系，失去家庭成员和改变诊断的生活。“计算机口音”（塞巴斯蒂安·帕尔多（Sebastian Pardo）和瑞尔·罗奇·德克特（Sebastian Pardo＆Riel Roch-Decter），美国）的音乐如何由人工智能声音创作的音乐如何？ American Synthpop Group游艇将自己投入了一个创意实验：让计算机构成他们的下一张专辑。“ Dream Diver”（Dream Diver”（丹麦乔纳斯·邦）乐队的成员Dream Diver都从Skovmoseskolen彼此认识，这是一所有特殊需要的儿童学校。在他们的老师的指导下，他们发现了通过音乐表达自己的共同热情和喜悦。“ Freakscene”（菲利普病毒，德国/美国）。有影响力的乐队，小恐龙。“哈利路亚：伦纳德·科恩，一首旅程，一首歌”（Dan Geller＆Dayna Goldfine，美国），通过音乐会，广播和电视采访的档案片段，我们跟随Leonard Cohen AD热门歌曲“ Hallelujah”。“ L.A.R.S.T。拥抱。 Vega Koncert - G.R.E.A.T.E.S.T L.I.V.E”（丹麦）Lars H.U.G 2016年在Vega举行的最后一场演出已变成一部音乐会电影。“ Licht - Stockhausen的遗产”海牙正在举办世界知名作曲家Karlheinz Stockhausen的歌剧“ Licht”。结果是一场歌剧马拉松比赛，持续了七天。“看着我！” （Sabaah Forayan，美国）暴力，原始音乐才能和心理健康问题。 Soundcloud说唱歌手XXXTentacion的敏感肖像，他在20岁时去世前留下了印记。 ，LCD Soundsystem，Interpol和电视在广播中，“在浴室里见我”可以洞悉所谓的曼哈顿下东区Rock'N'Roll的复活。“ Mija”（Isabel CA美国斯特罗（Stro））多丽丝·穆诺兹（Doris Munoz）是一位雄心勃勃的年轻音乐经理，他的无证件家庭依靠她的启动流行歌星的能力。当她失去最大的客户时，多丽丝必须找到新的才华，这导致杰克斯（Jacks） - 另一个移民的女儿，“突破”不仅是一个梦想，而且是必需的。爱尔兰）音乐家辛纳·奥康纳（SinéadO'Connor）的肖像，他从国际流行歌星（International Popstar）转到最终从主流音乐中流放。这部电影着重于1987年至1993年的叛逆行为，反映了音乐家的遗产。“ Rewind＆Play”（法国/德国的Alain Gomis），一位伟大的艺术家，生活和呼吸音乐的伟大艺术家被旋转成肤浅的媒体机器。美国爵士钢琴家Thelonious Monk的肖像。“ Sirens”（黎巴嫩丽塔·巴格达迪）在贝鲁特，莱拉斯和谢里郊区，莱拉斯和谢里郊区，全女性金属乐队的联合创始人和吉他手，与友谊，性和愤怒的斗争他们成为岩石的道路星星。“亚少标 - 从未发生过的未来”（挪威/德国Ina Pillat），Subhardchord于1950年代发明了东德，是东方和西方技术竞赛的象征。随着柏林墙的倒塌，副标士被遗忘了，创作者格哈德·斯坦克（Gerhard Steinke）现在正试图调查他发明的最后一份副本。粉丝邮件，魔鬼生活的雕塑和亲密的音乐会体验。有关尼克·凯夫（Nick Cave）的纪录片及其与沃伦·埃利斯（Warren Ellis）的创造性合作。
Copenhagen Intl. Documentary Film Festival (CPH:DOX), which runs in-person March 21-April 3, has revealed the lineup for its music program, Sound & Vision.
Highlights of the program, which contains 18 films, include a Nick Cave documentary, a look at the rise and fall of Sinéad O'Connor's music career, the story behind Leonard Cohen's hit “Hallelujah,” and an examinations of an album composed by artificial intelligence. The music of Leonard Bernstein, Stockhausen, XXXTENTACTION and a feminist metal band from Lebanon will also feature.
Although people have been singing along to Cohen's “Hallelujah” for more than 40 years, it flopped when it was first released in 1984. The documentary “Hallelujah: Leonard Cohen, a Journey, a Song” takes us through Cohen’s career and the creation of “Hallelujah,” which he worked on for seven years.
Cave’s film “This Much I Know to Be True” focuses on an intimate concert experience, and also provides an insight into his collaboration with his creative partner Warren Ellis, and presents one of the musician’s other passions: Making sculptures of the devil.
In “Nothing Compares,” we follow O'Connor's path from international pop star to exile from mainstream music, while also dealing with religion, gender identity and the male-dominated music industry.
“Look at Me!” explores how teenager Jahseh Onfroy became the SoundCloud rapper XXXTENTACTION, one of the most streamed artists in the world. Family, friends and romantic partners, together with archival footage paint a picture of an artist whose acts of violence, raw musical talent and open struggles with mental health left an imprint on a generation before the rapper’s death at the age of just 20 years old.
Beach Boys front-man Brian Wilson’s life has been filled with drug abuse, abusive relationships, and loss, before being diagnosed with schizophrenia. “Brian Wilson: Long Promised Road” is a sensitive story about survival and finding strength in music.
“Anonymous Club” follows the headstrong Australian singer-songwriter Courtney Barnett through three years of her life on the road. The film paints an honest portrait of an artist’s creative process, concert experiences, anxiety and insecurities.
“Meet Me in the Bathroom” is an insight into the resurrection of rock and roll on the Lower East Side of Manhattan that highlights some of the greatest musicians of the noughties, with bands like The Strokes, Yeah Yeah Yeah, LCD Soundsystem, Interpol and TV on the Radio.
The American pop group YACHT is constantly innovating and experimenting with ways to express their music. In “The Computer Accent,” the band puts their creative process in the hands of technology by making an album using only artificial intelligence.
The first all-female metal band from the Middle East takes the stage in “Sirens,” where dreams are big, but the possibilities are limited. The film follows the female band members’ path to become rock stars, while struggling with friendship, love and the violent revolution that breaks out in Beirut.
The full program for CPH:DOX will be announced on March 1.
SOUND & VISION
"A Sound of My Own" (Rebecca Zehr, Germany)
After her father’s death, Marja follows in his footsteps to become the new front-figure of the band Embryo. Marja is torn between finding her own voice in music and being true to her late father.
"Anonymous Club" (Danny Cohen, Australia)
On the road with slacker rock-queen Courtney Barnett in a cinematic postcard of a film about anything from a quarter-life crisis and stage fright.
"Bernstein’s Wall" (Douglas Tirola, U.S.)
Through interviews, TV appearances, home video and letters, we get a comprehensive portrait of one of the greatest American composers, Leonard Bernstein.
"Brian Wilson: Long Promised Road" (Brent Wilson, U.S.)
Beach Boys frontman Brian Wilson looks back on his life with drug abuse, unhealthy relationships, loss of a family member and a life altering diagnosis.
"The Computer Accent" (Sebastian Pardo & Riel Roch-Decter, U.S.)
How does music composed by artificial intelligence sound? The American synthpop group YACHT throws themselves into a creative experiment: Letting a computer compose their next album.
"Dream Diver" (Jonas Bang, Denmark)
Members of the band Dream Diver all know each other from Skovmoseskolen, a school for children with special needs. With the guidance of their teachers, they have found a common passion and the joy of expressing themselves through music.
"Freakscene" (Philipp Virus, Germany/U.S.)
An emotional, tragically funny, and noisy tribute to one of the American East Coast’s most influential bands, Dinosaur Jr.
"Hallelujah: Leonard Cohen, a Journey, a Song" (Dan Geller & Dayna Goldfine, U.S.)
Through archive footage from concerts, radio and TV interviews, we follow Leonard Cohen and the making of the hit "Hallelujah."
"L.A.R.S.T. H.U.G. Vega Koncert - G.R.E.A.T.E.S.T L.I.V.E" (Denmark)
Lars H.U.G’s last gig in 2016 in Vega has been turned into a concert film.
"Licht - Stockhausen’s Legacy" (Oeke Hoogendijk, Netherlands)
The Dutch National Opera, Holland Festival and the Royal Conservatory of Hague are staging the opera "Licht" by world-renowned composer Karlheinz Stockhausen. The result is an opera marathon that runs for seven days.
"Look at Me!" (Sabaah Folayan, U.S.)
Violence, raw musical talent, and mental-health problems. A sensitive portrait of SoundCloud rapper XXXTENTACION, who left an imprint on his generation before his death at the age of 20 years.
"Meet Me in the Bathroom" (Dylan Southern & Will Lovelace, U.K.)
With bands like The Strokes, Yeah Yeah Yeah, LCD Soundsystem, Interpol and TV on the Radio, "Meet Me in the Bathroom" gives an insight into what has been called the resurrection of rock 'n' roll on Manhattan’s Lower East Side.
"Mija" (Isabel Castro, U.S.)
Doris Munoz is an ambitious, young music manager whose undocumented family relies on her ability to launch pop stars. When she loses her biggest client, Doris must find new talent, which leads to Jacks – another daughter of immigrants, for whom “breaking through” is not just a dream, it is a necessity.
"Nothing Compares" (Kathryn Ferguson, U.S./Ireland)
A portrait of the musician Sinéad O’Connor, who went from international popstar to eventually seeking exile from mainstream music. Focusing on her rebellious behavior from 1987 to 1993, the film reflects on the musician's legacy.
"Rewind & Play" (Alain Gomis, France/Germany)
A great artist who lives and breathes music is whirled into a superficial media machine. A portrait of the American jazz pianist Thelonious Monk.
"Sirens" (Rita Baghdadi, Lebanon)
On the outskirts of Beirut, Lilas and Shery, co-founders and guitarists of the all-female metal band, struggle with friendship, sexuality and rage on their path to become rock stars.
"The Subhardchord – A Future That Never Happened" (Ina Pillat, Norway/Germany)
The Subhardchord was invented in 1950s East Germany as a symbol of the technology race between East and West. With the fall of the Berlin Wall, the Subhardcord was forgotten and the creator, Gerhard Steinke, is now trying to investigate what became of the last copies of his invention.
"This Much I Know to Be True" (Andrew Dominik, U.K.)
Answering fan mail, sculptures of the life of the devil and an intimate concert experience. A documentary about Nick Cave and his creative collaboration with Warren Ellis.
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发表于 2022-7-5 02:20:50
发表于 2022-11-18 06:43:47