纪录片自媒体解说素材-新闻动态参考-电影制片人将对纪录片的需求归因于流媒体网站/Filmmakers Attribute Growing Demand for Documentaries to Streaming Sites
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0509/1724cd1ac1sjvwf.png电影制片人将对纪录片的需求归因于流媒体网站
Filmmakers Attribute Growing Demand for Documentaries to Streaming Sites
纪录片和纪录片的创建者发现自己在一个迅速扩大的工作市场中。 McBaine，“重建天堂”导演Ron Howard，“持不同政见者”导演Bryan Fogel，“欢迎来到车臣”导演David France和“ Crip Camp”导演Nicole Newnham。我们自己是人类和一种文化，”布拉德利说。 “电影制作和相机是对发生时发生的情况的调查。因此，纪录片制作正在做同样的事情，这感觉就像是一种自然的倾向。 。和T霍夫许多成功的纪录片在过去的几十年中发现了自己的立场，纪录片式项目涌入的原因可以追溯到流媒体。FILMS和表演经历了形式的多元化，因为流媒体网站对新原始内容的需求增加，并且广泛广泛地纪录片的需求增加了。由于他们直接讲述了真实的事件，因此受益。“有这样的艺术纪录片史，但我认为缺乏这种电影制作的资金，或者缺乏插图的纪录片使纪录片在盒子里放了很长一段时间时间，”纽纳姆说。 “因此，我认为彩流人的出现以及进出的资金，人们对形式的艺术性的越来越认识为人们以不同的方式表达事情的可能性。”圆桌会议上的董事讨论还表达了在每部纪录片中找到一条真理的重要性，而不是进行预先决定的结果。对于纽纳姆，什么以真实的方式创建“ Crip Camp”，而不是让人们与经历了经历过故事的人一起工作。我共同努力指导这部电影，吉姆（Jim纽纳姆说，他们的生活经历的真相，以及没有残疾的人，能够进入残疾人社区，然后从这个新发现的角度看运动故事中随后的历史。”纽纳姆说。 ”，在美国军团的2018年男孩州立营地上有一千名青少年，该训练营使男孩团结起来并创建自己的政府形式。它的政治性质给麦克巴因（McBaine）自己的偏见带来了挑战。 bu她说，要创建一部好纪录片，至关重要的是要把它们放在一边，并愿意对一个主题提出的任何想法开放。在德克萨斯州男孩州，您有在谈论政治的人，这使我受到我的核心。”她说。“但是你听。您可能会学到一些有关自己的政治，以及您自己的假设以及您自己的期望的知识。我希望我在项目中学习的所有这些东西都是质疑所有这些。”请注意下面的完整对话。
Documentary and docuseries creators have found themselves amidst a rapidly expanding market for their work.
During the FYC Fest documentary roundtable, Variety's Matt Donnelley discussed the state of documentary filmmaking with panelists including "Time" director Garrett Bradley, "Boys State" director Amanda McBaine, "Rebuilding Paradise" director Ron Howard, "The Dissident" director Bryan Fogel, "Welcome to Chechnya" director David France and "Crip Camp" director Nicole Newnham.
"So much of filmmaking, regardless of the genre, is about us understanding ourselves as human beings and as a culture," Bradley said. "Filmmaking and the camera is an investigation of what happens when that occurs. And so it feels like a natural inclination that documentary filmmaking is doing the same thing, but in a more direct way."
This storytelling aspect of documentary filmmaking, much like in any other medium, allows viewers to invest in the information being relayed to them. And though many successful documentaries found their footing in prior decades, the reason for an influx in documentary-style projects can be traced back to streaming.
Films and shows have experienced a diversification of form as streaming sites increased demand for new original content, and documentaries widely benefited due to their straightforward telling of true events.
"There's such a history of artistic documentary filmmaking, but I think that the lack of funding for that kind of filmmaking, or the lack of outlet for it has put documentaries in a box for a long time," Newnham said. "And so the advent of the streamers and the funding that's come in, I think, and people's growing awareness of the artistry of the form has opened up a lot of possibilities for people to express things in different ways."
The directors on the roundtable discussion also expressed the importance of finding a line of truth in each documentary, rather than going in with a pre-decided outcome. For Newnham, what helped her most in creating "Crip Camp" in an authentic way -- rather than leading people into "inspiration porn" or painting disability as a tragedy -- was working alongside someone who has experienced the story being told.
"I think by (James Lebrecht) and I working together to direct the film, and Jim having a lived experience of disability, we were able to constantly keep in mind both wanting to make a film that would allow people with disabilities -- which is 25% of America -- to see some of the truth of their lived experience, but also people without disabilities to be able to come into (the) disability community and then see the history that followed in the movement story from that new found perspective," Newnham said.
McBaine's documentary, "Boys State," follows a thousand teenagers at the American Legion's 2018 Boys State camp, which has the boys team up and create their own form of government. Its political nature presented challenges to McBaine's own biases going into the film. But to create a good documentary, she said, it's crucial to set them aside and be open to whatever idea is being presented by a subject.
"There's plenty on display in this highly polarized country, but also in this highly polarized space that we were in at Texas Boys State where you have people who are talking politics that offend me to my core," she said. "But you listen. You might learn something about your own politics, but also your own assumptions, and your own expectations. And all of those things I hope I learn when I'm in a project is to question all of that."
Watch the full conversation below.
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太好了，终于找到宝藏论坛了！
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