纪录片自媒体解说素材-新闻动态参考-“超级法国人”评论：跳跃纪录片超级吸引人/‘Super Frenchie’ Review: BASE-Jumping Documentary Is Super Engaging
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0508/4525se0ijkrcc3v.jpg“超级法国人”评论：跳跃纪录片超级吸引人
‘Super Frenchie’ Review: BASE-Jumping Documentary Is Super Engaging
“ Super Frenchie”始于Extreme Sport Docs在世界文档中可能被认为的钱，尽管这是一个意外的。滑雪者和基础跳线Matthias Giraud在法国的一个山峰上sw着尖峰，然后将自己陷入稀薄的空气。在他身后，吉罗（Giraud）和摄影师斯特凡·劳德（Stefan Laude）的摄像机捕捉了雪崩。这是一个非常狂野的景象 - 不仅是因为Giraud在他的地面上与您的热情相处。这部纪录片在6月4日在剧院，虚拟平台和需求开幕的情况下，不像那种令人叹为观止的怪异的故事那样优雅或烦恼，但它的紧张感是令人印象深刻的。有关于风险和回报，强迫和选择，愉悦和损失的估计。但是奥格登（Ogden家族见解。他经常在他荒谬的乐观，独特的有线科目的帮助下轻轻地取得了一项壮举壁架。《陡峭》（Teack）的自由滑雪电影（传奇人物肖恩·麦康基（Shane McConkey））捕捉了吉罗（Giraud）的年轻想象力。（麦康基（McConkey）成为朋友和导师。）说实话，吉罗（Giraud）的想象力甚至在他的家人在阿尔卑斯山的一个度假村度假时，他指出的山峰就以蹒跚学步的山峰而声称。约瑟夫娜母亲和罗伯特神父每个人都证明了儿子对高峰经历的兴趣。（她更加脆弱，更复杂，见解。）对于那些知道的人来说，有一群精英的基础跳跃者干部，他们也对Giraud进行了权衡以命名检查。但是，DOC的Savvier洞察力和温柔在很大程度上要归功于Giraud到目前为止对自己的旅程的理解和How个人和专业线程缠绕。“我喜欢速度。我爱空气，”他很早就告诉我们。 “我认为这没有太大变化。情况越来越糟糕。”中途的悲惨启示提出了一个问题，吉罗（Giraud）称成瘾或拒绝？这也暗示了他看似死亡的企业职业的生命性本质。乔安·吉罗（Joann Giraud）就她的角色展示了婚姻智慧，证实了他们是一对夫妻，但也向他们学习。多年来，随着Matthias和朋友拍摄的镜头，“超级法国人”涵盖了他们的求爱，但即将到来的到来，出生和儿子Soren的幼儿。Giraud提出了一些声明，这可能会导致观众对所接受的性别语言的观看者 - 运动英雄的陈词滥调 - 叹息。但是，这些反思是对Giraud对他在TI世界上的地位的理解的理解我说了他们。几天，他前进了最后一个项目：从他童年假期村庄上方的山脊上的山峰跳下来。对于一个对自己的直觉进行调整的家伙，他平息了某种东西的感觉。他在与两个同事的计划会议上开玩笑，他不想将股骨留在悬崖上。回想起来，戏ter比有趣的比较先知。因为吉罗（Giraud）使他的下降和随后的航班看起来不重要，很容易忘记，像体操运动员和舞者一样，吉罗（Giraud）扮演并无视重力。他看似失重的人需要荒谬的培训。一场毁灭性的事故使我们有机会看到Giraud的习惯必须多么勤奋。他必须步行才能飞行。戴上自己的主题。安德烈斯·德拉·托雷（Andrésde la Torre）通过他的声音设计增加了Doc的拖船（Giraud的飞行乐趣少年尤其是获胜）。音乐乐谱感觉老式的感觉不错。就像太多的极端运动电影一样，当它想要令人不快的时，它会在信号和胜利时施加令人不快的交响曲。屏幕上的东西值得更好。“除了恐惧之外，没有太多告诉我'不'，”吉罗说。那不是小问题。通过“超级法国人”的恐惧课程。它一次又一次地摔倒在垫子上。 “要过上真实的生活，您必须控制恐惧，”吉罗说了几种不同的方式。他在悬崖边缘面对的那种恐惧会特别引起极端运动员的共鸣。但是，除了Giraud关于风和悬崖边缘比率的计算外，他对恐惧的想法反映了一种慷慨的本性，应该与绝对的地球行为却不令人不安。他希望人们梦见大。索伦（Soren）出生几年后，吉罗（Giraud）回到了他没有清理的山上。在离开乔安（Joann）和索伦（Soren）之前，他写了五岁的一封信。以防万一。就像“超级法国人”一样，这是一种内心和恩典。
“Super Frenchie” begins with what might be considered in the world of extreme sport docs a money shot, albeit an unexpected one. Skier and BASE jumper Matthias Giraud swooshes down a peak in France before hurtling himself into thin air. Behind him a vast shelf of snow cascades, with Giraud’s and photographer Stefan Laude’s cameras capturing the avalanche. It’s a pretty wild sight — and not just because Giraud is whooping with did-you-see-that enthusiasm once he’s on the ground.
Directed by Chase Ogden, “Super Frenchie” shares some DNA with Oscar-winner “Free Solo.” Opening June 4 in theaters, virtual platforms and on demand, the documentary isn’t as elegant or as fraught as that spectacular look-ma-no-tethers tale, but it’s nervous-making enough to impress. There’s reckoning about risk and reward, compulsion and choice, pleasure and loss. But Ogden — who met the French-born Giraud in the Pacific Northwest where he lives — wanted to augment a story of physical pyrotechnics with one of familial insight. A feat he often, gently achieves with the help of his ridiculously upbeat, uniquely wired subject who drudges up mountains — Mt. Hood, the Matterhorn, the Eiger — and (on a good day, of which there are plenty) floats down from their ledges.
Early free-skiing films like “Steep” — featuring legend Shane McConkey — captured Giraud’s young imagination. (McConkey became a friend and mentor.) Truth to tell, Giraud’s imagination was claimed even earlier by the peaks he pointed to as a toddler when his family vacationed in a resort village in the Alps. Mother Josephina and father Robert each attest to their son’s seemingly fated interest in peak experiences. (She with more vulnerable, and complicated, insights.)
For those in the know, there’s a fine cadre of elite BASE-jumpers who also weigh in on Giraud to name check. But the doc’s savvier insights and tenderness are due in no small measure to what Giraud understands about his own journey thus far and how the personal and professional threads entwine.
“I love speed. I love air,” he tells us early on. “I don’t think it’s changed much. It’s getting worse.” A tragic revelation midway poses the question, Is Giraud’s calling an addiction or a repudiation? It also hints at the life-affirming nature of his seemingly death-courting vocation.
Sure, we could put him on the proverbial couch, but he’s already done a fair amount of work toward self-awareness. For her part, Joann Giraud exhibits a marital wisdom that confirms them as a couple to root for but also learn from. With footage shot by Matthias and friends over a number of years, “Super Frenchie” covers their courtship but also the impending arrival, birth and toddlerhood of son Soren.
Giraud makes a few pronouncements that will likely cause viewers attuned to the received language about gender — and clichéd overstatements of sport heroics — sigh. But these ruminations are true to Giraud’s understanding of his place in the world at the time he utters them.
In the months leading up to the baby’s due date, Mattias tries to cram in more jumps — or “projects” as he calls them — in order to take time to be present for the birth. Days out, he heads for one last project: jumping from a peak in the mountain ridge above the village of his childhood vacations. For a guy attuned to his intuitions, he quells a sense of something being off. He jokes at a planning session with two colleagues that he doesn’t want to leave his femur on the cliff. In retrospect, the banter is more prescient than funny.
Because Giraud makes his descents and ensuing flights appear weightless, it’s easy to forget that like gymnasts and dancers, Giraud plays with and defies gravity. His seeming weightlessness requires a ridiculous amount of training. A devastating accident gives us a chance to see just how diligent Giraud’s regimen has to be. He’ll have to walk before he can fly.
Ogden edited footage from 25 sources — starting with the GoPro-wearing subject himself. Andrés de la Torre adds to the doc’s tug with his sound design (Giraud’s whelps of in-flight delight are particularly winning). The musical score feels old-school — and not in a good way. Like the scores of too many extreme sport movies, it presses the adrenaline drip when it wants jitters and goes stodgily symphonic when it signals will and triumph. What unfurls onscreen deserves better.
“Aside from the fear, there’s not much telling me ‘No,’” Giraud says. That is no small matter. Fear courses through “Super Frenchie.” It is wrestled to the mat again and again. “To live a true life you have to control fear,” Giraud says several different ways. The kind of fear he confronts on a cliff’s edge will resonate specifically with extreme athletes. But beyond Giraud’s calculations about wind and cliff-edge-to-floor ratios, his thoughts about fear reflect a generous nature and should speak to decidedly earthbound yet unnerved folks. He wants people to dream big.
Five years after Soren’s birth, Giraud returns to the mountain he didn’t clear. Before leaving Joann and Soren, he writes his five-year-old a letter. Just in case. Like much of “Super Frenchie,” it’s a thing of heart and grace.
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感谢分享，下载收藏了。最喜欢高清纪录片了。 感谢大佬分享。我又来学习了~ 太好了，终于找到宝藏论坛了！ 谢谢更新，天天学习，天天向上！
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