纪录片自媒体解说素材-新闻动态参考-“总统拉里·弗林特”评论：是的，这确实发生了/‘Larry Flynt for President’ Review: Yes, This Really Happened
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0508/3209afgm1wr5bzg.jpg“总统拉里·弗林特”评论：是的，这确实发生了
‘Larry Flynt for President’ Review: Yes, This Really Happened
1978年3月6日，在佐治亚州的一场淫秽指控的法律斗争中，霍斯特勒杂志的所有者和出版商拉里·弗林特（Larry Flynt）在人行道上被枪杀，这是一次暗杀企图，使他部分瘫痪。他很快就成为金轮椅上的标志性人物，但枪击使他震惊。它启动了五年的毒品下降，暴饮暴食和偏执的戒烟。到1983年，Flynt将自己从绝望的沼泽中拉出来，这样做的灵感之一就是他现在有一个事业。他说服自己，中央情报局或联邦调查局是暗杀企图的背后。经过多年的法律斗争，Flynt已经将美国政府视为对手。现在，他坚信它已成为他的致命敌人，从里根总统下来。他要报仇。如何？当然，通过竞选总统。Wdry片段的低生活媒体游击表演艺术使1968年的模拟候选人帕特·保尔森（Pat Paulsen）看起来像伯尼·桑德斯（Bernie Sanders）。这不是一场运动 - 不是真的。这是一个滚动的宣传特技，对政府的想法进行了攻击。用弗林特的话说，这项运动将是“反对里根的美国的讽刺和叛乱”。它的笑话是，弗洛恩特（Flynt）是一位精明的狂热者，从字面上认为他可以赢得胜利。这个笑话当时没有人知道，正如今天所见，在纳迪亚·萨尔（Nadia Szold）活泼的档案纪录片《总统拉里·弗莱恩特（Larry Flynt）》中，Flynt竞选活动现在看起来像是一场对2016年唐纳德·特朗普（Donald Trump）竞选的垃圾，潘妮·安特（Penny-Ante）的期待，至少，它的某些方面。这是一场泥泞的马戏团，对政治中的礼节进行了全面的攻击，尽管它的核心是一个严重的问题：Flynt的绝对主义者对第一修正案的防御。“拉里·弗莱恩特（Larry Flynt）的总统”涵盖了弗林特（Flynt）从过渡到的时期大部分Scenes Smut Peddler是一个肮脏的乡下人小天使，他每月从他的《肉饮》版花花公子（Playboy）赚取1000万美元，转到受损的，大理石嘴的自由语音舞者领导者，对如何利用自己有第六感。他从轮椅上发出了宏伟的声明，好像是王位。与他的妻子，他站在他身边的那个喜剧，越来越多的雄厚的阿尔蒂亚（Althea）成为了出版独裁者的小报模仿，但媒体采取了诱饵。拉里·弗林特（Larry Flynt）是不错的副本。纪录片实质上是涉及“人民与拉里·弗林特（Larry Flynt）”的时期，这是由斯科特·亚历山大（Scott Alexander）和拉里·卡拉斯夫斯基（Larry Karaszewski）撰写的1996年戏剧，由米洛斯·福尔曼（Milos Forman）执导，由奥利弗·斯通（Oliver Stone）制作，与伍迪（Woody）一起制作。哈雷尔森（在他最大胆的表演之一中）是Flynt和Courtney Love（在她的第一场也是最后一次出色的表演中）作为Althea。我认为这部电影是一部叛徒的90年代经典作品，这是一部战斗的法庭喜剧，将拉里·弗林特（Larry Flynt）视为终极的讽刺英雄。看着我t，您不必合理化这一事实，即Flynt在他的杂志上出售退化的垃圾。这就是重点：美国要夸大像这样的人的权利。几年后，在纪录片版本中获得了纪录片，就像有Zeitgeist的好莱坞电影一样。但是不，花了25年。今天，“拉里·弗洛特（Larry Flynt）对总统”的戏剧性影响比那时的感觉要小。现在，有了色情制品，互联网的省份，这种文化主要从这个特殊的自由语音小规模冲突中发展。但是“拉里·弗林特（Larry Flynt）代表总统”讲述了一个如此疯狂的故事，以至于纪录片是1980年代Mishegas肮脏的时间机器。Flynt所谓的总统竞选活动将取决于他获得重大财务支持的能力，他从未成功地做到这一点。但是在路上，他找到了十几种刺激麻烦的方法。纪录片记录的奇怪之处包括所谓的Vicki Morgan的性录像带，Flynt试图以1亿美元的价格购买，声称他可以与他们一起勒索整个政府（我们看到了一个模糊的录像带，据称是Ronald Reagan自己处于相当妥协的位置，尽管该录像带看起来不再是比我两年前在互联网上看到的所谓的唐纳德·特朗普小便录像带真实的。弗林特在最高法院中嘲笑自己的奇观。弗林特（Flynt）招募美国原住民激进主义者罗素（Russell）意味着成为他的副总统候选人；在杰里·法尔威尔（Jerry Falwell）起诉他为诽谤起诉的情况下，弗林特（Flynt）被勒尼（Gurney）在医院的一家医院里登上了他的超现实证词，然后穿着从美国国旗造型的尿布出现在法庭上；弗林特（Flynt）的纽约纽约州纽约州的哥哥艾尔·戈德斯坦（Al Goldstein）在Smut（更不用说自我宣传）说：“他与打更多的硬球的人打硬球，所以他输了。”他说的是政府竞选活动nt，多年来一直困扰着他。最终，我们是否判断拉里·弗林特（Larry Flynt）？他是贪婪的厌恶女性的无聊者，后来的色情出版商服装中的Yippie，还是美国基本权利的十字军，有权说出您想要的任何事情，知道您有权说这句话吗？他都是以上。他的总统竞选从未有机会。即使他找到了支持，谁将投票给霍斯特勒的Auteur？再说一次，很多人问了一个关于特朗普的可比问题。事实证明，即使他使拉里·弗林特（Larry Flynt）看起来天使般，他被证明是一个更聪明，更主流的政治家。
On March 6, 1978, during a legal battle in Georgia over obscenity charges, Larry Flynt, the owner and publisher of Hustler magazine, was shot on the sidewalk, an assassination attempt that left him partially paralyzed. It didn’t take long for him to become an iconic figure in his gold wheelchair, but the shooting devastated him. It kicked-off a five-year descent into drugs, overeating, and a paranoid withdrawal from the world. By 1983, Flynt had pulled himself out of the swamp of despair, and one of the inspirations to do so is that he now had a cause. He convinced himself that either the CIA or the FBI was behind the assassination attempt. After years of legal fights over Hustler, Flynt already saw the U.S. government as his adversary; now he was convinced that it had become his mortal enemy, from President Reagan on down. He was going to get his revenge. How? By running for president, of course.
The Larry Flynt "presidential campaign," launched in 1983, was a tawdry piece of low-life media guerrilla performance art that made the 1968 mock candidate Pat Paulsen look like Bernie Sanders. It was not a campaign — not really. It was a rolling publicity stunt, an anything-goes kamikaze assault on the very idea of government. In Flynt’s words, the campaign would be "an act of satire and rebellion against Reagan’s America." The joke of it is that Flynt, a shrewd megalomaniac, literally thought he could win. The joke no one could possibly know at the time is that as seen today, in Nadia Szold’s lively archival documentary "Larry Flynt for President," the Flynt campaign now looks like a trashy, penny-ante anticipation of the 2016 Donald Trump campaign — or, at least, certain aspects of it. It was a mud-slinging circus, an all-out assault on decorum in politics, though with a serious issue at its heart: Flynt’s absolutist defense of the First Amendment.
"Larry Flynt for President" covers the period in which Flynt transitioned from being a mostly-behind-the-scenes smut peddler, a dirty redneck cherub who raked in $10 million a month from his meat-grinder version of Playboy, to the damaged, marble-mouthed free-speech ringleader with a sixth sense for how to exploit himself. He made grandiose pronouncements from his wheelchair as if it were a throne. With his wife, the comely and increasingly punked-out Althea, standing by him, he became a tabloid parody of a publishing despot, but the media took the bait; Larry Flynt was good copy.
The documentary essentially deals with the period that was subject of "The People vs. Larry Flynt," the 1996 drama written by Scott Alexander and Larry Karaszewski, directed by Milos Forman, and produced by Oliver Stone, with Woody Harrelson (in one of his most audacious performances) as Flynt and Courtney Love (in her first and last great performance) as Althea. The movie, I thought, was a renegade '90s classic — a fight-the-power courtroom comedy that saw Larry Flynt as the ultimate ironic hero. Watching it, you didn’t have to rationalize the fact that Flynt, in his magazine, was selling degraded garbage. That was the whole point: that America was about exalting the rights of someone like this.
It would have been nice to get the documentary version a few years later, as often happens when there’s a zeitgeist Hollywood movie. But no, it took 25 years. And the dramatic impact of "Larry Flynt for President" feels smaller today than it might have then. With pornography now the province of the Internet, the culture has mostly moved on from this particular brand of free-speech skirmish. But Flynt’s so-called presidential campaign would hinge on his ability to draw major financial backing, which he never did succeed in doing. But along the road he found a dozen ways to stir up trouble.
The oddities chronicled by the documentary include the so-called Vicki Morgan sex tapes, which Flynt tried to purchase for $100 million, claiming that he could blackmail the entire government with them (we see a blurry videotape of what's purported to be Ronald Reagan himself in a rather compromising position, though that tape looks no more genuine than the alleged Donald Trump pee-pee tape I saw on the Internet two years ago); Flynt making an obscene shouting spectacle of himself in the Supreme Court; Flynt’s recruiting of the Native American activist Russell Means to be his vice-presidential candidate; Flynt being rolled into court on a hospital gurney to mount his surreal deposition in the case where Jerry Falwell sued him for libel, then showing up in court wearing a diaper fashioned out of the American flag; and Al Goldstein, Flynt’s New York vulgarian brother in smut (not to mention self-promotion), saying of Flynt, "He played hardball with people who played more hardball, and so he lost." He was speaking of the government campaign to get Flynt, which dogged him for years.
How, in the end, do we judge Larry Flynt? Was he a greedy misogynist scoundrel, a latter-day yippie in porn publisher’s clothing, or a crusader for the fundamental American right to say whatever the hell you want, knowing that you have the right to say it? He was all of the above. His presidential campaign never stood a chance; even if he’d found backing, who was going to vote for the auteur of Hustler? Then again, a lot of people asked a comparable question about Trump. He proved to be a much smarter and more mainstream politician, even as he made Larry Flynt look angelic.
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