纪录片自媒体解说素材-新闻动态参考-“布莱恩·威尔逊（Brian Wilson）：长期承诺的道路”评论：流行天才的纪录片情书/‘Brian Wilson: Long Promised Road’ Review: A Documentary Love Letter to a Pop Genius
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0508/2911otlvduca4cd.jpg“布莱恩·威尔逊（Brian Wilson）：长期承诺的道路”评论：流行天才的纪录片情书
‘Brian Wilson: Long Promised Road’ Review: A Documentary Love Letter to a Pop Genius
即使您认为布莱恩·威尔逊（Brian Wilson）是上帝 - 是的，我愿意 - 您可以轻松地说我们不需要另一个关于他的纪录片。 1995年，由唱片制作人唐（Don）或“布莱恩·威尔逊（Brian Wilson）和'Smile'的故事）执导的1995年音乐学冥想，有一些好，有钱和深层的音乐，例如“ Brian Wilson：我只是为时过说”。 ”，记载了所有未完成专辑中最寓言的历史，以及关于如何在2004年，威尔逊和达里安·萨哈纳贾（Darian Sahanaja）再次将其je下的杰出故事。 “ Love＆Mercy”（2014年）并不是一部纪录片，但它具有一个真正的生命力。这是伟大的音乐传记片之一，深入了解使布莱恩·威尔逊（Brian Wilson）勾选的完美力量。除此之外，威尔逊的生活和艺术故事中的许多故事 - 他的创造和退出了海滩男孩。 “宠物听起来”的神话；他的天才和精神疾病的葡萄藤是不可能的；他与夏拉坦SHR康复度过的几年墨水尤金·兰迪（Eugene Landy） - 经常重复，以至于他们现在是我们文化知识的一部分。“布莱恩·威尔逊（Brian Wilson：Long Promise Road），由布伦特·威尔逊（Brent Wilson）执导（无关系），采用了布莱恩·威尔逊（Brian Wilson）的另一个经典结构化概述的形式职业。只有这个人在威尔逊和海滩男孩的传奇故事之间来回切割，以及布莱恩（Brian），仍然是黑尔（Hale），仍然挂在那里的“拼车卡拉OK”风格的对话，他的暂时，钝，焦虑，恐惧，顽强，顽强地真诚地对待日常经验，以及滚石杂志的编辑杰森·菲尔（Jason Fine），他在90年代中期对他进行专题展示期间会见了威尔逊。两人开始闲逛并成为朋友，在“长期承诺的道路”中，他们在洛杉矶周围巡游，聊天和听布莱恩的音乐，并在关键地区停下来：天堂湾，“ Surfin’Safari”的故乡；威尔逊（Wilson）现在在霍桑（Hawthorne）的童年住宅的所在地；他在60年代和70年代居住的房屋； h他已故兄弟卡尔的ome;还有贝弗利·格伦（Beverly Glen）熟食店，两人在柯布沙拉（Cobb Salads）和冰淇淋圣代（Ice-Cream Sundaes）上聊天。布里安·威尔逊（Brian Wilson）做的不仅仅是写出色的流行音乐。他把流行歌曲变成了赞美诗，so翔的唱片，精致而又简洁的甜美声音，充满了可爱的潜在的悲伤，这是如此神圣，以至于布鲁斯·斯普林斯汀（Bruce Springsteen即使在生活的痛苦中也是快乐的。情感生活的快乐。”所以，是的，也许我们不需要另一个关于布莱恩·威尔逊（Brian Wilson）的纪录片，但是即使您认为自己知道这一切，“漫长的应许之路”是一部深情而令人满意的电影，有时是感性的，但经常令人陶醉，但经常引起洞察力，这是一系列精确的证词。在威尔逊（Wilson）的艺术上，斯普林斯汀（Springsteen）和埃尔顿·约翰（Elton John）等权威粉丝，以及一部电影，使威尔逊（Wilson）音乐cascade的迷人品质越过你。作为布莱恩（Brian）本人，他似乎对一个推动80岁的男人的状态看起来很好LL听到声音，但事实是他对任何事情都没有说太多。杰森·菲尔（Jason Fine）问他，即使他没有冲浪，他都会写所有这些关于冲浪的歌曲的奇怪，这是关于布莱恩（Brian）的寓言事实。他的回答？ “是的，丹尼斯冲浪了。我从来没有学会过冲浪。”好的，谢谢您的分享！当Fine问他现在对60年代中期的“微笑”的内爆，以及为什么他觉得自己必须搁置它时，布莱恩说：我们等待了30年。我们终于完成了。”这样就这样了。布莱恩·威尔逊（Brian Wilson）除了他的薄壳带来的损坏的薄纱质量闪闪发光的高敏性质量外，似乎并没有对内省的冲动。 。杰森·菲尔（Jason Fineing，并与他交谈。他把布莱恩带出了 - 至少尽可能多。关于布莱恩（Brian）的事情是，即使他没有透露太多透露，他也有一些诚实和温柔的东西。他说足以让您与他的心脏保持一致。还有Al Jardine和Mike Love，事实是，他有些事，而且总是如此。他被冻结了，不完全在那里。尽管他花了数十年的时间才被诊断出患有精神分裂症，但他在脑海中听到了声音（并且仍然如此），侵略性和判断力，在旧镜头中，他看起来像一个听到声音的人。故事是，布莱恩·威尔逊（Brian Wilson）听到他脑海中的声音也是布莱恩·威尔逊（Brian Wilson），他听到了他脑海中最华丽的四分钟流行交响曲。这两件事不可能是分开。他被更高的精神感动，有时他只是……被感动。在某个点，唐（Don 。”他到达了Brian Loes Carl Wilson唱着“上帝只知道我会没有你的话”的尽头，进入了一种对立的酸头环，而且听到乐器被剥夺的声音甚至更令人惊讶。 “上帝唯一知道”可能会和“竹enny Lane”一起成为有史以来最伟大的流行歌曲，但要谈论您脑海中的声音！电影对这首歌的分析本身就是一件美。埃尔顿·约翰（Elton John）谈到了威尔逊（Wilson）如何将和弦的第五个用作贝斯音符（埃尔顿（Elton）后来在“今晚有人拯救我的生命”中所做的方式），唐（Don …班卓琴！它与钢琴和口琴一起融合成一种声音。 “布莱恩不得不坐在家里和博士EAM提高了从未有人使用过的这些纹理。制片人兼词曲作者琳达·佩里（Linda Perry）说，她听到了布莱恩（Brian）在这些歌曲的DNA中的竞争性质。他试图比甲壳虫乐队更好。这促使他提出了一个通风的形式密度，使他超越了他在“橡胶灵魂”上听到的声音（这张专辑启发了他制作“ PET Sounds”）。电影中的人们还证明了他是什么领导者。当您在60年代听到有关他的故事时，尤其是当他在“微笑”会议期间崩溃时，您会感觉到一个脆弱，脆弱的人，天才在神经衰弱的边缘。但是，如果您收听2011年发行的“微笑”重新发行的盒装重新发行的一部分，您会听到威尔逊用马丁内特纪律排练其他海滩男孩，这使他听起来像是菲尔·斯坦利（Phil Spector）的融合库布里克（Kubrick）和约翰·塞巴斯蒂安·巴赫（Johann Sebastian Bach）。“布莱恩·威尔逊：长期承诺的路”S最终给布莱恩·威尔逊（Brian Wilson）的情书 - 给他给世界所赋予的所有美丽，同样是他通过他的攻击而实现了这一事实。他现在是一位自信的现场表演者，在他和他的乐队表演“宠物声音”或“微笑”时，充满了像好莱坞碗这样的地方。他还继续录制仅仅是因为歌曲不会停止来到他身边。他的声音是曾经是脆弱的阴影，但是他在那里，放松，他正在向被吸引的观众传递音乐，并分享了他们的精力。当您听他的表演“ Caroline no”时，他在专辑中的唱歌听起来比以往任何时候都像梦，但他在这里的唱歌讲述了一个不同的故事：他仍然感觉到这首歌，并且仍然可以像他一样传播它引导了宇宙风，使他能够写它。这部电影向您显示，布莱恩·威尔逊（Brian Wilson）的天才并不是应该理所当然的事情。上帝只知道没有他会怎样。
Even if you think that Brian Wilson is God — and yes, I do — you could easily say that we don’t need another documentary about him. There have been some good, rich, and deep ones, like "Brian Wilson: I Just Wasn’t Made for These Times," the 1995 musicological meditation directed by record producer Don Was, or "Brian Wilson and the Story of 'SMiLE'," which chronicled the history of that most fabled of all unfinished albums as well as the remarkable story of how, in 2004, Wilson and Darian Sahanaja put its majesty back together again. "Love & Mercy" (2014) wasn’t a documentary, but it had the true-life power of one; it’s one of the great music biopics, with an insight into the perfect storm of forces that made Brian Wilson tick. Beyond that, so many of the tales of Wilson’s life and art — his creation of, and withdrawal from, the Beach Boys; the mythology of "Pet Sounds"; the inextricable vines of his genius and mental illness; the lost years he spent in recovery with the charlatan shrink Eugene Landy — have been repeated so often that they're now part of our cultural lore.
"Brian Wilson: Long Promised Road," directed by Brent Wilson (no relation), takes the form of yet another classically structured overview of Brian Wilson’s career. Only this one cuts back and forth between the saga of Wilson and the Beach Boys and a "Carpool Karaoke"-style conversation between Brian, still hale and hanging in there with his tentative, blunted, anxiety-ridden, doggedly sincere approach to everyday experience, and Jason Fine, an editor at Rolling Stone magazine, who met Wilson during the course of doing a feature on him in the mid-'90s. The two began to hang out and became friends, and in "Long Promised Road" they cruise around L.A., talking and listening to Brian’s music and stopping at key locales: Paradise Cove, the home of "Surfin’ Safari"; the site of Wilson’s now-demolished childhood home in Hawthorne; the houses he lived in during the '60s and '70s; the home of his late brother Carl; and the Beverly Glen Deli, where the two chat over Cobb salads and ice-cream sundaes.
Brian Wilson did more than write great pop music. He turned pop songs into hymns, soaring chorales, sublimely delicate and jaunty effusions of sweet-souled sound laced with an underlying sadness so divine that, as Bruce Springsteen says in the movie of "Pet Sounds," "The beauty of it carries a sense of joyfulness even in the pain of living. The joyfulness of an emotional life.” So yes, maybe we don’t need another documentary about Brian Wilson, but even if you think you know it all, "Long Promised Road" is an affectionate and satisfying movie, sentimental at times but often stirringly insightful, a collection of pinpoint testimonials to Wilson’s artistry by such authoritative fans as Springsteen and Elton John, and a movie that lets the enchanting qualities of Wilson’s music cascade over you.
As for Brian himself, he seems in pretty good shape for a man pushing 80 who still hears voices, but the truth is that he doesn’t say all that much about anything. Jason Fine asks him if it was weird writing all those songs about surfing even though he didn't surf himself — a fabled fact about Brian. His response? "Yeah, Dennis surfed. I never learned how to surf." Okay, thanks for sharing! When Fine asks him what he now thinks about the mid-'60s implosion of "SMiLE" and why he felt like he had to shelve it, Brian says, "We thought it was a little ahead of its time. We waited for, like, 30 years. And we finally finished it." And so it goes. Brian Wilson, apart from his thin-shell-encasing-a-damaged-mollusk quality of blitzed hypersensitivity, doesn’t appear to have the impulse toward introspection.
Yet as the film goes on, you feel like you kind of get to know him. Jason Fine is the easygoing friend who inquires about stuff, fields Brian's one-sentence answers, never pushes too hard, absorbs Brian’s thoughts and feelings with sympathetic understanding, and talks music with him. He brings Brian out — at least as much as one can. And
In the clips we see of the Beach Boys, and there some great ones, when we watch Brian singing, trying to play the part of a happy pop star along with his two brothers and Al Jardine and Mike Love, the truth is that there’s something off about him, and always was. He’s frozen, not fully there. Though it took decades for him to be diagnosed with schizoaffective disorder, he heard voices in his head (and still does), aggressive and judgmental voices, and in the old footage he looks like someone who heard voices.
Yet part of what’s haunting about his story is that the Brian Wilson who heard voices in his head is also the Brian Wilson who heard the most gorgeous four-minute pop symphonies in his head; and those two things cannot be separated. He was touched by a higher spirit, and sometimes he was just…touched.
At one point, Don Was sits in the studio, separating out the tracks of "God Only Knows" the way they used to do on episodes of VH1's "Classic Albums." He gets to the part at the end where Brian layers Carl Wilson singing "God only knows what I’d be without you" into a kind of contrapuntal acid-head loop, and it’s even more amazing to hear with the instruments stripped away. "God Only Knows" might, along with "Penny Lane," be the greatest pop song ever written, but talk about the sound of voices in your head! And the film’s analysis of the song is itself a thing of beauty. Elton John talks about how Wilson used the fifth of a chord as a bass note (the way Elton would later do in "Someone Saved My Life Tonight"), and Don Was picks out the instruments, almost shaking his head in disbelief as he identifies...a banjo! Which along with a piano and a harmonica fused into one sound. "Brian had to sit at home and dream up these textures that no one had ever, ever used."
But there was another side to Brian. Linda Perry, the producer and songwriter, say that she hears Brian’s competitive nature in the DNA of those songs. He was trying to be better than the Beatles. And that pushed him to come up with an airy density of form that transcended what he’d heard on "Rubber Soul" (the album that inspired him to make "Pet Sounds"). People in the film also testify to what a leader he was. When you hear stories about him in the '60s, especially when he was cracking up during the "SMiLE" sessions, you get a sense of someone who was fragile, vulnerable, a genius on the verge of a nervous breakdown. But if you listen to the hours of outtakes that were part of the box-set reissue of "SMiLE" released in 2011, you hear Wilson rehearsing the other Beach Boys with a martinet discipline that makes him sound like a fusion of Phil Spector, Stanley Kubrick, and Johann Sebastian Bach.
"Brian Wilson: Long Promised Road" is finally a love letter to Brian Wilson — to all the beauty he has given the world, but also to the fact that he made it through his crack-ups and came out the other side. He’s now a confident live performer, filling a place like the Hollywood Bowl as he and his band perform "Pet Sounds" or "SMiLE." He also continues to record simply because the songs won’t stop coming to him. His voice is a frail shadow of what it once was, but he’s there, he’s relaxed, he’s delivering his music to an audience enraptured to be in his presence, and he’s sharing their energy. When you listen to him perform "Caroline No," his singing back on the album sounds more than ever like a dream, but his singing here tells a different story: that he still feels this song, and can still channel it, the way he channeled the cosmic winds that allowed him to write it. The movie shows you that Brian Wilson’s genius is not something that should ever be taken for granted. God only knows what we’d be without him.
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非常不错，感谢楼主整理。。 感谢分享啊。谢谢版主更新资源。 非常不错，感谢楼主整理。。 太好了，终于找到宝藏论坛了！
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