纪录片自媒体解说素材-新闻动态参考-AFI Docs节标志着返回华盛顿的屏幕/AFI Docs Festival Marks a Return to D.C. Screens
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0508/15123u3m4ixrlqe.jpgAFI Docs节标志着返回华盛顿的屏幕
AFI Docs Festival Marks a Return to D.C. Screens
6月22日至27日在6月22日至27日举行的AFI Docs音乐节将为大华盛顿特区，地区带来非小说类产品的杂物，在美国首都和附近的马里兰州筛选77个功能。在今年夏天举行的面对面活动中，AFI Docs将作为混合节日接近第19版，在线组件弥补了对身体容量的限制。举办活动，发现自大流行以来第三个虚拟节的异常位置。AFI Docs是去年夏天最早完全虚拟的公司之一，然后该组织在秋季在线上进行了旗舰同名节，因此“我们知道我们可以以这种体验为基础，使这一经验很棒，然后是IN她说：“- 人的元素只是在蛋糕上锦上添花。”并不是完全容易充足，但是我们在音乐节上有77部电影，我们真的很想使其像真实的活动一样充实，身临其境和引人入胜。我们正在努力回到那个地方，但是我们正处于展览的过渡时间，我们都在努力弄清楚这一点。因此，有了这个节日，我们真的很想制作一个策展标记。布尔登（Bourdain），《圣丹斯（Sundance）的闭幕放映》（Sundance）热门命中“尖峰”，以及包括安吉洛·麦德森·米纳克斯（Angelo Madsen Minax首映式的新闻价值是开幕式的电影《娜奥米·大阪》（Naomi Osaka），导演加勒特·布拉德利（Garrett Bradley）对奥斯卡提名的2020年主流突破“ Time”的跟进。她的主题是T他名义上的网球现象，她最近选择退出法国公开赛以优先考虑她的心理健康，引发了广泛的讨论。巴尔的摩警察局的腐败案；格雷格·巴克（Greg Barker）的大型制药公司（Big Pharma）暴露了“白色外套叛军”；以及与前总统巴拉克·奥巴马（Barack Obama）有关的一对项目：彼得·昆哈特（Peter Kunhardt）的《奥巴马：追求更完美的联盟》的两集将被放映，即将推出的Netflix系列“我们的人”的三集将由奥巴马的《人民》（We We People）进行筛选。 D.C.的连接一直是AFI文档的重要连接，哈里斯指出，在1月6日的国会大厦暴风雨之后，它尤其如此：“ D.C.中的事情与众不同，”她说，这是什么哈里斯指出，尽管节日阵容有很多政治参与的电影，但主要的重点是倾向于“个人的故事，而不是动作”。指向安德烈·盖恩斯（Andre Gaines）的“唯一的迪克·格雷戈里（Dick Gregory）”，Questlove的“灵魂之夏”和Dawn Porter的“再次崛起：塔尔萨和红色夏天”，她说：“这只是纪录片现在正在发生的事情，我不确定其中有多少是直接的趋势，但我确实认为这是隔离和关闭的效果，而社会正义和种族正义运动对最近几年。我认为人们正在希望建立联系，他们确实正在寻找在这些更大运动中迷失方向的领导者。他们想进一步了解这些事情是谁的一部分，他们希望彼此联系。”
Running June 22-27, the AFI Docs festival will bring a smorgasbord of nonfiction offerings to the greater Washington, D.C., area, screening 77 features in both the nation’s capital and nearby Silver Spring, Md. As with almost every festival making a provisional return to in-person events this summer, AFI Docs is approaching its 19th edition as a hybrid fest, with online components making up for the limitations on physical capacity.
But as AFI Festivals director of programming Sarah Harris points out, the American Film Institute, which puts on the event, finds itself in the unusual position of organizing its third virtual festival since the start of the pandemic. AFI Docs was one of the first to go fully virtual last summer, and then the organization also put on its flagship namesake festival online in the fall, so “we knew we could build on that experience and make this one great, and then the in-person elements were just icing on the cake,” she says.
“We’re still not quite at full-capacity, but we have 77 films in the festival, and we really wanted to make it as full and immersive and engaging as a real event. We’re striving to get back to that place, but we’re in a transitional time in exhibition, and we’re all trying to figure it out as we go. So with this festival, we really wanted to make a curatorial mark.”
With emphasis on the word “curatorial,” AFI Docs will present a multidisciplinary selection of documentaries that have played earlier festivals — most notably centerpiece screening “Roadrunner: A Film About Anthony Bourdain,” a closing night screening of Sundance hit “Cusp,” and films including Angelo Madsen Minax’s “North by Current” and Mary Wharton’s “Tom Petty, Somewhere You Feel Free” — in addition to a few notable world premieres.
Arguably the most newsworthy of the premieres is opening night film “Naomi Osaka,” director Garrett Bradley’s follow-up to her Oscar-nominated 2020 mainstream breakthrough, “Time.” Here her subject is the titular tennis phenom, who recently made headlines when she opted to withdraw from the French Open in order to prioritize her mental health, sparking a wide range of discussions.
Also making bows at the festival are Sonja Sohn’s “The Slow Hustle,” about a corruption case in the Baltimore police department; Greg Barker’s Big Pharma expose “White Coat Rebels”; and a pair of projects related to former President Barack Obama: two episodes of Peter Kunhardt’s “Obama: In Pursuit of a More Perfect Union” will be screened, as will three episodes of the upcoming Netflix series “We the People,” produced by Obama’s Higher Ground shingle.
The D.C. connection has always been an important one to AFI Docs, and Harris notes that it became especially so after the Jan. 6 storming of the Capitol: “Things in D.C. are different,” she says, “and so what it feels like to hold a joyful event changes.”
Harris notes that while the festival lineup has plenty of politically engaged films, the primary focus has tended to be “stories of individuals, not movements.”
Pointing to Andre Gaines’ “The One and Only Dick Gregory,” Questlove’s “Summer of Soul” and Dawn Porter’s “Rise Again: Tulsa and the Red Summer,” she says: “That’s just something that’s happening with documentary films right now, and I’m not sure how much of that is a straight trend, but I do think it’s an effect of quarantine and shut-down, and the social justice and racial justice movements over the last several years. I think people are looking to be connected, and they really are looking to the leaders who have been lost in these greater movements; they want to find out more about who’s a part of these things, and they want to be connected to each other.”
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太好了，终于找到宝藏论坛了！ 感谢分享啊。谢谢版主更新资源。 感谢分享啊。谢谢版主更新资源。
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