纪录片自媒体解说素材-新闻动态参考-玛丽·J·布利格（Mary J. Blige）在纽约纪录片Premiere庆祝“我的生活” 25年/Mary J. Blige Celebrates 25 Years of ‘My Life’ at NYC Documentary Premiere
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0507/5435ljwitsjfloi.jpg玛丽·J·布利格（Mary J. Blige）在纽约纪录片Premiere庆祝“我的生活” 25年
Mary J. Blige Celebrates 25 Years of ‘My Life’ at NYC Documentary Premiere
玛丽，您周三不哭泣，“玛丽·J·布利格（Mary J. Blige）的我的生活”，这是一部由奥斯卡奖得主凡纳·罗斯（Vanessa Roth）执导的新的亚马逊制片厂纪录片，由玛丽·J·布利格（Mary J. Blige）执行，在纽约首映，记录了九个 - 格莱美奖获奖艺术家的1994年地标专辑“ My Life”和嘻哈灵魂的女王从Yonkers的慢炸弹项目到嘻哈音乐的高度。首映。“她是一名治疗师。”“我的生活”使布莱格在看到这种文化时有机会解决这种文化，并让听众看到自己在一个年轻的黑人妇女中反映了自己，他们与自己深深地挣扎，从根本上扩大了这种类型的范围。“玛丽·J·布利格（Mary J. Blige）的《我的生活》（Mary J. Blige）的生活”跟随布莱格（Blige）庆祝专辑的25周年纪念日，并探讨了童年的创伤，酒精和吸毒以及精神健康挣扎，这些挣扎能够发行她的突破记录。“我不知道我在做什么。我为自己的一生唱歌。’ “我唱歌是因为我喜欢它。我写作是因为它对我感觉很好。我周围有让我知道我可以做到这一点的人。 “我的生活”让我知道我可以将所有的痛苦设置在蜡中。正如纪录片所说，听众听到了真实的事情：贫穷，沮丧，孤独和自我毁灭，他们在一个上升的嘻哈灵魂中看到了他们所知道的事物：一个年轻的女人，敏感和深情，关心生活，失落，损失和爱。“玛丽为我们的代表，她仍然为我们代表。 “我们都在她身上看到自己。我们一直在为她扎根，因为她是如果正如Souljah曾经写过的那样，嘻哈的本质是通过押韵和音乐来表达美国青年的现实 - 关于在90年代初期将艰苦的艰辛转变为合法性的艰苦测试，这些现实是关于公共敌人时代的超男性MC驱动的男人的。“但是人们听了玛丽，”罗斯告诉综艺。 “突然，所有这些女人都感到被看到和听到。”布莱格告诉《综艺》，“我的生活”开始了这一切。她周三说：“我们在一起经历了很多。”她谈到她的音乐和节省的听众一样。 “这张专辑开始了动作和对话。嘻哈灵魂只是音乐的一种流派。这是我们很多人的任务。我所做的，“我的生活”做了什么，就是试图治愈。”“当我在我最深，最黑暗的地狱中，上帝听到了我的祈祷，”布里格后来在派对上说，被亲人包围着林肯中心顶部的外遇，房间跳入早期早晨的乌尔斯。“我不必问上帝我为什么祈祷。但是我明白了。“节拍在哪里？”
Mary, don’t you weep.
On Wednesday, “Mary J. Blige’s My Life,” a new Amazon Studios documentary directed by Oscar-winner Vanessa Roth and executive produced by Mary J. Blige, premiered in New York City, chronicling the nine-time Grammy winning artist’s landmark 1994 album “My Life” and the Queen of Hip-Hop Soul’s journey from the Slow Bomb projects of Yonkers to the heights of hip-hop music.
“There is a ministry that is Mary,” said Roth at the premiere. “She’s a healer.”
“My Life" gave Blige the opportunity to address the culture as she saw it and for listeners to see themselves reflected in a young Black woman struggling deeply with herself, fundamentally broadened the genre’s purview. “Mary J. Blige’s My Life” follows Blige as she celebrates the album’s 25th anniversary and probes the childhood trauma, alcohol and drug abuse, and mental health struggles that delivered her breakout record.
“I didn’t know what I was doing. I was singing for my life,’” Blige told Variety at the premiere, held at Jazz at Lincoln Center. “I was singing because I loved it. I was writing because it just felt good to me. And I had people around me who were letting me know that I could do this. ‘My Life’ let me know that I could set all my pain in wax.”
That pain was immortalized in tracks like “Be Happy” and “My Life,” layering a sincere R&B sound over unrepentant, heavy hip-hop tracks. Listeners heard, as the documentary argues, the real thing: Poverty, frustration, loneliness and self-destruction, and they saw in an ascendant Hip-Hop Soul something they knew existed: A young woman, sensitive and soulful, concerned with life, loss and love.
“Mary reps for us, and she still reps for us,” Latasha Gillespie, head of global diversity, equity and inclusion for Amazon Studios, told Variety at the premiere. “We all see ourselves in her. We’re constantly rooting for her, because she’s constantly rooting for us.”
If the essence of hip-hop, as Sister Souljah once wrote, is to express through rhyme and music the realities of youth in America — about transfiguring hardship into a litmus test for legitimacy — in the early '90s, those realities were about men, driven by ultra-masculine MCs of the Public Enemy era.
“But people listened to Mary,” Roth told Variety. “Suddenly, all of these women felt seen and heard.”
Blige told Variety that “My Life” began it all. “We have come through so much together,” she said Wednesday, speaking as much about her music as the listeners it has saved. “This album started the movement and the conversation. Hip-hop soul is just a genre of music. It’s an assignment for a lot of us. What I do, what ‘My Life’ did, is to try and heal.”
“God heard my prayers when I was in my deepest, darkest hell,” Blige said later at the after-party, surrounded by loved ones at a small affair at the top of Lincoln Center, where the room danced into the early hours of the morning.
“I didn’t have to ask God what I prayed for. But I got it,” she finished, gesturing to the DJ to start his set. “Where’s the beat at?”
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感谢大佬分享。我又来学习了~ 感谢分享啊。谢谢版主更新资源。 感谢论坛提供了这么多好资源啊
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