纪录片自媒体解说素材-新闻动态参考-希腊纪录片协会。玛丽安娜（Marianna）经济发展正在发展本地工业/Greek Documentary Assn. Head Marianna Economou on Growing the Local Industry
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0507/1924tqedxuco2mk.jpg希腊纪录片协会。玛丽安娜（Marianna）经济发展正在发展本地工业
Greek Documentary Assn. Head Marianna Economou on Growing the Local Industry
随着Thessaloniki纪录片节的结束，电影制片人和希腊纪录片协会（GDA）主席Marianna Economou指出，近年来，当地行业取得了长足的进步，同时补充说，需要更多的支持来维持其成长和发展。她说，GDA的经济汽车负责监督一个成立于2013年的组织，其目标是“支持希腊创意纪录片作为希腊独特的电影类型，并在国际上为其进一步的认可和促进而努力。”正如本周在塞萨洛尼基（Thessaloniki）见证的那样，音乐节的第23版包括72张短片和长篇希腊纪录片。。“仅仅根据希腊的资金制作电影非常困难，即使有外国涉及的联合制片人，没有希腊广播公司的必要支持。” “大多数电影制片人在很大程度上是自给自足的电影，如果不是为了他们的热情和决心，那么在希腊就不会制作很多纪录片。”《经济学》描述了建立了国家视听媒体和传播中心（Ekome（Ekome） ）作为支持更广泛的电影和电视行业的“重要倡议”，但政府机构（管理希腊的现金折扣计划等等）“到目前为止还没有使许多文档受益。”希腊电影中心也一直是该行业的主要拥护者，但是政府和预算短缺的变化通常会挫败其努力。“与同等的欧洲作品相比，我们的预算是可笑的。” “真是太神奇了，我们不仅如何继续制作纪录片，而且如何被Arte等广播公司购买的越来越多的希腊文档被筛选我全世界的重要节日，并在国际上广受好评。”其中包括诸如Apostolos Karakasis的IDFA播放器等电影“下一站：乌托邦”，“新的塑料路”，从指导二人组Myrto Myrto Papadopoulos和Angelos Tsaousis，在Hot Docs放映，以及经济学自己的“当西红柿遇见Wagner”时，在萨拉热窝电影节上饰演。格里克电影制片人也很幸运，可以在其风景秀丽的第二城市拥有世界上领先的纪录片制作展览之一。 “塞萨洛尼基纪录片节在'教育'希腊电影制片人关于什么是创造性纪录片的'教育方面发挥了重要作用，以及改变观众对电视节目的纪录片的无聊和信息丰富的报道类型电影的看法。”该节日被证明是希腊最严重，最重要的事件，启发，教育，促进和支持纪录片。它向我们介绍了广泛的主题她继续说道。“这是我能得到的最好的学校。它睁开了我的眼睛和耳朵，向我展示了一个具有不同维度，表达和可能性的世界。”
As the Thessaloniki Documentary Festival winds down, filmmaker and Greek Documentary Association (GDA) president Marianna Economou points to great strides taken by the local industry in recent years, while adding that more support is needed to sustain its growth and development.
As the head of the GDA, Economou oversees an organization that was founded in 2013 with a goal “to support Greek creative documentary as a distinct cinematic genre in Greece and to work for its further recognition and promotion internationally,” she says.
The industry’s output is steadily growing, as witnessed this week in Thessaloniki, where the festival’s 23rd edition included 72 short and feature-length Greek documentary films.
But financing documentaries in Greece remains an uphill battle, with the Greek Film Center and public broadcaster ERT the de facto sources of all local funding. “It is extremely difficult to produce a film based on Greek funding alone, and even if there is a foreign co-producer involved, there isn’t the necessary support from Greek broadcasters,” says Economou. “Most filmmakers self-finance their films to a great extent, and if it wasn’t for their passion and determination, not many documentaries would be produced in Greece.”
Economou describes the establishment of the National Center of Audiovisual Media and Communication (EKOME) as an “important initiative” for the support of the broader film and TV industry, but the government body—which administers Greece’s cash rebate scheme, amongst other functions—“hasn’t benefited many docs so far.” The Greek Film Center, too, has been a major champion of the industry, but its efforts are often thwarted by changes in government and budgetary shortfalls.
“Our budgets are laughable in comparison to equivalent European productions,” Economou says. "It is really amazing how, not only do we continue to make documentaries, but how more and more Greek docs are bought by broadcasters like ARTE, are screened in important festivals around the world and are internationally acclaimed.” That includes films such as Apostolos Karakasis’ IDFA player “Next Stop: Utopia,” “The New Plastic Road,” from directing duo Myrto Papadopoulos and Angelos Tsaousis, which screened at Hot Docs, and Economou’s own “When Tomatoes Met Wagner,” which played at the Sarajevo Film Festival.
Greek filmmakers are fortunate, too, to have one of the world’s leading showcases for documentary filmmaking based in their scenic second city. “The Thessaloniki Documentary Festival has played a major role in ‘educating’ Greek filmmakers as to what is creative documentary, and also in changing the audience’s preconception that documentaries are largely boring and informative reportage type films for the television,” says Economou.
“Through the years, the festival has proven to be the most serious and important event in Greece which inspires, educates, promotes and supports documentaries. It introduced us to a wide range of topics and cinematic forms and language,” she continues, adding that as a filmmaker, she “owes everything” to the festival. “It was the best school I could get. It opened my eyes and ears and showed me a world of different dimensions, expressions and possibilities.”
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感谢分享，下载收藏了。最喜欢高清纪录片了。 太好了，终于找到宝藏论坛了！
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