纪录片自媒体解说素材-新闻动态参考-Thessaloniki Doc Fest Selection探索雅典疗养院锁定下的生活/Thessaloniki Doc Fest Selection Explores Life Under Lockdown in Athens Nursing Home
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0507/1739r02s4o04ws4.jpgThessaloniki Doc Fest Selection探索雅典疗养院锁定下的生活
Thessaloniki Doc Fest Selection Explores Life Under Lockdown in Athens Nursing Home
在2020年春天的第一次锁定期间，随着冠状病毒大流行开始在整个希腊蔓延，雅典郊区的一座老年护理院长和他的工作人员决定将房屋从外界密封，以防止可能性在他脆弱的居民中感染。当他听到新闻时，导演克里斯托斯·巴尔巴斯（Christos Barbas）问他是否可以加入他们。导演告诉《综艺》，“我一直对另一种限制的想法感到着迷。在家里的几周里，拍摄了与亲人被切断的居民的日常生活。巴巴斯（Barbas）的纪录片“通过玻璃杯，三幕”在本周塞萨洛尼基纪录片节的主要比赛中首映。导演与综艺节目谈到了他在锁定期间的经历。你花了在Agios Stefanos的疗养院内的EE周。说服工作人员和居民参加吗？ [董事]迪米特里斯·坎帕纳罗斯（Dimitris Kampanaros）和工作人员共同做出了疗养院封锁的决定。来宾和亲戚都被告知，几乎所有人都接受了我们在那里的前景。那些不想要的人没有出现在电影中。进入进入之前，我们进行了必要的测试，然后我们与摄影导演Michalis Geranios进行了隔离了三天。当您没有拍摄时，您的日常生活是什么样的？在那里生活三个星期是在日常生活中尽可能谨慎。我个人觉得我已经进入了一个新世界，并且充满了先锋电影制片人的好奇心和兴奋，就好像我正在创造民族志记录一样。疗养院的世界是一个居住的世界流亡者”，我们的社会是我们的老年人。他们到达那里需要专业护理，但他们也是被要求管理比其他社会更多的孤独的人。我不记得摄像机是否离开了我们的手，也许只有在我们睡着时。当您体验新事物并同时创建时，您会非常活跃。您还成为日常生活的一部分，并希望成为“部落”的成员。您可能不会拍摄自己，但您会捕捉到像伞兵一样掉落的环境中引起的干扰。老年人的“部落”起初非常谨慎。很难解释我们在做什么。我们脸附近的相机是恐怖和恐惧的形象，尤其是对于痴呆症患者而言。随着时间的流逝，我们让老人来找我们。您对这些人的脆弱性很敏感。这三个星期很难隔离吗？不可以。很难的是，要努力恢复您以为您前一天征服的地面，尤其是第二天早上您听到这个问题：“您在这里做什么？你们是谁？”许多患者在家庭内部挣扎着挣扎 - 一个女人评论说：“我们只有过去，我们没有礼物”- 这一事实只是被大流行而变得更糟，这是孤立的他们更多地来自家人。您认为他们中的大多数人都设法在那里找到了和平吗？没有现代媒介，没有技术将取代最深的身体接触需求，以消除爱抚的力量。老年人自己说，最缺少的是触觉。他们爱抚并亲吻了他们看到孩子的手机。当他们不接近thei时，他们会感到非常被监禁r自己的人，例如您掌握的未来的囚犯。这就是为什么在监禁期间，他们将注意力转向照顾他们的工作人员，他们感觉就像他们的孩子，孙子。即使是Michalis和我也被女士取笑，这有时是在解除武装但令人愉快的。坎帕纳罗斯（Kampanaros）谈到了我们所有人都需要思考我们想要如何变老的方式。您与衰老和老年的关系是否因制作这部电影而发生了变化吗？他们与我们谈论死亡，我们试图通过医学，宗教观点或哲学来理解它，但是老年是我们没有“受过教育”的东西大约在我们的一生中。因此，我们可以公开忽略它。我们不想偏爱年轻人的光芒，没有人愿意变老，这个想法对我们来说是令人震惊的，这让我们感到恐惧。现代社会可能比以往任何时候都受到对青年的欲望。当变化的第一个迹象出现时，我们都感到困惑，生气。这解释了为什么我们看起来Lling要做令人难以置信的事情，甚至在我们的身体中忍受痛苦的试验，进入乳霜河流或相信每个神话，以忘记我们正在变老。多亏了虚荣心，这很容易忘记。
During the first lockdown in the spring of 2020, as the coronavirus pandemic began spreading throughout Greece, the director of an elderly care home in the suburbs of Athens and his staff decided to seal the home from the outside world, in order to prevent the possibility of infections amongst his vulnerable residents.
When he heard the news, director Christos Barbas asked if he could join them. “I have always been fascinated by the idea of another confinement, the one that concerns the human mind that resides in an aging body—that is, what applies to most older people,” the director tells Variety.
Barbas and DoP Michalis Geranios spent three weeks inside the home, filming the daily life of residents who had been cut off from their loved ones. Barbas’ documentary, “Through the Glass, Three Acts,” premiered in the main competition of the Thessaloniki Documentary Festival this week. The director spoke to Variety about his experiences during lockdown.
You spent three weeks inside the nursing home in Agios Stefanos. Was it difficult to convince the staff and residents to participate?
The decision to do the lockdown in the nursing home was taken jointly by Dimitris Kampanaros and the staff. The guests as well as the relatives were informed and almost all of them accepted the prospect of our presence there. Those who did not want to, did not appear in the film. Before entering, we did the necessary tests and then we entered quarantine with the director of photography Michalis Geranios for three days.
When you weren’t filming, what was your daily life like while inside the home?
One of the primary goals we had for living there for three weeks was to be as discreet as possible in the flow of everyday life. I personally felt that I had entered a New World and was operating with the curiosity and excitement of a pioneer filmmaker, as if I were making an ethnographic record. The world of the nursing home is a world inhabited by some of the “exiles” of our society who are our elderly. They got there in need of professional care, but they are also the ones who are called upon to manage more loneliness than the rest of society.
I don't remember if the cameras left our hands, maybe only when we were asleep. You are hyperactive when you experience something new and create at the same time. You also become part of everyday life and hope to become a member of the “tribe.” You may not film yourself, but you capture the disturbance you cause in this environment where you dropped like a paratrooper. The “tribe” of the elderly was very cautious at first; it was difficult to explain what we were doing. The cameras near our face were an eerie and phobic image especially for people with dementia. As the days passed, we let the elderly come to us. You are sensitive about the fragility of these people, and when I saw that after a week almost all of the ladies asked for a hair-dresser, I felt that something had been won.
Was it hard to be isolated for those three weeks?
No, surprisingly. What was difficult was that it took constant effort to regain the ground you thought you had conquered the day before, especially when the next morning you heard the question, “What are you doing here? Who are you?”
Many of the patients struggled with their circumstances inside the home—one woman commented that “we only have the past, we don’t have a present”—a fact that was only made worse by the pandemic, which isolated them even more from their families. Do you think most of them have managed to find peace there?
No, the contact of the elderly with their own people cannot be replaced. No modern medium, no technology will replace the deepest need for physical contact, to nullify the power of a caress. The elderly themselves say that what is missing the most is the sense of touch. They caressed and kissed the mobile phones on which they saw their children. They feel deeply imprisoned when they do not feel close to their own people, like prisoners whose future you hold in your hands. That is why during the confinement they turned their attention to the staff who took care of them, they felt like their children, their grandchildren. Even Michalis and I were teased by the ladies, which was sometimes disarming but pleasant.
Dr. Kampanaros talks about how we all need to think about how we want to grow old. Has your relationship to aging and old age changed as a result of making this film?
They talk to us about death, we try to understand it through medicine, through religious views or through philosophy, but old age is something we are not “educated” about in our lifetime. So we can go so far as to ignore it overtly. We do not want to part with the glow of our youth, no one wants to grow old, the idea is repulsive to us, it scares us. Modern society is governed by a lust for youth perhaps more than ever before. We are all confused, angry when the first signs of change appear. This explains why we seem willing to do incredible things, even to endure painful trials in our bodies, to slip into rivers of creams or to believe every myth in order to forget that we are getting older. Thanks to vanity it is easy to forget.
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感谢大佬分享。我又来学习了~ 太好了，终于找到宝藏论坛了！
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