纪录片自媒体解说素材-新闻动态参考-芝麻研讨会如何“通过我们的眼睛”创建，这是第一个为孩子们提供的纪录片/How Sesame Workshop Created ‘Through Our Eyes,’ Its First Docuseries for Kids, During COVID
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0506/3037hpobegovbog.jpg芝麻研讨会如何“通过我们的眼睛”创建，这是第一个为孩子们提供的纪录片
How Sesame Workshop Created ‘Through Our Eyes,’ Its First Docuseries for Kids, During COVID
“通过我们的眼睛，” 7月22日在HBO Max上发行的一家新纪录片，证明孩子们不仅说出了最糟糕的话，有时他们说最深刻的是。是该组织的第一批纪录片。每一集都捕捉了当今家庭面临的一些最具挑战性问题的孩子的生活：无家可归，气候流离失所，监禁和有一个老将父母，他们的照顾者是他们的另一个父母。芝麻研讨会高管副总裁创意和制作凯·威尔逊·斯托林斯（Kay Wilson Stallings）告诉《综艺》，回忆起“分开”中的一个男孩的言论。她的确被监禁并不重要。”她补充说。 “重要的是展示这些儿童和家庭如何生活和处理父母的这种分离。”在过去的五年中，芝麻研讨会已将其产量扩大到PBS，HBO Max和Apple TV Plus的八个系列，并将有更多的下降，Stallings保证。凭借“通过我们的眼睛”，该组织看到了在保持专业知识的同时扩展到非脚本内容的机会。“我们真的努力满足儿童最紧迫的需求。从孩子的角度出发，呈现非脚本的内容是很少见的。” Stallings说。 “我认为我们知道孩子比我9岁和10岁时更复杂，他们知道发生了什么，他们和父母一起看新闻，他们在广播中听新闻，他们是意识到人们面临的挑战。”“通过我们的眼睛”被设计为对9岁及9岁以上的父母及其孩子的共同观看体验，并用作同理心的学习工具，并倡导危机中的人。每个情节都揭示了童年的复杂现实，也许是设置首先了解特权或在电视上看到他们的第一次感觉，以吸引一些年轻的观众。它提醒我们，没有一种方法可以定义童年的经历。“我们想帮助直接受这些问题影响的孩子和家庭，以确保他们并不孤单，并且有支持很重要Stallings说，他们可以使用的资源。east剧集有自己的一套由艾美奖和学院提名的导演领导的电影制片人。威尔逊说，他们为该项目审查了许多电影制片人。候选人必须拥有正确的经验，但是他们的热情更为重要。“我们真的想确保他们了解我们想通过孩子的角度来展示这一点，并与我们的听众分享什么她说：“这些儿童和家庭面临。Y涉及建立一个良好的融洽关系，这在Covid-19的大流行中变得更加重要。故事和关怀他们的幸福感，”“ Intar”导演Geeta Gandbhir和Rudy Valdez共同讲述了综艺，并指出需要在现场穿PPE。“ Shelth”导演Smriti Mundhra表示，生产团队“非常依赖于老式的老式，打个电话”与他们的主题建立亲密关系，而塔利亚桥麦克马洪在铸造过程中依靠自我拍摄的视频和缩放会议来进行“连根拔起”。最终结果是微妙的讲故事，可以使芝麻卫生馆的使命帮助各地的孩子们帮助孩子们的任务更强大，更善良。“表现出年轻人的艰辛，同时对我们的年轻参与者经历的艰辛，这是一个微妙的平衡，” Mundhra说。 “ bUT，我们发现，像所有孩子一样，有些时候孩子只想成为孩子 - 即使在最可怕的情况下，孩子们也会找到一种玩耍的方法 - 以及他们想开放并脆弱的时刻。试图不强迫后者，而是让这些时刻有机地出现，一旦他们对我们感到满意。最终，孩子们非常诚实，并在袖子上戴上情绪，我们知道只要我们能使他们感到安全，他们就会向我们开放。”“通过我们的眼睛”将于7月22日在HBO Max上开始播放。
“Through Our Eyes,” a new docuseries out July 22 on HBO Max, proves kids don’t just say the darndest things, they sometimes say the most profound.
The four-parter from Sesame Workshop, the nonprofit behind “Sesame Street,” is the organization’s first docuseries. Each episode captures the lives of kids who experience some of the most challenging issues facing families today: homelessness, climate displacement, incarceration and having a veteran parent whose caregiver is their other parent.
“He's like, ‘Just because my mom did a bad thing doesn't make her a bad person,’” Sesame Workshop executive VP creative and production Kay Wilson Stallings tells Variety, recalling a remark by Nnadji, a boy in the “Apart” episode.
“To focus on what it was exactly that these parents did to find themselves incarcerated is not what's important,” she adds. “What's important is to show how these children and families are living and dealing with this separation of their parent.”
Over the last five years, Sesame Workshop has expanded its production output to eight series across PBS, HBO Max and Apple TV Plus, with more to come, Stallings assures. With “Through Our Eyes,” the organization saw the opportunity to expand into non-scripted content while staying within their expertise.
“We really strive to tackle the most pressing needs of children. Presenting non-scripted content from a child's point of view is something that's rarely seen,” Stallings says. “I think that we know that kids are so much more sophisticated than when I was 9 years old and 10 years old and they know what's going on and they watch the news with their parents, they listen to news on the radio, they're aware of the challenges that people are facing.”
“Through Our Eyes” is designed as a co-viewing experience for parents and their kids aged 9 and older and serves as a learning tool for empathy and advocating for those in crisis. Each episode unveils the complex reality of childhood, perhaps setting up some young viewers with their first understanding of privilege or their first time feeling seen on television. It reminds us that there is no one single way to define the childhood experience.
“We wanted to help kids and families who are impacted by these issues directly to see that it's important for them to know that they're not alone and that there's support and resources that are available to them,” Stallings says.
Each episode has its own set of filmmakers led by a number of Emmy and Academy-nominated directors. Wilson says they vetted a number of filmmakers for the project. It was imperative that the candidates had the right experience, but their passion was even more important.
“We really wanted to make sure that they understood that we wanted to present this through the lens of the child and really share with our audience what it is that these children and families are facing,” she says.
Making participants comfortable enough to be vulnerable on camera takes time and usually involves building a good rapport in-person, which became even more important with the COVID-19 pandemic.
"By necessity, we shifted the way we filmed intimate verité scenes and had to come up with creative ways of gaining their trust for sharing their stories and caring for their well-being," “Apart” directors Geeta Gandbhir and Rudy Valdez jointly tell Variety, noting the need to wear PPE on set.
“Shelter” director Smriti Mundhra says the production team “relied a lot on old-fashioned phone calls” to build intimacy with their subjects, while Talleah Bridges McMahon relied on the self-shot videos and Zoom sessions during the casting process for "Uprooted."
The end result is delicate storytelling that forwards Sesame Workshop’s mission to help kids everywhere grow smarter, stronger and kinder.
“It was a delicate balance to show the innocence and simple joys of youth while still being honest about the hardships our young participants were going through,” Mundhra says. “But, we found, like all children, there are moments in which kids just want to be kids -- even in the most dire circumstances, kids will find a way to play -- and moments where they want to open up and be vulnerable.
"We tried not to force the latter, and instead let those moments emerge organically once they felt comfortable with us. Ultimately, kids are incredibly honest and wear their emotions on their sleeves, and we knew they'd open up to us as long as we could make them feel safe.”
"Through Our Eyes" will begin streaming July 22 on HBO Max.
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感谢分享啊。谢谢版主更新资源。 谢谢更新，天天学习，天天向上！ 感谢分享，下载收藏了。最喜欢高清纪录片了。
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