纪录片自媒体解说素材-新闻动态参考-“占领的重建”阐明了布拉格春天的燃烧/‘Reconstruction of Occupation’ Sheds Light on Crushing of Prague Spring
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0505/3357gn0xc0gcr1n.jpg“占领的重建”阐明了布拉格春天的燃烧
‘Reconstruction of Occupation’ Sheds Light on Crushing of Prague Spring
如果您可以将其放入胎面上，则使用人孔的盖子禁用坦克很好，但是Molotov鸡尾酒对卡车更有效 - 这只是捷克电影制片人Jan Sikl在他的Docu中发现的几个发现，“重建了职业，职业，职业，职业， ”对1968年华沙的契约入侵捷克斯洛伐克的颗粒状景象，基于从未见过的镜头。这部纪录片在周六的卡洛维（Karlovy）各种电影节上首映。苏联领导的镇压措施是为了回应亚历山大·杜比切克（Alexander Dubcek）在那一年的布拉格春季迎来的硬线共产主义的改革，标志着一个历史性的转折点，带来了一个历史性的转折点，带来了捷克斯洛伐克公民他希望将残酷的镇压减轻降低20年。它已经对其进行了彻底的研究，当时电影制片人对此充分记录了记录，许多人逃到了西方，胶卷卷轴隐藏在车轮井中，就像电影中发生的事情一样，例如“难以忍受的光明o但是Sikl在三年内发现了被遗忘的材料的发现 - 从锁在金库中的官方镜头和业余8mm库存中，这表明了许多小而英勇的时刻，因为普通人站在坦克和部队上，而其他人则进行了仔细的计算。关于面对入侵军队的风险。“我不想做出道德判断，”锡克尔说，他解释说，对他既要采访那些合作和抵制的人都很重要。虽然他没有承认这些镜头都不承认使他重新考虑了1968年8月20日至21日的基本事实和事件，他说他发现的材料具有其他品质，使现实的现实是目睹和平的欧洲首都，而无需推定盟友警告。莫斯科官方。线条，入侵是对西方帝国主义者的某种紧急威胁的紧急反应布拉格和附近的其他城市表达了明显的背叛感：“昨天对我们亲爱的 - 今天的凶手”读到一句。苏维埃肯定表明，领导层对捷克斯洛伐克的共产党第一秘书杜比塞克的“社会主义”的“人脸”不满意。 ”政策 - 包括新的新闻界和政治自由 - 波西米亚的陆军和空军基地被当地道路上东部集团的部队批评完全措手不及。西克尔（Sikl）文档中的录像显示，米格（Mig）战斗人员在地面上等待着高度警觉，等待着指示。“捷克斯洛伐克军队之间存在极大的困惑，”西克尔说，这不仅限于该职业的受害者。另一个发现是使苏联坦克的镜头令人困惑，无可救药地纠缠在一座小桥的残骸中，一半沉浸在溪流水中。场景没有描绘出一场被遗忘的战斗 - 而是坦克船员显然误解了布里奇上的捷克警告标志e读取“ 5t”，表示五吨重量限制。“他们一定认为这意味着五个坦克，”锡克尔在电影中的讽刺配音插曲。布拉格的年轻人的图像聚集在坦克周围 - 通常是由东方的宪法人员经营的，他们只有模糊地了解他们的任务或他们的任务是什么 - 在那个夏天的事件的历史记录中是一个普遍的景象。但是，到目前为止，很少有人看到Hradec Kralove中惊讶的军官的更令人困惑的图像，试图弄清楚如何在保留其尊严的同时最小化流血事件。Sikl的汇编，伴随着眼神的口头账户和一个令人毛骨悚然的配乐。Sikl的儿子Jan Sikl Jr.还展示了皮尔森（Pilsen）战斗中的抗议者的鼓舞人心的说法，以防止广播电台在捷克广播电台（Czech Radio）在布拉格（Prague）时被关闭。在另一部分中，一个目睹一名年轻男子因挥舞捷克斯洛伐克国旗而被击落的女人描述了他说，这是目击者，现在是目击者，那些从镜头中认出自己或家人的人认为，西克尔认为是最大的宝库，这是目击者。在一个男人的车库里发现了最大的镜头，即35盒高质量的35毫米电影，该电影说它被一个神秘的朋友留在那里。除此之外，它的起源永远不会清楚地确定。Sikl说，主要发现肯定是由专业人士（可能是军事或安全摄像机）拍摄的，尽管直到现在到现在为止都没有向公众发布。发现发现后，西克尔（Sikl）出现在捷克电视台上，吸引观众帮助识别素材中的人和事件。有1,000次回应，许多人从自己的阁楼和储藏室中移交了新的业余镜头。它的原因很大，已经锁定了五年以上 - 很明显，它将其穿入投影仪。一些卷轴表明华沙条约入侵的后果是因为捷克斯洛伐克安全部队接受了训练，以抑制用水佳能和武器的抗议 - 他们学到的技术足够多，可以在1989年的天鹅绒革命期间部署数十年后对抗议者进行部署。
Using a manhole cover to disable a tank works well if you can get it into the treads, but Molotov cocktails are more effective against trucks – such are just a couple of the discoveries unearthed by Czech filmmaker Jan Sikl in his docu “Reconstruction of Occupation,” a granular look at the 1968 Warsaw Pact invasion of Czechoslovakia based on never-before-seen footage. The documentary premiered at the Karlovy Vary Film Festival on Saturday.
The Soviet-led crackdown, ordered in response to the reforms of hardline communism ushered in by Alexander Dubcek during the Prague Spring of that year, marked a historic turning point that brought citizens of Czechoslovakia who had hoped for a lessening of brutal repression back into line for another 20 years. It’s been thoroughly studied and was remarkably well documented by filmmakers at the time, many having escaped to the West with film reels hidden in wheel wells of cars, much as things transpired in movies such as “The Unbearable Lightness of Being.”
But what Sikl found over three years of gathering forgotten material – from both official footage locked up in vaults and amateur 8mm stock – illustrates scores of small, heroic moments as ordinary people stood up to tanks and troops while others made careful calculations about the risk of confronting the invading armies.
“I didn’t want to make a moral judgment,” Sikl says, explaining that it was important to him to interview both those who collaborated and those who resisted.
While he admits none of the footage caused him to reconsider the fundamental facts and events of Aug. 20-21, 1968, he says the material he found has other qualities that bring to life the appalling realities of witnessing a peaceful European capital overrun without warning by presumptive allies.
The official Moscow line, that the invasion was an emergency response to some manner of urgent threat from Western imperialists, convinced no one at the time but the hand drawn signs waved in Prague and other nearby cities expressed the clear sense of betrayal: “Dear to us yesterday – murderers today,” reads one.
While the Soviets certainly signaled that leadership was not happy with Czechoslovak First Secretary of the Communist Party Dubcek’s “Socialism with a Human Face” policies – including new press and political freedoms – army and air bases in Bohemia were caught completely off-guard by the massing of troops from the East bloc on local roads. Footage in Sikl’s docu shows MiG fighters waiting on the ground as fretful officers stand on high alert, awaiting instructions.
“There was terrible confusion among the Czechoslovak military,” Sikl says – and it wasn’t limited to the victims of the occupation. Another discovery was perplexing footage of a Soviet tank hopelessly entangled in the wreckage of a small bridge, half immersed in stream water.
The scene does not depict a forgotten battle – rather, the tank crew apparently misunderstood the Czech warning sign on the bridge reading “5T”, signifying the five-ton weight limit. “They must have thought it meant five tanks,” Sikl’s ironic voiceover intones in the film.
Images of young people in Prague gathered around tanks – often those operated by conscripts from the East who only vaguely understood where they were or what their mission was – is a common sight in historic accounts of the events of that summer. But few up to now have seen the more perplexing images of surprised army officers in Hradec Kralove trying to work out how to minimize bloodshed while retaining a shred of their dignity.
Sikl’s compilation, accompanied by eye-witness oral accounts and an eerie soundtrack composed by Sikl’s son Jan Sikl Jr., also shows an inspiring account of protesters in Pilsen fighting to keep the radio station there from being shut down as Czech Radio was in Prague. In another segment, a woman who witnessed a young man shot down for waving a Czechoslovak flag describes picking it up and carrying on marching down the street, hoisting the now blood-stained tricolor standard.
Indeed it was the eyewitnesses and those who recognized themselves or their family members from the footage Sikl believes are the greatest treasure trove, he says. The biggest bulk of footage, 35 boxes of high-quality 35mm film, were found in the garage of a man who says it was left there by a mysterious friend. Beyond that, its origins are never clearly established.
That main find was definitely shot by professionals, likely military or security camera crews, Sikl says, though none has until now been released to the public. After making the discovery, Sikl appeared on Czech TV, appealing to viewers to help identify people and events in the footage.
Over 1,000 responded, many handing over new amateur footage from their own attics and storerooms.
The authenticity of the 35mm reels – and the reason so much of it was locked away for over five decades – is clear the moment it’s threaded into a projector. Some reels show the aftermath of the Warsaw Pact invasion as Czechoslovak security forces are trained in suppressing protests with water canons and weapons – techniques they learned well enough to deploy decades later against protesters during the 1989 Velvet Revolution.
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