纪录片自媒体解说素材-新闻动态参考-为什么“撕裂”参加了telluride首映，而“ Alpinist”没有/Why ‘Torn’ Held on for a Telluride Premiere — and ‘The Alpinist’ Didn’t
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0505/2411o3nbwf3ak2y.jpg为什么“撕裂”参加了telluride首映，而“ Alpinist”没有
Why ‘Torn’ Held on for a Telluride Premiere — and ‘The Alpinist’ Didn’t
有关登山者倒下的两部纪录片被接受到2020年的泰柳赖德（Telluride）。今年的节日只举行一张。去年的泰特里德（Telluride）节于7月取消，“阿尔卑斯派”和“撕裂的电影制片人都必须做出艰难的决定：他们应该做出一个艰难的决定：他们应该做出一个艰难的决定：找到另一个节日来首映他们各自的电影吗？“进入特柳赖德对我们来说是如此令人兴奋，”彼得·莫蒂默（Peter Mortimer）说，他的主角（23岁的23岁免费免费）在2018年去世后重新编辑了“ Alpinist”，尼克·罗森（Nick Rosen）独奏登山者Marc-AndréLeclerc，在雪崩中。 “这就像圣杯一样，沃纳·赫尔佐格（Werner Herzog）看过这部电影，并想在放映后在舞台上向我们介绍，所以当它被取消时，这是不好的。 ”决定避开任何虚拟电影节，并举办电影，直到“大流行改善”。在7月，路边景点和环球影业内容小组获得了“ Alpinist”并将于9月10日在剧院上映。AlpinistjonathanGriffith/礼貌的红牛媒体Housemax Lowe考虑在去年秋天和冬季的另一个主要节日上首次亮相“ Torn”，但最终决定举行有关他父亲，父亲的电影，传奇的登山者亚历克斯·洛（Alex Lowe）于1999年10月因雪兰山（Mount Shishapangma）的喜马拉雅山峰而在科罗拉多州的喜马拉雅山峰上去世。特柳赖德（Telluride）邀请“ Torn”回到2021 Fest，Doc将于2022年在国家地理上播放，今晚将在全球首映。“这绝对是一个艰难的选择，” Lowe表示延迟。“但是看到这是我作为导演的第一个专题，并且考虑到故事的亲密性，我们认为等待亲自筛选电影的电影，真正传达故事背后的消息将是最具影响力的消息Lowe最初对制作电影很犹豫。他c朝前，直接向父亲的死亡。亚历克斯（Alex）最好的朋友和攀岩伙伴康拉德·安克（Conrad Anker）继续嫁给亚历克斯（Alex）的遗ow，并帮助洛（Lowe）和他的两个兄弟培养。当Lowe的父亲死后16年被发现时，Lowe决定记录他的家人以及他们将Alex视为男人而不是神话的旅程。对于我的家人来说，旅程是值得的，这是最大的障碍。”他说。 “在整个电影的整个制作过程中，这种自我怀疑一直在继续，并试图平衡我对亚历克斯作为父亲的看法，以及我妈妈，继父和兄弟所拥有的形象，更不用说许多人有这么多人我一生都刻画了他。掌握了我可以持有自己的观点和观点的想法，并质疑这个对我一生不可动摇的英雄的人，这是一个巨大的个人挑战。”当Leclerc在攀登中去世时拍摄“ Alpinist”。在Leclerc的家人和朋友的支持下，这位导演二人组在明年半的一半中，重新编辑了有关加拿大独奏家的电影，他们避开了宣传，不愿让电影摄制组进入他的攀登。从许多方面来说，“阿尔卑斯主义者”类似于“自由独奏”，《自由独奏》是由伊丽莎白·柴·瓦萨尔利（Elizabeth Chai Vasarhelyi）和吉米·钦（Jimmy Chin）执导的纪录片，在勒克莱克（Leclerc）死后首映。勒克莱尔（Leclerc）的死是“阿尔卑斯主义者”的一部分，但不是这是“阿尔卑斯主义者”的一部分文档的重点。“我们不想在他的死亡中开放，因为那不是他在我们拍摄他的那两年中生活的生活，”罗森解释说。“在这两年中，我们与他一起经历的经历是对一个非常活跃和旅途中的登山者的更纯粹的经历。”
Two documentaries about fallen mountain climbers were accepted into Telluride 2020. Only one held on for this year's festival.
When last year's Telluride festival was cancelled in July, the filmmakers behind “The Alpinist” and “Torn had to make a tough decision: should they find another festival to debut their respective films?
"Getting into Telluride was so exciting for us,” says Peter Mortimer, who had re-edited “The Alpinist” with Nick Rosen following the 2018 death of its protagonist, 23-year-old free solo climber Marc-André Leclerc, in an avalanche. “It’s like the holy grail, and Werner Herzog had watched the film and wanted to introduce us on stage after the screening, so when it got canceled, it was bad.”
Red Bull Media House and Sender Films, who produced “The Alpinist,” decided to steer clear of any virtual film festivals and hold the film until the “pandemic improved.” In July Roadside Attractions and Universal Pictures Content Group acquired “The Alpinist” and will release the doc in theaters on Sept. 10.
Max Lowe considered debuting “Torn” at another major festival last fall and winter, but in the end decided to hold the film about his father, the legendary climber Alex Lowe, who died via avalanche on the Himalayan peak of Mount Shishapangma in October 1999, for the Colorado festival. Telluride invited “Torn” back to the 2021 fest and the doc, which will stream on National Geographic in 2022, will be making its world premiere tonight.
“It was definitely a difficult choice,” says Lowe of the delay. “But seeing as this was my first feature as a director, and considering the intimate nature of the story, we thought that waiting to try and screen the film for audiences in person, to truly convey the messaging behind the story would be the most impactful way to present it to the world.”
Lowe was initially hesitant about making the film. He confronts his father’s death head-on. Alex’s best friend and climbing partner, Conrad Anker, went on to marry Alex’s widow and help raise Lowe and his two brothers. When the body of Lowe’s father was found 16 years after his death, Lowe decided to document his family and their journey toward understanding Alex as a man, not a myth.
“Summoning the courage and coming to grips with whether or not delving into this difficult journey was worth it for my family was the biggest hurdle,” he says. “This self-doubt continued throughout the making of the film as well as trying to balance my own perspective on Alex as my father, and the image that my mom, stepdad and brothers held of him, not to mention the image that so many have portrayed of him to me my entire life. Coming to grips with the idea that I could hold my own opinions and perspectives and question this man who had been an untouchable hero to me my entire life was a huge personal challenge.”
By contrast, Mortimer and Rosen had wrapped filming “The Alpinist” when Leclerc died on a climb. With the support of Leclerc’s family and friends, the directing duo spent the next year and a half re-editing the film about the Canadian soloist who shied away from publicity and was reluctant to let the film crew in on his climbs. In many ways, “The Alpinist” is similar to “Free Solo,” the Oscar winning documentary directed by Elizabeth Chai Vasarhelyi and Jimmy Chin that premiered after Leclerc’s death.
While Leclerc’s death is part of “The Alpinist,” it isn’t the focus of the doc.
“We didn’t want to open with his death because that wasn't the life he was living in those two years we were filming him,” explains Rosen. “That experience we were having with him in those two years, it was a more pure experience about a climber who is very much alive and on a journey.”
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谢谢楼主分享，发现宝藏了。 谢谢楼主分享，发现宝藏了。 资源真不错，感谢分享！ 感谢分享，下载收藏了。最喜欢高清纪录片了。 非常不错，感谢楼主整理。。 谢谢楼主分享，发现宝藏了。
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