纪录片自媒体解说素材-新闻动态参考-“ D'Amelio Show”无法完全解释其Tiktok版税明星的兴起：电视评论/‘The D’Amelio Show’ Can’t Quite Explain the Rise of Its TikTok Royalty Stars: TV Review
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0505/2212r10252r21bq.jpg“ D'Amelio Show”无法完全解释其Tiktok版税明星的兴起：电视评论
‘The D’Amelio Show’ Can’t Quite Explain the Rise of Its TikTok Royalty Stars: TV Review
被问到第四次，为什么她以一家新的Hulu纪录片而闻名，她的一生是16岁的Charli d'Amelio睁大眼睛。她经常考虑这个问题，但她的tiktok臭名昭著仍然没有很好的答案。她建议，也许这是Covid-19隔离的共同无聊，在此期间，她的15秒舞蹈视频从未像以前一样起飞。也许这只是人们回应的“氛围”。她坚持认为，无论出于何种原因，我都不认为自己是出名的。”即使有超过1亿人在Tiktok上订阅她的频道，Charli也很清楚她的特殊互联网名声是有条件的。不管有几百万人跟随她，蒂克托克（Tiktok）根本没有更多的东西，或者在全能算法中提供了完全不同的内容。尽管成为一个不可否认的巨大社交媒体应用程序中最突出的面孔之一，但查理·达·阿米利奥（Charli D’Amelio）是一种著名的人，这意味着她要么完全根据谁的看法，被注意力或完全忽略了。对于纪录片来说，这是一个真正奇怪的，令人着迷的动态 - 但是，这个文档并不是这个文档对处理或能够处理能力的人。关于突然成名的基本挫败感。冲突的最大来源是在D'Amelios的社交媒体帐户的评论中潜伏的“仇恨”，这些帐户困扰着查理，尤其是她的姐姐迪克西。为了说明他们在日常生活中的侵入性，该节目经常用无视的评论屏幕截图标出场景，而D'Amelios则试图且无法忽略它们。最接近的“ D'Amelio表演”到了真正的脆弱性，几乎总是在这些时刻，因为两个D'Amelio姐妹都承认，他们的焦虑频率使他们感到焦虑。在第一集的结尾，迪克西（Dixie）对与V一起拍摄视频的兴奋奥格（Ogue）以滚动浏览所有嘲讽的评论，并在她迷惑的父母竭尽所能安慰她的情况下散发出抽泣。这是一个令人震惊和悲伤的场面，强调了她和查理的真正年轻和经验不足。无论他们取得了多少款交易，他们结交了著名的朋友或经验丰富的经理，他们为经营新公司将家庭变成一个品牌的经理，D'Amelios似乎都对他们几乎立即上升感到真正的困惑到顶部，不确定他们可以呆多久。在该系列节《 9月3日首映》之前提供的八集中的五集中，这种动态的展开遍及，一遍又一遍地。由于直到2021年初，它才开始录制，“ D'Amelio Show”已经错过了到目前为止，一些家庭最复杂的经历。查理（Charli）和迪克西（Dixie）在大流行期间从康涅狄格州（Connecticut）转移到洛杉矶的一家人只瞥了一眼。查理学习在乔治·弗洛伊德（George Floyd）的谋杀案谋杀后，拒绝其他舞蹈，拒绝其他舞蹈表演的舞蹈，并拒绝更安全的中立性，他们拒绝了其他舞蹈，他们拒绝了其他舞蹈。因此，好的，“ D'Amelio Show”对解开过去不感兴趣。但是，它的狭窄方法仅仅是详细介绍家庭的日常工作，因为它足够出名，可以将系列固定在一个以外的粉丝之外，这可能不会引起观众的吸引力。 'Amelio作为一个更广泛的概念的表演已经在进行中。无论是通过Charli的Tiktok，Dixie的YouTube频道，每个姐姐的Instagram，他们的联合播客，甚至是父母的播客，D'Amelio家族长期以来一直在寻找传达他们的想法，真相，希望和激情的方法。任何想了解他们的现实生活的人都含糊其熟悉的人都有多种方法可以做到这一点，这使这个Hulu系列只是另一个难题。但是对于任何人正如查理（Charli）所说的那样，可能是“有史以来第一次”经历他们，并想了解为什么这么多人发现他们很有趣，“ D'Amelio Show”不会比Charli的Vague Shrugs更加坚定的答案。Amelio Show”现在可以在Hulu上流式传输。
Asked for the umpteenth time why she's famous for a new Hulu docuseries about her life, 16 year-old Charli D'Amelio rolls her eyes. She's thought about this question a lot, but still doesn't have a great answer for her outsized TikTok notoriety. Maybe, she suggests, it was the shared boredom of COVID-19 quarantine, during which her 15 second dance videos took off like never before. Or maybe it was just "a vibe" people responded to. Whatever the reason, she insists, "I don't consider myself to be famous."
Even with more than 100 million people subscribing to her channel on TikTok alone, Charli's well aware that her particular kind of internet fame is conditional. No matter how many millions of people follow her, many more aren't on TikTok at all, or else served a completely different set of content by the almighty algorithm. Despite becoming one of the most prominent faces of an undeniably huge social-media app, Charli D'Amelio is the kind of famous that means she's either completely swarmed by attention or completely ignored, depending on who's looking. It's a genuinely strange, fascinating dynamic for a docuseries to explore — and yet, not one that this doc is either interested in or well equipped to handle.
Instead, "The D'Amelio Show" settles for a general peek behind the curtain that focuses on the basic frustrations of sudden fame. The biggest sources of conflict are the "haters" lurking in the comments of the D'Amelios' social-media accounts, which haunt both Charli and, especially, her older sister Dixie. To illustrate just how intrusive they can be in their daily lives, the show frequently punctuates scenes with screenshots of disdainful comments while the D'Amelios try and fail to ignore them. The closest "The D'Amelio Show" gets to true vulnerability is almost always in these moments, as both D'Amelio sisters admit how often their anxiety overwhelms them. At the end of the first episode, Dixie's excitement over shooting a video with Vogue ends with her scrolling through all the derisive comments and dissolving into sobs as her bewildered parents do their best to comfort her. It's a startling and sad scene that emphasizes how relatively young and inexperienced she and Charli really are. No matter how many deals they've landed, famous friends they've made, or seasoned managers they've hired to help run the new company turning the family into a brand, the D'Amelios all seem genuinely baffled by their almost instant rise to the top, and unsure how long they can stay there. Throughout the five out of eight episodes provided before the series' Sept. 3 premiere, this dynamic unfolds over, and over, and over again.
Since it didn't start taping until early 2021, "The D'Amelio Show" already missed out on some of the family's most complex experiences to this point. Charli and Dixie's burst in popularity and the family's move from Connecticut to Los Angeles during the pandemic get only glancing mentions; Charli learning to credit the other dancers (many of them Black) who create the dances she performs and rejecting a safer neutrality to speak out after the murder of George Floyd get nothing at all. So, okay, "The D'Amelio Show" isn't interested in untangling the past. But its narrow approach to just detailing the family's everyday routine now that it's famous enough to anchor a series probably won't be compelling to an audience beyond preexisting fans.
By the time "The D'Amelio Show" was greenlit for Hulu, the D'Amelio Show as a broader concept was already well underway. Whether through Charli's TikTok, Dixie's YouTube channel, each sister's Instagrams, their joint podcast, or even their parents' podcast, the D'Amelio family has long been finding ways to communicate their ideas, truths, hopes and passions. Anyone vaguely familiar with them who wants to learn more about their real lives has myriad ways to do that, making this Hulu series just another piece of that puzzle. But for anyone who, as Charli puts it, might be experiencing them "for the first time ever" and wants to understand why so many find them interesting, "The D'Amelio Show" won't have many firmer answers than Charli's vague shrugs.
"The D'Amelio Show" is now available to stream on Hulu.
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非常不错，感谢楼主整理。。 太好了，终于找到宝藏论坛了！ 谢谢更新，天天学习，天天向上！
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