纪录片自媒体解说素材-新闻动态参考-“逃亡”导演乔纳斯·波斯·拉斯穆森（Jonas Poher Rasmussen）在阿富汗危机之后的难民纪录片的痛苦共鸣/‘Flee’ Director Jonas Poher Rasmussen on the Painful Resonance of His Refugee Documentary Following the Crisis in Afghanistan
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0505/1720j02jtfacsri.jpg“逃亡”导演乔纳斯·波斯·拉斯穆森（Jonas Poher Rasmussen）在阿富汗危机之后的难民纪录片的痛苦共鸣
‘Flee’ Director Jonas Poher Rasmussen on the Painful Resonance of His Refugee Documentary Following the Crisis in Afghanistan
导演乔纳斯·波汉·拉斯穆森（Jonas Poher Rasmussen）最初不愿制作英语版本的“逃亡”，这是他的动画纪录片，讲述了一个难民，他小时候逃脱了他在阿富汗的家中的住所。但是拉斯穆森（Rasmussen）认为，一个星光熠熠的声音演员可以帮助您对与电影中心人物类似的斗争散发出重要的灯光，阿明·纳瓦比（Amin Nawabi）（一个化名）。好莱坞特工暗示他与“金属声音”明星里兹·艾哈迈德（Riz Ahmed）和“ 《权力的游戏》”演员Nikolaj Coster-Waldau，两者都对Amin的令人痛苦的旅程表示同情，并最终叙述了Doc. Rasmussen，因为Rasmussen，“逃离”大众是个人的胜利，因为他与他的前高中同学Amin接近，并花了多年的时间说服他的朋友分享他的成长经历中的深刻亲密经验。“逃亡”于一月份在圣丹斯（Sundance）首映，但现在它在本周的多伦多国际电影节上播放，感觉尤其尤其。你认为危机会改变观众如何收到电影？这绝对是一个重要的话题。现在可能会有一群来自阿富汗的难民，因此希望人们能看电影，这将使他们对难民经历的经历以及让您的房屋从您身边带走的意义有所了解。同意分享他的故事？他总是知道自己必须这样做的某个时候。当我遇到他发生的事情以及他如何到我的家乡时，我很好奇。我来自一个很小的城市，有400或500人。但是[当我遇见他]，他什么也没说。他说他不想谈论它。然后几年过去了，他准备与我交谈。在向您敞开的时候，您对Amin的生活了解了什么？实际上几乎没有。他告诉我他已经在俄罗斯度过了一段时间，他认识俄罗斯人。除此之外，您在电影中听到的是他第一次告诉我这个故事。SE您必须对他问他的问题要谨慎。您有时会按他的细节向他提出，但是您希望他感到舒适，并且知道这是他自己的条件。为了使他开放，这需要成为一个尊重的房间，让他感到安全。如果我向他施压，那将是一个完全不同的故事。当然，在某些时候，您需要施加一点压力。但是我使它成为一个安全的空间，因此他总是可以说，何时需要停下来在继续之前考虑某事。在三到四年的时间里，他慢慢地开放了越来越多的。那是做到这一点的唯一方法。您总是打算为纪录片制作动画吗？动画DOC是关键，因为他可以在故事上没有面对面的情况下告诉它。同样，使用动画，它使我们变得更具表现力，尤其是当Amin很难谈论[噩梦之类的东西时。它确实带来了诚实，以某种方式。在制作有关阿明动荡生活的叙述中最棘手的部分是什么？这个故事跨越了30多年，因此它试图找到从哪里开始。很快，我意识到这是一个关于寻找房屋的故事，既是一个难民，他都不能分享他的故事，也是一个同性恋者，他觉得自己可以公开地是同性恋。我试图围绕它来塑造它。听到他小时候对流行文化有亲和力很有趣。我对我们的生活有多相似感到惊讶。我们听了相同的音乐，观看了相同的电影，喜欢踢足球。我们有所有这些参考文献是理解和与他的故事有关的关键。您希望观众从“逃跑”中脱颖而出？我真的希望人们能看到当您将房屋带离您时，它会影响您的生活。人们随身携带太多以至于看不到。最好的隔离狂欢观察：“开发” f最喜欢的编辑室小吃：苹果
Director Jonas Poher Rasmussen was initially reluctant to make an English-language version of “Flee,” his animated documentary about a refugee who escaped his home in Afghanistan as a child to safety in Denmark. But Rasmussen thought a star-studded voice cast could help shed an important light on struggles similar to those of the film’s central figure, Amin Nawabi (a pseudonym).
A Hollywood agent suggested he connect with “Sound of Metal” star Riz Ahmed and “Game of Thrones" actor Nikolaj Coster-Waldau, both of whom empathized with Amin’s harrowing journey and ultimately narrated the doc.
For Rasmussen, getting “Flee” to the masses is a personal triumph because he’s close with Amin, his former high-school classmate, and spent years convincing his friend to share deeply intimate experiences from his upbringing.
“Flee” premiered at Sundance in January, but now that it’s playing at the Toronto International Film Festival this week, it feels especially topical. Do you think the crisis will change how audiences receive the film?
It’s definitely a prominent topic. There could be a bunch of refugees coming from Afghanistan now, so hopefully people will see the film and it will give them some perspective on what refugees go through and what it means to have your home taken away from you.
Why do you think Amin finally agreed to share his story?
He always knew at some point he would have to. I was curious when I met him about what had happened and how he ended up in my hometown. I’m from a very small city, 400 or 500 people. But , he couldn’t say anything; he said he didn’t want to talk about it. And then years passed, and he was ready to talk to me.
What did you know about Amin's life before he opened up to you?
Almost nothing, actually. He told me he had spent some time in Russia and that he knew Russian. Other than that, what you’re hearing in the film is the first time he told me the story.
You almost take on a therapist role because you have to be cautious about the way you’re asking him questions. You press him for details at times, but you want him to feel comfortable and know it’s on his own terms.
For him to open up, it needs to be a respectful room where he feels safe. If I pressured him, it would be a totally different story. Of course, at some points, you need to put in a little pressure. But I made it a safe space so he can always say when he needs a pause to think about something before continuing. During a span of three or four years, he slowly opened up more and more. That was the only way to do it.
Did you always plan to animate the documentary?
Animating the doc was key because he could tell it without having a face on the story. Also with the animation, it allowed us to be more expressive, especially when Amin has a hard time talking about like a nightmare. It really brings honesty, somehow.
What was the trickiest part in crafting the narrative around Amin's tumultuous life?
The story spans more than 30 years, so it was trying to find where to start. Quite soon, I realized this is a story about finding a home, both as a refugee who can’t share his story but also as a gay man, who doesn’t feel like he can be openly gay. I tried to shape it around that.
It was interesting to hear he had an affinity for pop culture as a child.
I was surprised about how similar our lives were. We listened to the same music, watched the same films and liked playing soccer. We have all these references that are key to understanding and relating to his story.
What do you hope audiences take away from "Flee"?
I really hope people can see how much it affects your life when you have your home taken away from you. People carry around so much that you don’t see.
Things you didn’t know about Jonas Poher Rasmussen:
Age: 40 Birthplace: Kalundborg, Denmark Most rewatched movie: “The Lives of Others” Favorite documentary: “The Act of Killing” Best quarantine binge-watch: “Devs” Favorite editing room snack: Apples
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感谢分享，下载收藏了。最喜欢高清纪录片了。 谢谢楼主分享，发现宝藏了。
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