纪录片自媒体解说素材-新闻动态参考-Netflix将有希望的“游行队伍”和“警察电影”带到了巴黎剧院，以供Doc Showcase（独家）/Netflix Brings Award Hopefuls ‘Procession’ and ‘A Cop Movie’ to Paris Theater for Doc Showcase (EXCLUSIVE)
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0504/3951s05pny5mh15.jpgNetflix将有希望的“游行队伍”和“警察电影”带到了巴黎剧院，以供Doc Showcase（独家）
Netflix Brings Award Hopefuls ‘Procession’ and ‘A Cop Movie’ to Paris Theater for Doc Showcase (EXCLUSIVE)
Netflix的奖项希望罗伯特·格林（Robert Greene）的“游行队伍”和阿隆索·鲁伊兹帕拉西奥斯（Alonso Ruizpalacios）的“警察电影”将前往曼哈顿的巴黎剧院，这是其“纪录片新指导”系列的一部分。 Doc Shortlist，将在10月15日开始的即将到来的系列赛中与以前庆祝的表格弯曲纪录片一起放映。2019年Netflix已经营571个座位的场地，流媒体公司全年将其用于独家活动，首映，特别活动，特殊活动，特殊活动，特殊活动，特殊活动，特殊活动，特殊活动，特殊活动，特殊活动，特殊活动，特殊活动，回顾展和电影制片人的演出。由巴黎剧院程序员大卫·施瓦茨（David Schwartz）策划，为期五天的公共活动将突出并庆祝将小说和非小说元素结合到他们讲故事的结构的纪录片。 Schwartz说：“是令人兴奋和发明的电影，可以增强纪录片的形式。” “他们找到了通过深层角色探索真理的创新方式L和戏剧性的主题。他们的作品超越了公式化的愿景，创造性的纪律和独创性。在影片中，六个幸存者聚集在一起，指导戏剧疗法启发的实验，旨在集体通过创伤。他们创建了基于记忆，梦想和经验的虚构场景，旨在探索教会的仪式，文化和等级制度，使他们的虐待使他们保持沉默。角色扮演和模糊小说与现实之间的界线也是Ruizpalacios的组成部分，这对于“一部Cop Movie”不可或缺。”在三月份在柏林电影节上首映的纪录片中，两位专业演员参加了一个真正的身临其境的警察训练营，以发现在墨西哥城成为警察所需要的。 ”九个额外的流派弯曲文档计划在屏幕上，包括罗斯兄弟的《当代色》（2016年），柯斯滕·约翰逊的“迪克·约翰逊死了”（2020年）和“卡米拉皮森”（2016年）； Laura Poitras的“ The Oath”（2010年）和Yance Ford的“ Strong Island（2018）”。Filmmaker问答将跟随几个放映。我的整个职业生涯。”格林说。 “阵容是创新艺术家的名人，这真是令人兴奋。代表我的合作者在“游行”上，我们不能为关于纪录片制作不断扩展的可能性的对话而感到自豪。在由圣丹斯电影节主任塔比莎·杰克逊（Tabitha Jackson）主持的私人小组讨论中yORK从11月12日开始，从11月19日开始在洛杉矶和旧金山。该文档将于11月19日在Netflix上鞠躬。：在危机中的勇气”，供学院考虑，阿曼达·利皮兹（Amanda Lipitz）的“发现”，克里斯汀·斯托拉基斯（Kristine Stolakis）的“祈祷”和山姆·霍布金森（Sam Hobkinson）的“米莎与狼”。“融合：危机中的勇气”，关于世界各地的日常公民，激进主义者和志愿者对COVID-19大流行带来的挑战的反应，将于10月12日在Netflix上开始播放。Color + Ross Brothers Q＆Asaturday，1612年10月，Dick Johnson死了 + Kirsten Johnson Q＆A2：30游行队伍（116英寸） + Robert Greene Q＆A5：30 Shirkers（97”）1712年10月，KATE KATE播放Christine3 A Cop Movie（107”）8：30血腥的鼻子，空的Pocketsmonday，185年10月，Cameraperson7：30 The Oathtuesday，195年10月Bisbee '177:30与Yance ford Q＆A的Strong Island
Netflix’s awards hopefuls Robert Greene’s “Procession” and Alonso Ruizpalacios’ “A Cop Movie” are heading to Manhattan’s Paris Theater as part of its “New Directions in Documentary” series.
Both hybrid features, which are vying for a spot on this year’s Academy Award doc shortlist, will screen alongside previously celebrated form-bending docus in the upcoming series beginning Oct. 15.
Since 2019 Netflix has operated the 571-seat venue, which the streaming company uses year-round for exclusive theatrical engagements, premieres, special events, retrospectives, and filmmaker appearances.
Curated by Paris Theater programmer David Schwartz, the five-day public event will highlight and celebrate docus that combine elements of fiction and non-fiction into the fabric of their storytelling.
“ ‘Procession’ and ‘A Cop Movie’ are exciting and inventive movies that heighten the documentary form,” says Schwartz. “They find innovative ways to explore truth through deeply personal and dramatic subjects. Their work transcends the formulaic with rigorous fidelity to vision, creative discipline and originality.”
About six survivors of childhood sexual abuse by Catholic priests, “Procession” was acquired by Netflix after its Telluride premiere in September. In the film, the six survivors come together to direct a drama therapy-inspired experiment designed to collectively work through their trauma. They create fictional scenes based on memories, dreams, and experiences, meant to explore the church rituals, culture and hierarchies that enabled silence around their abuse.
Role playing and blurring the lines between fiction and reality are also integral to Ruizpalacios’ “A Cop Movie.” In the docu, which premiered in competition at the Berlin Film Festival in March, two professional actors undergo a real immersive police training camp to discover what it takes to be a cop in Mexico City.
In addition to “Procession” and “A Cop Movie” nine additional genre-bending docus are slated to screen, including the Ross Brothers’ “Contemporary Color” (2016), Kirsten Johnson’s “Dick Johnson Is Dead” (2020) and “Cameraperson” (2016); Laura Poitras’ “The Oath” (2010) and Yance Ford’s “Strong Island (2018).
Filmmaker Q&A will follow several of the screenings.
“It’s amazing to be a part of this series and discussion with friends and filmmakers that I’ve admired my entire career,” says Greene. “The lineup is a who’s who of innovative artists and it’s genuinely thrilling. On behalf of my collaborators on ‘Procession,’ we could not be prouder to be part of this conversation on the expanding possibilities of documentary filmmaking.”
On Oct. 16, Greene, Ruizpalacios, Ford, Poitras, Johnson and the Ross Brothers will partake in a private panel discussion moderated by Sundance Film Festival director Tabitha Jackson at the Crosby Hotel.
“A Cop Movie” opens theatrically on Oct. 20 and will begin streaming on Netflix on Nov. 5. “Procession” will have a qualifying run in New York beginning on Nov. 12 and in Los Angeles and San Francisco starting Nov. 19. The doc will bow on Nov. 19 on Netflix.
In addition to Greene and Ruizpalacios’ docus, Netflix is also qualifying Oscar winning director Orlando von Einsiedel’s “Convergence: Courage in a Crisis” for Academy consideration, “Found” by Amanda Lipitz, “Pray Away” by Kristine Stolakis, and “Misha and the Wolves" by Sam Hobkinson. “Convergence: Courage in a Crisis," about everyday citizens, activists, and volunteers around the world response to challenges brought on by the COVID-19 pandemic, will begin streaming on Netflix Oct. 12.
SERIES SCHEDULE
Friday, Oct, 15
7:30 Contemporary Color + Ross brothers Q&A
Saturday, Oct, 16
12 Dick Johnson Is Dead + Kirsten Johnson Q&A
2:30 Procession (116”) + Robert Greene Q&A
5:30 Shirkers (97”)
Sunday, Oct, 17
12 Kate Plays Christine
3 A Cop Movie (107”)
8:30 Bloody Nose, Empty Pockets
Monday, Oct. 18
5 Cameraperson
7:30 The Oath
Tuesday, Oct. 19
5 Bisbee ‘17
7:30 Strong Island with Yance Ford Q&A
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感谢大佬分享。我又来学习了~ 感谢分享，下载收藏了。最喜欢高清纪录片了。
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