纪录片自媒体解说素材-新闻动态参考-纪录片制片人维塔利·曼斯基（Vitaly Mansky）说：“一旦您同意拍摄电影，您就失去了说出唱片的权利。”/‘Once You Agree to Be Filmed, You Lose Your Right to Say Things Off the Record,’ Documentary Filmmaker Vitaly Mansky Says
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0503/5646uubhcaqyvjw.jpg纪录片制片人维塔利·曼斯基（Vitaly Mansky）说：“一旦您同意拍摄电影，您就失去了说出唱片的权利。”
‘Once You Agree to Be Filmed, You Lose Your Right to Say Things Off the Record,’ Documentary Filmmaker Vitaly Mansky Says
他在Ji.hlava Intl的大师班期间说，俄罗斯纪录片制片人Vitaly Mansky并没有使事情脱离唱片。纪录节。以“阳光下”，“普京的见证人”和他的最新文档“戈尔巴乔夫”为特色的庆祝节目庆祝。天堂，”曼斯基已经在他的2005年宣言“真实电影”中概述了他的方法，其中包括董事不应遵守任何“道德”限制。 “一旦您同意被拍摄，您就会失去说出唱片的权利。我不是在这里聊关于您的生活，我在这里录制，然后取决于我是否保留它。否则，我会失去自由。”他承认，苏联前领导人戈尔巴乔夫接受了他的规则。 “他非常清醒地评估了自己的身体状态。最初，他对此有些害羞，但我们设法说服了他对这部电影很重要。后来，当有些人试图调节我们的拍摄方式时，他很挑战我们。但这并非总是如此，”他说，提到Alina Rudnitskaya的纪录片“诱惑学院”。 “她的一位主角起诉她。她不喜欢遇到的方式，而法律就在她身边 - 这部电影没有发行，也没有在电视上放映。我想我们需要新的行为守则，因为这可能是纪录片电影的终结。很快，我们只能与演员一起拍摄纪录片。 “当我阅读其他董事的治疗方法或申请时，一切都会提前计划。我问：“如果您知道其中会发生什么？”但是当我谈论缺乏剧本时，我并不是说没有准备。”这位俄罗斯董事还公开承担可能使他的主人公处于危险之中的责任。 “在阳光下，”专注于一个小女孩她在平壤的家人受到朝鲜文化部的监督。但是曼斯基决定在镜头之间保持摄像头的滚动，将其变成一个曝光。想把它带回家。我们每天要做他每天做一千次的事情。”他回忆道。 “在朝鲜，没有法治和人类生命没有价值的朝鲜，这些人本可以被带到劳教所。我知道我必须制作一部强大的电影，以确保所有参与者的安全。不过，我回来后，我经历了精神危机。曼斯基还谈到了关于“普京证人”的批评，他说这可能会影响人们在俄罗斯的看法。 “这并不能显示普京现在是这个危险的人。没有人可以告诉你，你应该为自己的“罪”赎罪但是，更多。当他们宣布他被任命为总统时，我的妻子说他是谁。但是我们不知道他的规则会带来什么。”他说。还补充说，数字技术的到来并没有像他们希望的那样解放纪录片制片人。“我们觉得我们终于获得了自由。为了拍摄日出，您只需要手机，头顶上的屋顶，一杯牛奶和一块面包，不要死于饥饿。不幸的是，我们生活在一个受经济规则管理的世界中。即使您拥有一个不花很多钱的项目，电影业的机械也会告诉您：“您需要预算，”他指出，也逗弄了他的新项目。 “这是一部短片 - 六个半小时。我没有预算，除非它的主角杀死我或起诉我，否则我相信它会很有趣。我知道五年前开始制作电影的电影制片人，但仍未完成。我正在谈论那是“机械”。我，我蚂蚁发自内心的拍摄。”Vitaly Manskycredit：Stefan Berec
Russian documentary filmmaker Vitaly Mansky doesn’t keep things off the record, he said during his masterclass at Ji.hlava Intl. Documentary Festival. Celebrated with a tribute section featuring “Under the Sun,” “Putin’s Witnesses” and his latest doc “Gorbachev. Heaven,” Mansky has already outlined his methods in his 2005 manifesto “Real Cinema,” including the fact that directors shouldn’t abide by any "moral" restrictions.
“Once you agree to be filmed, you lose your right to say things off the record. I am not here to have a chat about your life, I am here to record and then it’s up to me whether I will keep it or not. Otherwise, I would lose my freedom,” he said, admitting that Gorbachev, former leader of the Soviet Union, accepted his rules.
“He very soberly assessed his physical state. Initially, he was a bit shy about it, but we managed to persuade him it was important for the film. Later, when some people tried to regulate the way we were shooting, he was defending us. But it’s not always the case,” he said, mentioning the case of Alina Rudnitskaya’s documentary “School of Seduction.”
“One of her protagonists sued her. She didn’t like the way she came across and the law was on her side – the film didn’t go into distribution and wasn't shown on TV. I guess we need a new code of conduct because this could be the end of documentary cinema. Soon, we will only be able to film docudramas with actors.”
According to another point of his manifesto, there should be no script when filming documentaries, also to accommodate “unexpected meetings.”
“When I read other directors’ treatments or applications, everything is planned in advance. I ask: ‘Why make a film if you know what's going to be in it?’ But when I talk about the absence of the script, I don’t mean the absence of preparation.”
The Russian director also opened up about taking responsibility for potentially putting his protagonists in danger. “Under the Sun,” focusing on a little girl and her family in Pyongyang, was overseen by the North Korean Ministry of Culture. But Mansky decided to keep the cameras rolling also between shots, turning it into an exposé.
“At that time, an American student who visited North Korea was sentenced to 15 years in prison because he took a poster off the wall and wanted to take it home. We were going to do what he did a thousand times a day,” he recalled.
“In North Korea, where there is no rule of law and human life has no value, these people could have been taken to labor camps. I knew I had to make a powerful film to guarantee safety for all involved. Still, after I came back, I went through a mental crisis. It took me a while to come back to normal life.”
Mansky also addressed the criticism concerning “Putin’s Witnesses,” which he said could have influenced the way people perceive him in Russia.
“It doesn’t show Putin as this dangerous person that he is now. No one can tell you that you should atone for your 'sins' a bit more, however. When they announced he was appointed President, my wife said who he really was. But we didn’t know what his rule would bring,” he said. Also adding that the arrival of digital technologies didn’t liberate documentary filmmakers as much as they hoped.
“We felt we were finally free. In order to film a sunrise, all you need is a mobile phone, a roof over your head, a glass of milk and a piece of bread not to die of starvation. Unfortunately, we live in a world governed by economic rules. Even when you have a project that doesn’t cost much, the machinery of the film industry will tell you: ‘You need a budget,’ ” he pointed out, also teasing his new project.
“It’s a short film – six hours and a half. I made it without a budget and unless its protagonist kills me or sues me, I believe it will be entertaining. I know filmmakers who started developing their films five years ago and still haven’t finished. That’s 'the machinery' I am talking about. Me, I want to film from my heart.”
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