纪录片自媒体解说素材-新闻动态参考-Doc NYC Fest开始进行，在一系列希望的奖项后面投掷热量，包括“逃离”，“ Attica”和“成为Cousteau”/DOC NYC Fest Gets Underway, Throwing Heat Behind a Bevy of Awards Hopefuls, Including ‘Flee,’ ‘Attica’ and ‘Becoming Cousteau’
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0503/48495onbv43n1mk.jpgDoc NYC Fest开始进行，在一系列希望的奖项后面投掷热量，包括“逃离”，“ Attica”和“成为Cousteau”
DOC NYC Fest Gets Underway, Throwing Heat Behind a Bevy of Awards Hopefuls, Including ‘Flee,’ ‘Attica’ and ‘Becoming Cousteau’
Doc NYC的第12版今天开始开幕 - 在AMPAS纪录片分支机构开始投票的一个月前，确定2022年奥斯卡纪录片候选名单。直到11月18日运行的9天事件将超过125个简短的纪录片和127个功能 - 长篇小说电影将在纽约市的IFC中心，SVA剧院和CinépolisChelsea放映。 （该节将在网上发售，直到11月28日）Penny Lane的“听Kenny G”将作为开幕式电影，而Matthew Heineman的“第一波”将关闭节日。萨姆·波拉德（Sam Pollard）和雷克斯·米勒（Rex Miller）的“公民阿什（Ashe）”，戴夫·伍雷（Dave Wooley）以及戴维·海布罗纳（David Heilbroner）的“迪昂·沃里克（Dionne Warwick）：不要让我结束”都是节日的核心文档。Festivities开始于哥谭霍尔（Gotham Hall）的年度年度远见者致敬的荣誉午餐。虽然摄影师琼·丘吉尔（Joan Churchill）（“ Gimme Shelth”，“越南最后日子”）将被授予荣誉，但奥斯卡提名导演Raoul Peck（“我不是您的黑人”），Emmy AwarD获胜的导演彼得·尼克斯（Peter Nicks）（“候诊室”，“院”）和福特基金会的Justfilms的高级程序官Chi-Hui Yang，四小时的午餐远不止是颁奖典礼。它还为非小说类导演提供了有资格获得奥斯卡奖的电影的活动。灵魂的夏日（……或者无法电视进行革命时），” Liz Garbus（“成为Cousteau”），Jessica Kingdon（“ Ascension”），Todd Haynes（“ The Velvet Underground”）和Jonas Poher Rasmussen（“ Flee”（“ Flee”） ）Will与Bevy Docu分支机构成员混合在一起，包括Alex Gibney，Barbara Kopple，Dawn Porter和Rachel Grady。分支机构成员Stanley Nelson也将于周三在Gotham Hall上吹捧他的最新电影《 Attica》，讲述了美国最大的监狱起义于美国在美国最大的监狱起义。历史。“ Doc NYC对于麻木真的很重要午餐是午餐。”纳尔逊说。 “您有机会给电影制片人一点面孔，一边肘部肘部，问他们一直在做什么并告诉他们您一直在做什么，对我来说，这是“ Attica”。尼尔森还指出。 Doc NYC对于整体颁发的季节很重要，这在很大程度上是由于Doc NYC的艺术总监Thom Powers策划了其有影响力的15个电影短片。奥斯卡颁奖典礼的十大列表。 “美国工厂”，“自由独奏”，“伊卡洛斯”，“ O.J。：在美国制造”，“艾米”，“公民”，“距离明星20英尺”，“寻找糖人”和“不败”在2012年至2020年之间赢得了奥斯卡最佳纪录片的电影。总而言之，Doc NYC筛选了最近45个奥斯卡提名的纪录片中的39个。“ Attica”以及其他14部电影MA MA今年的de Fest名单：他们是：“提升”，“成为库斯托”，露西·沃克（Lucy Walker）的“带您自己的旅”，杰西卡·贝希尔（Jessica Beshir雷切尔·弗莱特（Rachel Fleit ”“灵魂之夏”和托德·海恩斯（Todd Haynes）的“地下天鹅绒”。“ Doc NYC入围名单非常重要，因为整个奖项季节的一部分并让人们看电影就是将电影分开，”尼尔森说。 “我在学院里，过去，我们有150部有资格的电影。我无法看所有它们，那么我在我（由学院指示）屏幕的清单之外看什么？其中的一部分是嗡嗡声，嗡嗡声的一部分是Doc NYC简称。将您的电影与OT分开非常重要鲍尔斯说，2021年的列表对电影制片人来说比以往任何时候都更重要。没有机会进行节日巡回演出，”鲍尔斯说。 “像'Flee'这样的电影，这是圣丹斯电影节（2021年）上最受尊敬的电影之一，直到开始在Telluride，Tornuride，Toronto和纽约电影节。因此，对于过去的新人导演，或至少是美国观众的乔纳斯·波赫·拉斯穆森（Jonas Poher Rasmussen），他可能会在美国几个不同的节日中演奏“逃离”有机会听到制作这部独特的动画电影背后的过程。这是过去一年有数十部电影的一个例子。”Y文档中的简短清单中有强大的分销商，例如国家地理，HBO，Showtime和Netflix，有些人，例如Jessica Beshir的“ Faya Dayi”，没有。在他们身后进行营销非常大的电影，因为这是电影将在奖励季节上升的重要因素。” Powers说。 “但是从历史上看，我们一直试图对可能没有这种营销肌肉的电影引起人们的关注，但我们认为观众确实对自己的艺术作出了强烈的反应。 “ Faya Dayi”是其中一部电影。”除了Fest的嗡嗡作响的冠军外，还有66部非小说类电影在Doc Nyc的世界或美国首演，包括Andy Ostroy的“ Adrienne”和Jamie Boyle的“匿名姐姐”。两者都是家庭的个人肖像。奥斯特罗（Ostroy）的“艾德里安（Adrienne）”记录了已故女演员，导演和编剧艾德丽安·雪莉（Adrienne Shelly）的生活，而博伊尔（Boyle）的“匿名姐姐”是关于导演的一生在2006年谋杀时与雪莉结婚的斯特洛伊（Ostroy她的生活通过15岁以上的镜头。”奥斯特罗说。 “这是看着同一悲剧和同样悲伤的另一种方式，事实证明这是改变生活的。”对于2019年的Doc NYC 40 40岁以下的荣誉奖，拍摄，指挥和编辑“匿名姐妹”已经是数十年了 - 长过程。博伊尔（Boyle）是一位经验丰富的纪录片编辑，“匿名姐姐”（Anonymous Sister）标志着她的第一次主持纪录片。“当我作为纪录片的编辑完成了顶级节日巡回演出时，我不一定要携带一千磅的影响力，”博伊尔说。 “随着纪录片变得越来越受欢迎，更多的关注和资金受到关注，因此很难获得这种吸引力。 Doc NYC是电影的理想场所，因为它没有似乎与前四个或五个节日一样承受着相同的压力，对于某些电影制片人来说，这确实可以让他们在每年最大的名字中的最大名字。”是：Torquil Jones的“ 14个山峰”，关于登山者Nirmal“ Nimal” Purja，Christopher Frierson的“ DMX：不要试图理解”，关于最近去世的说唱歌手的生活关于表演传奇的职业，约翰·马吉奥（John Maggio）的《先生》星期六晚上，关于“星期六夜狂热”背后的制片人罗伯特·斯蒂格伍德（Robert Stigwood）的兴衰。
The 12th edition of DOC NYC kicks off today -- exactly one month before the AMPAS documentary branch begins voting to determine the 2022 Oscar documentary shortlist.
The nine-day affair, which runs until Nov. 18, will feature over 125 short docus and 127 feature-length nonfiction films that will screen at New York City's IFC Center, SVA Theater and Cinépolis Chelsea. (The fest will be available online until Nov. 28)
Penny Lane's “Listening to Kenny G,” will serve as the opening night film while Matthew Heineman’s "The First Wave” will close the festival. Sam Pollard and Rex Miller's “Citizen Ashe” and Dave Wooley and David Heilbroner's “Dionne Warwick: Don’t Make Me Over” are both fest Centerpiece docs.
Festivities commence with the fest’s annual Visionaries Tribute Honoree luncheon at Gotham Hall. While kudos will be given to cinematographer Joan Churchill (“Gimme Shelter,” “Last Days in Vietnam”), Oscar nominated director Raoul Peck (“I Am Not Your Negro”), Emmy Award-winning director Peter Nicks (“The Waiting Room,” “Homeroom”) and Ford Foundation’s JustFilms’ Senior Program Officer Chi-hui Yang, the four-hour lunch is much more than an awards ceremony. It also serves as an event for nonfiction directors with films qualified for Oscar consideration to put on their campaign hats and mingle with a who’s who of Academy’s documentary branch members.
Filmmakers behind this seasons most talked about docs, including Ahmir “Questlove” Thompson, “Summer of Soul (…Or When the Revolution Could Not Be Televised),” Liz Garbus (“Becoming Cousteau”), Jessica Kingdon (“Ascension”), Todd Haynes (“The Velvet Underground”) and Jonas Poher Rasmussen (“Flee”) will mingle with a bevy docu branch members including Alex Gibney, Barbara Kopple, Dawn Porter and Rachel Grady.
Branch member Stanley Nelson will also be at Gotham Hall on Wednesday touting his latest film, “Attica,” about the largest prison uprising in U.S. history.
“DOC NYC is really important for a number of reasons and one is the lunch,” Nelson says. “You get a chance to give fellow filmmakers a little facetime, a little elbow in the side and ask what they’ve been working on and tell them what you’ve been working on, which for me is “Attica.”
Nelson also notes that DOC NYC is important to awards season overall in large part due to its influential 15-film short list curated by DOC NYC’s artistic director, Thom Powers.
The fest’s short list has a history of being a predictor of awards, from critics’ prizes and Top 10 lists to the Oscars. “American Factory,” “Free Solo,” “Icarus,” “O.J.: Made in America,” “Amy,” “Citizenfour,” “20 Feet From Stardom,” “Searching for Sugar Man,” and “Undefeated” are all films that won the Oscar for best feature documentary between 2012 and 2020. Before garnering a little gold man each film made the DOC NYC short list. In all, DOC NYC has screened 39 of the last 45 Oscar-nominated documentary features.
“Attica” as well as 14 other films made the fest list this year: They are: “Ascension,” “Becoming Cousteau,” Lucy Walker’s “Bring Your Own Brigade,” Jessica Beshir’s “Faya Dayi,” “Flee,” Peter Nick’s “Homeroom,” Nanfu Wang’s “In the Same Breath,” Rachel Fleit’s “Introducing, Selma Blair,” Betsy West and Julie Cohen’s “Julia,” Robert Greene’s “Procession,” Elizabeth Chai Vasarhelyi and Jimmy Chin’s “The Rescue,” Morgan Neville’s “Roadrunner: A Film About Anthony Bourdain,” “Summer of Soul” and Todd Haynes’ “The Velvet Underground.”
“The DOC NYC shortlist is hugely important because part of the whole awards season and getting people to see the films is to separate the films,” Nelson says. “I'm in the Academy, and in the past, we had something like 150 films being qualified. I can't look at all of them, so what do I look at beyond the list that I'm (directed by the Academy) to screen? Part of it is the films that have buzz and part of the buzz is the DOC NYC short list. It’s really important to separate your film from the others and this short list is one of the easy ways to do that.”
Powers says that the 2021 list is more important for filmmakers than perhaps ever before.
“There’s a different dynamic this year because many of the films that are on the short list didn't have an opportunity to do a festival circuit,” says Powers. “A film like ‘Flee,’ which was one of the most highly regarded films at the Sundance Film Festival (2021), didn't have an opportunity to show at any festivals until it started playing at some fall festivals like Telluride, Toronto and the New York film festivals. So for Jonas Poher Rasmussen – a newcomer director, or at least newcomer to U.S. audience -- in the past, he would probably would have played “Flee” at several different U.S. festivals and had a chance to meet people in the documentary branch who would get a chance to hear about the process behind making this unique animated film. That's one example of dozens of films that had similar experiences this past year.”
While many of the docs that made the short list have powerhouse distributors like National Geographic, HBO, Showtime and Netflix behind them, some, like Jessica Beshir’s “Faya Dayi,” do not.
“When we pick our short list we're always mindful of films that have a very big marketing push behind them because that's a significant factor in what films are going to rise in award season,” says Powers. “But historically we've always tried to throw a spotlight on films that may not have that kind of marketing muscle, but we think viewers are really responding strongly to their artistry. ‘Faya Dayi’ is one of those films.”
In addition to the fest's buzzy titles, there are also 66 nonfiction films making their world or U.S. premieres at DOC NYC including Andy Ostroy's "Adrienne" and Jamie Boyle's "Anonymous Sister." Both are personal portraits of family. Ostroy's “Adrienne” documents the life of late actress, director and screenwriter Adrienne Shelly, while Boyle's “Anonymous Sister” is about the director's mother and sister's opioid addiction.
Ostroy, who was married to Shelly at the time of her murder in 2006, describes making “Adrienne” as a “cathartic” experience.
“Contextually it has provided so much because I had to relive these moments of her life through a lens that is 15 years older,” Ostroy says. “It was a different way of looking at the same tragedy and same grief, which proved to be life changing.”
For Boyle, a 2019 DOC NYC 40 Under 40 honoree, shooting, directing and editing "Anonymous Sister" has been a decades-long process. Boyle is a veteran docu editor and "Anonymous Sister" marks her first time helming a feature documentary.
“While I've done the top tier festival circuit as an editor of documentaries, I don't necessarily carry a thousand pounds of clout,” says Boyle. “And as documentary becomes more popular and more attention and funding gets directed at it, it's harder and harder to get that kind of traction. DOC NYC is a perfect place for the film because it doesn’t seem to be under the same kinds of pressures as maybe the top four or five festivals and it can really make way for some of these filmmakers who maybe aren't the biggest handful of names every year.”
Also making their world premieres at DOC NYC are: Torquil Jones’ “14 Peaks,” about mountain climber Nirmal “Nims” Purja, Christopher Frierson’s “DMX: Don’t Try To Understand,” about the life of the recently deceased rapper, Tom Donahue’s Dean Martin: King of Cool,” about the acting-singing legend's career, and John Maggio’s “Mr. Saturday Night, about the rise and fall of Robert Stigwood, the producer behind "Saturday Night Fever.”
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