纪录片自媒体解说素材-新闻动态参考-尼古拉斯·维德拉（NicolásVidela/Nicolás Videla’s ‘Travesti Odyssey’ an Archive of Identity at IDFA
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0503/3144h1qjchsurxg.jpg尼古拉斯·维德拉（NicolásVidela
Nicolás Videla’s ‘Travesti Odyssey’ an Archive of Identity at IDFA
2019年10月18日，正当圣地亚哥的智利抗议活动开始沸腾时，CabaretTravesíaTravesti的最终表演结束了，这是电影制片人NicolásVidela的个人时代。一个充满活力的表达，动荡的关系和爱。“ Travesti Odyssey”是Videla在时间胶囊中的挖掘，一部纪录片，反映了一章浸湿了，以欢笑和敏感性浸透了一章，并通过Mini DV和VHS记忆的刮擦镜头显示了一个纪录片。无论是出于分歧还是压迫而出生的幕后困难的适当空间，并将真相讲述身份。这部电影已被提名为Beeld En Geluid IDFA缩影奖，并将在节日的发光部分中放映。这是Videla的Cinespecie和La Madre（Nicole Bonilla）的共同制作。IDFA。您能谈论“ Travesti Odyssey”政治背景的重要性？拉丁美洲的Travestis终身预期不会超过35岁。我们不在历史书籍中，我们的记忆通常不会流过后代。我们只是由精神科医生写的，在屏幕上歪曲了从受害者到对手。社会试图将我们纳入我们中的某些人不想成为一部分的东西，也认为他们有能力修复自殖民以来我们人口所继承的所有历史损害。但是，跨性别者和酷儿需要自己开始讲话。考虑到我们的记忆以及关注电影的认识论机会，而不是“ travestis”而是由他们制作的，这对世界很重要。当您在歌舞表演中表演，您是否总是打算制作一部电影关于TravesíaTravesti？多年来，您是如何收集镜头的？在我在歌舞表演中，我有点疏远了电影院。 b将健忘症响起的工作太多了，在我上一部电影之后，我刚刚表演，制作拖曳派对，并试图与同龄人共同合作。因此，我不打算拍电影，但是作为控制怪胎，我正在追捕所有摄影师和摄影师，以便他们给我为歌舞表演和其他作品的所有镜头，并在我的艰难中保留它。驱动器没有意图，除了归档我和我朋友的记忆。对于歌舞表演的最后一场演出（2019年10月18日是一场革命。由于不平等，拉丁美洲的结构正在崩溃，智利的起义可能会结束40年前皮诺切特独裁统治期间写的宪法。因此，我们已经看到了从宏到微观的社会组织的困难与歌舞表演有关。在我们马戏团帐篷内外，事情在供暖。我们还没有以其他不是等级制度的组织的教育，因此我们遇到了共同工作的困难，尤其是在密友之间。新自由主义标记了一切，我们也不例外。但是，我们应该如何组织自己作为民间社会要求代表的酷儿人？虽然经常搞笑和可笑，但“ Travesti Odyssey”具有敏感性和坦率的时刻，可以深入了解其表演者和人际关系。您是如何在纪录片中达到这种平衡的？即使是在一个独家，暴力和压迫差异的社会中以非规范性人物生活的内在戏剧，喜剧也可能成为生存的策略和逃脱受害。智利歌舞表演的当地历史敏锐而温柔，以语言为一种其他要解构的工具。这部电影中我的主要重点是阿纳斯塔西娅和马拉卡的关系，我非常感兴趣我的两个朋友是好朋友，但有时成为他们最糟糕的敌人。这可能很有趣，但也很可悲。我们生活在一个资本主义社会中，所有智利艺术家都被州推动了他们之间的竞争，而我们的阻力场景受到北风的影响，北风似乎是竞争是酷儿艺术家的目标，也是唯一的阶段。：Ignacio Canales
On Oct. 18, 2019, just as tensions amid the Chilean protests throughout Santiago began to boil over, the final performance of Cabaret Travesía Travesti ended and with it a personal era for filmmaker Nicolás Videla; one filled with vibrant expression, tumultuous relationships, and love. “Travesti Odyssey” is Videla’s dig through the time capsule, a documentary reflecting on a chapter drenched in hilarity and sensitivity, and one shown through the scratchy lens of Mini DV and VHS memories.
In addition to chronicling the performances, “Travesti Odyssey” takes the appropriate space to view difficulties behind the scenes, whether born of disagreements or oppression, and speaks truth to identity. The film has been nominated for the Beeld en Geluid IDFA ReFrame Award and will show in the Luminous section of the festival. It is a co-production between Videla’s Cinespecie and La Madre (Nicole Bonilla) in Chile.
Variety spoke to Videla ahead of his documentary’s premiere at IDFA.
Can you speak about the importance of the political backdrop of ‘Travesti Odyssey’?
Travestis life expectations in Latin America don’t go over 35 years old. We are not in history books and our memories don’t usually flow through progeny. We’ve been written just by psychiatrists and misrepresented on screen, from victims to antagonists. Society tries to include us into something some of us don’t want to be part of, and also thinks they have the power to repair all the historical damage our population has inherited since colonization. But trans and queer people need to start speaking by ourselves. It’s important to the world to consider our memory as well as to pay attention to the epistemological chance of a film that is not about ‘’travestis’’ but made by them.
While performing in the cabaret, did you always intend to make a film about Travesía Travesti? How did you go about gathering footage over the years?
Through my years at the cabaret, I was kind of estranged from cinema. Bringing Amnesia to life was too much work and after my previous film I was just performing, producing drag parties and trying to work collectively with my peers. So, I did not intend to make a film, but as a control freak, I was pursuing all the photographers and videographers so they would give me all the footage surrounding the cabaret and my other productions, and keeping it through the years in my hard drives with no intention more than archive me and my friend’s memory. For the cabaret’s last show, on Oct. 18 2019, I took my home camera with me and started recording again post-show.
What parallels do you see between the cabaret, its ending performances, and the Chilean uprising in 2019?
Transness has always been a revolution. Structures are collapsing in Latin America because of inequality and the uprising in Chile may put an end to a constitution written 40 years ago during Pinochet’s dictatorship. So, we’ve seen the difficulties of social organization from a macro to a micro perspective in relation to the cabaret. Things were heating outside and inside our circus tent. We haven’t been educated in other ways of organizations that are not hierarchical, so we’ve been subjected to the difficulties of working collectively, especially between close friends. Neoliberalism stamps everything and we were not the exception. But how should we organize ourselves as queer people to be represented in the civil society demands?
While being often hilarious and comical, “Travesti Odyssey” has moments of sensitivity and candor which give insight to its performers and their interpersonal relationships. How did you approach this balance in the documentary?
Even with the inner drama that is to live as a non-normative person in a society that is exclusionary, violent and oppressive towards difference, comedy may become a strategy for survival and escape towards not being victimized. The local history of Chilean cabaret has been sharp but tender, using language as another tool to be deconstructed. My main focus in this film was Anastasia and Maraca’s relationship and I was very intrigued how my two friends were besties but sometimes became their worst enemies. And this could be hilarious but also really sad. We live in a capitalist society where all Chilean artists are pushed by the state to compete between them for some money, and our drag scene had been influenced by northern winds where competition seems to be the objective and the only stage for queer artists.
本文资料/文案来自网络，如有侵权，请联系我们删除。
感谢大佬分享。我又来学习了~ 谢谢楼主分享，发现宝藏了。 非常不错，感谢楼主整理。。 非常不错，感谢楼主整理。。 感谢大佬分享。我又来学习了~ 感谢大佬分享。我又来学习了~ 非常不错，感谢楼主整理。。 非常不错，感谢楼主整理。。 感谢论坛提供了这么多好资源啊
页:
[1]
2