纪录片自媒体解说素材-新闻动态参考-大卫·鲍伊（David Bowie）的电影以“数千”的稀有镜头为基础，来自导演布雷特·莫根（Brett Morgen）（独家）/David Bowie Film, Based on ‘Thousands’ of Hours of Rare Footage, Coming From Director Brett Morgen (EXCLUSIVE)
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0503/2646wen4nemu0br.jpg大卫·鲍伊（David Bowie）的电影以“数千”的稀有镜头为基础，来自导演布雷特·莫根（Brett Morgen）（独家）
David Bowie Film, Based on ‘Thousands’ of Hours of Rare Footage, Coming From Director Brett Morgen (EXCLUSIVE)
布雷特·莫根（Brett Morgen）是“库尔特·科本（Kurt Cobain）：赫克（Heck of Heck）”，“简”（Jane）和“孩子呆在图片中”的自由轴导演。，大多数以前未流通的消息来源证实了综艺。Morgen一直在鲍伊电影中工作，在过去的四年中，鲍伊电影尚未披露正式冠军。接近作品的消息来源神秘地将其描述为“纪录片也不是传记，而是一个沉浸式的电影体验，部分是在数千个小时以前从未见过的材料。”消息人士称，现场音乐会镜头在电影中起着核心作用，莫尔根（Morgen）正在关注IMAX释放。这位电影制片人除了导演外，还戴着许多帽子，负责编辑，写作和制作职责。帕克城节 - 将会在大流行迫使2021年的活动大部分虚拟活动之后，今年是一个重要的面对面的存在 - 在2016年1月10日鲍伊（Bowie）去世六周年之后。真正的电影制作人。同时，“波西米亚狂想曲”背后的奥斯卡奖得主团队也正在混合和设计该项目。重新录制的搅拌机是奥斯卡奖得主Paul Massey和David Giammarco（“ Ford v Ferrari”），而声音设计团队包括John Warhurst和Nina Hartstone，他们都为Freddie Mercury Fropic.morgen获得了奥斯卡金像奖，获得了该奖项。材料本人，BMG和Live Nation是金融家和生产者，以及导演自己的生产横幅，公共路。鲍伊（Bowie）的寡妇伊曼（Iman）最近告诉《综艺》（Variety），这个家庭坚定地反对授权为鲍伊的生活传记：“这总是一个否。托德·海恩斯（Todd Haynes）1998年的电影《天鹅绒金矿》（Velvet Goldmine）所证明，我们总是互相问，“他会这样做吗？”他不会。歌曲，但鲍伊（Bowie）拒绝许可他的音乐。但是显然，这个家庭更适合一部以现场音乐会为导向的纪录片，尤其是来自莫尔根（Morgen）往绩的人。这部电影是摩根（Morgen）自从他的著名纳特·吉奥（Nat Geo）纪录片发行的关于原始学家简·古德尔（Jane Goodall）的著名纪录片以来的首次主要片段。全席“简”在2017年赢得了两个黄金时段艾美奖奖，并在颁奖季节获得了许多其他奖项。它被排除在奥斯卡提名人（Netflix的俄罗斯兴奋剂丑闻电影“ Icarus”当年的纪录片Oscar）被许多人在非小说类世界中看到了纪录片），这是“简”。 - 宣传“ Kurt Cobain：Heck的蒙太奇”，Chroni这部电影融合了动画和Cobain自己的艺术品和声音拼贴画，以更加细致的音乐家的肖像，Oscar被提名与Coar nanetter Nanette Nanette Nanette Nanette Nanette Nanette Nanette提名，这部电影融合了动画和Cobain自己的艺术品和声音拼贴画，并在1994年自杀。 1999年纪录片《绳索》的Burstein，打开了三名年轻拳击手及其教练。他的其他音乐纪录片努力包括VH1系列“大声说：美国黑人音乐庆祝”和“ Crossfire Hurricane”。2012年后期有关滚石乐队的纪录片将他们的第50年成为乐队，并遵循了该乐队的早期。直到1981年，在档案片段上与乐队进行了音频采访。Morgen'sBowie offering是一系列有关歌手的纪录片中的最新一部。五年”（2013年），大约是他的五个开创性的阿尔布MS，其次是“ David Bowie：最近五年”（2017年），涵盖了最后两张唱片，最近，对“ David Bowie：Finding Fame”（2019年）中早期的探索。关于这位歌手的作品，尤其是艾伦·扬托布（Alan Yentob）的《破裂的演员》（1975年），英国广播公司（1975年）在鲍伊（Bowie）在1974年与可卡因成瘾斗争时，以及纪录片《传奇人物》（Legend D.（1983年），从1973年7月的音乐会的录像中，鲍伊（Bowie）退休了这部电影的同名角色。Bowie的房地产和华纳音乐集团（Warner Music Group）最近宣布了一项全球合作伙伴关系，将他从1968年至2016年的华纳雨伞带来了他庞大的唱片音乐目录。这项新交易是鲍伊（Bowie）从2000年到2016年的专辑，最初是通过索尼音乐（Sony Music）发行的，并加入了他在Warner.Jem Aswad的1968-1999年目录为这份报告做出了贡献。
Brett Morgen, the freewheeling director behind “Kurt Cobain: Montage of Heck,” "Jane" and “The Kid Stays in the Picture,” is finalizing a top-secret David Bowie project based on thousands of hours of rare performance footage of the musician, most of it previously uncirculated, sources confirm to Variety.
Morgen has been at work on the Bowie film, for which an official title has not been disclosed, for the last four years. A source close to the production cryptically describes it as “neither documentary nor biography, but an immersive cinematic experience built, in part, upon thousands of hours of never before seen material.”
Sources say live concert footage plays a central role in the film, and that Morgen is eyeing an IMAX release. The filmmaker wears a number of hats on the project, taking on editing, writing and producing duties, in addition to directing.
A Sundance Film Festival premiere in late January could be in the cards. The Park City fest — which will have a significant in-person presence this year after the pandemic forced the 2021 event to go largely virtual — falls just after the six-year anniversary of Bowie’s death on Jan. 10, 2016.
The musician’s long-time producer Tony Visconti is adding his bona fides to the film, serving as music producer. Meanwhile, the Oscar-winning sound team behind “Bohemian Rhapsody” is also mixing and designing the project. Re-recording mixers are Oscar winner Paul Massey and David Giammarco ("Ford v Ferrari"), while the sound design team includes John Warhurst and Nina Hartstone, both of whom picked up Academy Awards for the Freddie Mercury biopic.
Morgen acquired the rights to the material himself, and BMG and Live Nation are financiers as well as producers, alongside the director's own production banner, Public Road.
Crucially, the pic’s been made with the support and cooperation of the David Bowie estate. Bowie’s widow, the model Iman, recently told Variety that the family is firmly against authorizing a biopic of Bowie’s life: “It’s always a no. We always ask each other, ‘Would he do it?’ He wouldn’t,” as evidenced by Todd Haynes' 1998 film "Velvet Goldmine," which has a clearly Bowie-like figure at the center and is named after one of his songs, but for which Bowie declined to license his music. But clearly, the family was more amenable to a live concert-oriented documentary about the singer, particularly from someone with Morgen’s track record.
The film is Morgen’s first major feature effort since the release of his celebrated Nat Geo documentary about primatologist Jane Goodall. The all-archive “Jane” won two Primetime Emmy Awards in 2017 and a host of other prizes during awards season. Its exclusion as an Oscar nominee (Netflix’s Russian doping scandal film “Icarus” picked up the documentary Oscar that year) was seen by many in the non-fiction world as a major upset.
Prior to “Jane,” Morgen won plaudits for the Sundance-premiering “Kurt Cobain: Montage of Heck,” which chronicled the Nirvana frontman’s life through to his suicide in 1994. Much more than a straight biopic, the film incorporated animation and Cobain’s own artwork and sound collages to paint a more nuanced portrait of the troubled musician.
Morgen was Oscar nominated alongside co-director Nanette Burstein for 1999 documentary “On the Ropes,” which turned on three young boxers and their coach. His other musical documentary efforts include VH1 series “Say It Loud: A Celebration of Black Music in America” and “Crossfire Hurricane.”
The latter 2012 documentary about The Rolling Stones marked their 50th year together as a band, and followed the group’s early years through to 1981, layering audio interviews with the band on top of archival footage.
Morgen's Bowie offering is the latest in a series of documentaries about the singer.
British director Francis Whately made a trilogy of films about the musician, beginning with "David Bowie: Five Years" (2013), about his five seminal albums, followed by "David Bowie: The Last Five Years" (2017), covering the final two records, and most recently, an exploration of the early years in "David Bowie: Finding Fame" (2019).
There are also famous early works about the singer, notably Alan Yentob's "Cracked Actor" (1975) for the BBC, which followed Bowie while he was struggling with cocaine addiction in 1974, as well as documentary legend D. A. Pennebaker's concert film "Ziggy Stardust and the Spiders From Mars" (1983), from footage of the July 1973 concert where Bowie retired the film's namesake character.
Bowie's estate and Warner Music Group recently announced a global partnership to bring his vast recorded-music catalog from 1968 through 2016 under the Warner umbrella. The new deal sees Bowie’s albums from 2000 through 2016, which were originally released via Sony Music, joining his 1968-1999 catalog at Warner.
Jem Aswad contributed to this report.
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感谢分享，下载收藏了。最喜欢高清纪录片了。 谢谢楼主分享，发现宝藏了。 感谢分享啊。谢谢版主更新资源。 谢谢楼主分享，发现宝藏了。
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