纪录片自媒体解说素材-新闻动态参考-“倒台”导演奥利弗·赫希比尔（Oliver Hirschbiegel）``画家''/‘Downfall’ Director Oliver Hirschbiegel’s ‘The Painter’ Paves Way for Van Gogh Film (EXCLUSIVE)
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0503/2311s3wwmuy4suf.jpg“倒台”导演奥利弗·赫希比尔（Oliver Hirschbiegel）``画家''
‘Downfall’ Director Oliver Hirschbiegel’s ‘The Painter’ Paves Way for Van Gogh Film (EXCLUSIVE)
德国导演奥利弗·赫希比尔（Oliver Hirschbiegel）的电影《倒台》获得了奥斯卡提名，他仅在四天内拍摄了他的最新电影《画家》。这部纪录片小说在周六在IDFA放映，是与德国艺术家Albert Oehlen的合作，他由Teutonic Thesp Thesp Ben Becker（“喜剧演员和谐者）饰演。现在，赫希比格尔（Hirschbiegel）和奥赫伦（Oehlen）正在合作拍摄一部有关文森特·梵高（Vincent Van Gogh）的电影，他告诉《综艺》。“画家”，其销售权是由图片树国际公司（Picture Tree International）处理的，跟随艺术家（贝克尔）（Becker）完成了94-- 94--的画作。分钟运行时间。贝克尔（Becker）在摄像机上创作了Oehlen在其背后所做的事情，以展示艺术家在工作中的过程。“这是一部流派弯曲的电影，第一部电影，” Hirschbiegel说，他在Oehlen向他要求他提供有关设备的建议后登上了该项目。 “您正在看一幅从头开始并完成的绘画。这在电影史上并没有真正完成。看到整个过程和情感后面。 Oehlen和Hirschbiegel在Hochschule derBildendenKünsteHamburg一起学习，从那以后一直是朋友，并且从那以后一直是朋友。他们的职业朝着不同的方向发展。“正是因为阿尔伯特我没有成为艺术家，”赫希比格尔在罗马的一间公寓里说，他于周五开始拍摄《移民惊悚片》系列“欧罗巴”。 “我一直都知道他会领先于我。我们总是有一个友好的合作。”他没有后悔。“我的职业生涯都很好。当我在26岁时做第一部作品时，我意识到那是我真正想做的，制作电影，”他说，两个世界之间存在差异。 。你必须是一名战士。”赫希比格尔说。电影合作是与演员的能源合作。绘画也是能量工作，但更复杂，因为它是自我产生的。这与以前的情况有关。我在那里这是一条能量所采取的道路，流动着遇到绘画的人的流程。能量以某种方式到达您。我不是在谈论糟糕的绘画。”最初，计划了30-40分钟的纪录片。但是，“这是我经历的一个古老规则。录像告诉您它想要成为什么。他说。这是一个真正的协作过程。“我之所以成为导演和制片人，是因为我做了一些故事板，而艾伯特（Albert）被任命为作家和制片人，因为他写了一页半的页面，”赫希比格尔（Hirschbiegel）说。 “我不是一个经验丰富的制片人，所以我需要一个船上的制片人。”该项目已向欧洲电影学院董事长迈克·唐尼（Mike Downey）提交，他担任执行制片人。他说：“他立即明白了。这项调料的挑战确实是调酒师的鸡尾酒，令人着迷G，令人不安和有见地的人，”唐尼说，“另一方面，它也厚脸皮，实验性，有趣，充满邪恶的讽刺和网球球拍 - 而且在各个部分非常有趣，破坏性，神话破坏和多层。”下一步。是要把它寄给夏洛特·拉普林（Charlotte Rampling），他的声音在电影中可以听到。这是一项将电影发送给她的测试，但她明白了。”他补充说，这部电影是赫希比格尔的分水岭。他说：“这是我一直想做的，但从不敢于射击。” “我们有自由。这很累，但令人难以置信。这是一次非常充实的经历，我认为它遇到了。我喜欢这部电影与观众创造的强度。 “他是一位出色的演员，”赫希比格尔说。 “他了解绘画过程。他是一位出色的舞台演员，有帮助。他从想法中创造了一些东西。他很擅长即兴表演上。我会说这样做，但较慢。阿尔伯特会给他一条话。他会完全改变这句话。赫希比格尔（Hirschbiegel）说：“这是根据梵高给他兄弟的来信而宽松的。”演员包括Birgit Minichmayr（“倒台”）。他说：“她是德国前五名女演员之一。坏画家，”赫希比格尔说。我强迫他获得最终选秀并订购。”他补充说，“更多的乐趣和疲惫，”。 。”他们可能会增加几天的“坏画家”射击。至于标题的含义……“你会看到”，他说。“欧罗巴”的动作是在理查德·布兰森（Richard Branson）借的一艘邮轮上进行的。现实生活中的移民扮演的角色Sky Triller系列中的额外活动。“在现实生活中，他们穿越沙漠，从家人那里赎金，以便他们可以继续旅途，”他说。“这是一场悲剧，不会很快结束。但是这个系列也是娱乐。”
German director Oliver Hirschbiegel, whose movie “Downfall” was nominated for an Oscar, shot his latest film “The Painter” in only four days. The docu-fiction, which screens Saturday at IDFA, is a collaboration with German artist Albert Oehlen, who is played by Teutonic thesp Ben Becker (“Comedian Harmonists). Now Hirschbiegel and Oehlen are working together on a film about Vincent van Gogh, he tells Variety.
“The Painter,” whose sales rights are being handled by Picture Tree International, follows the artist (Becker) completing a painting for much of its 94-minute run time. Becker creates on camera what Oehlen is doing behind it to show the process of the artist at work.
“It's a genre-bending film and a first,” says Hirschbiegel, who boarded the project after Oehlen asked him for advice about equipment. “You are watching a painting starting from scratch and being completed. This hasn't really been done before in film history. Seeing the whole process and the emotions behind it. Most films on painters show a few scenes of them at work.”
https://vimeo.com/585383052
Oehlen and Hirschbiegel studied together at the Hochschule der Bildenden Künste Hamburg, and have been friends ever since. Their careers went in different directions.
“It is because of Albert that I didn't become an artist,” says Hirschbiegel, speaking from an apartment in Rome where he begins filming the migrant thriller series ”Europa” on Friday. “I always knew that he would be ahead of me. We always had a friendly collaboration.”
He has no regrets.
“My career has turned out pretty well. When I did the first feature at 26, I realized that was what I really wanted to do, make films,” he says.
There are differences between the two worlds.
“As you see in the film, to be an artist is very lonely. You have to be a warrior,” says Hirschbiegel. “Film collaboration is energy work with actors. Painting is also energy work, but it's more complex because it's self generating. It's related to what's come before. There is a path that the energy takes, a flow to meet the person looking at a painting. The energy reaches you in a way. I'm not talking about bad painting.”
Originally, a 30-40 minute documentary was planned. But, “it's an old rule that I go by. The footage tells you what it wants to be. A scene ending up for two minutes tells you it has fulfilled its purpose,” he says.
The film was shot over a three-day period in Oehlen’s studio in Hamburg, with a day's filming in Hannover. It was a truly collaborative process.
“I was director and producer because I had made some storyboards, and Albert was named writer and producer because he had written a page and a half,” says Hirschbiegel. “I'm not an experienced producer so I needed one on board.”
The project was presented to Mike Downey, chairman of the European Film Academy, and he came on board as the executive producer. “He got it immediately,” he says.
“This challenge of a concoction is indeed a mixologist’s cocktail of being fascinating, diverting, unsettling and insightful,” says Downey, “On the other hand it’s also cheeky, experimental, amusing, full of wicked irony and tennis racquets – and very funny in parts, disruptive, myth busting and multi-layered.”
The next step was to send it out to Charlotte Rampling, whose voice can be heard in the film.
“Charlotte is as sharp as a pencil. It was a test sending the film over to her but she got it,” he adds.
Making the film was a watershed moment for Hirschbiegel. “It's what I always wanted to do, but never dared to - just shoot,” he says. “We had freedom. It was exhausting but incredible. It was a very fulfilling experience, and I think it came across. I love the intensity the film creates with viewers.”
Becker took some artistic license with playing Oehlen. “He's a brilliant actor,” says Hirschbiegel. “And he understands the process of painting. He's an excellent stage actor, which helps. He creates something on the spot from a thought. He's so good at improvisation. I would say do this but slower. Albert would give him a line to say. He would change that sentence completely.”
Hirschbiegel and Oehlen are already on to their next project “Bad Painter.” “It is loosely based on letters from Van Gogh to his brother,” says Hirschbiegel. The cast includes Birgit Minichmayr (“Downfall”). “She's one of the top five actresses in Germany,” he says.
The film was shot in eight days in an area known as the Tuscany of East Germany, he says, about an hour from Berlin.
“Albert gave me ten pages for ‘Bad Painter,’ ” says Hirschbiegel. I forced him to get Final Draft and put it into order.”
It was, “more of the same fun and as exhausting,” he adds.
Hirschbiegel's team is trying to edit “Bad Painter” during the 120-day shoot for “Europa.” They may add a few more days shooting for “Bad Painter.”
As for the meaning of the title... “You will see,” he says.
The action for “Europa” takes place on a cruise ship lent by Richard Branson. Real life migrants play the part of extras in the Sky thriller series.
“In real life, they walk across the desert and get held for ransom from their families so they can continue their journey,” he says. “It's a tragedy that's not going to end soon. But this series is also entertainment.”
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感谢大佬分享。我又来学习了~ 纪录片自媒体解说素材-新闻动态参考-“倒台”导演奥利弗·赫希比尔 谢谢更新，天天学习，天天向上！ 感谢论坛提供了这么多好资源啊 谢谢楼主分享，发现宝藏了。
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