纪录片自媒体解说素材-新闻动态参考-对于“游行”导演罗伯特·格林（Robert Greene），发行只是开始/For ‘Procession’ Director Robert Greene, Release Is Just the Beginning
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0503/2126gudgtp5l4r3.jpg对于“游行”导演罗伯特·格林（Robert Greene），发行只是开始
For ‘Procession’ Director Robert Greene, Release Is Just the Beginning
当罗伯特·格林（Robert Greene）开始在“游行队伍”上工作 - 本周在市场部分的纪录片节IDFA放映时 - 导演想颠覆该项目的长期纪录片模型，该模型跟随六个中年虐待幸存者一起工作，以重新演奏他们他们对电影的创伤记忆。格林告诉《综艺》说：“我不想拍一部传统的电影，你把相机放在一个人的脸上，他们会感觉到很多东西，你会把它编辑成功能强大的东西，他们感到被排除在外。” “在整个制作过程中，我们赋予了[电影的六个线索]的力量越多，经历的宣泄和美丽就越美丽，并且一路上我意识到[电影制作和促销过程]的每一步都可以成为该疗法的一部分。实际上，这意味着要分解预生产，生产和发行之间的某些分裂在过去的几年中，与电影的主角（和合着者）一样多，从本质上讲，这部电影成为了更大的副产品，而且曾经是持续的旅程。成为这种治疗过程的一部分。”格林说。他继续说：“他们要么不得不购买和理解，要么不参与其中。”“ [六个线索]这样做了，现在他们已经被看到了。” “当我们向他们提出这个想法时，我可以期待一定程度的关注。如果我们没有把它搞砸了，我们得到了一部电影，我希望这些家伙会引起类似的关注。为了让他们想要前进，他们做了这一刻。正如格林所看到的那样，这是使它起作用的唯一方法。他说：“在我们拍摄框架之前，有一个很长的引导力，那是在建造我们希望加入的沙盒。” “我们的目标是帮助这些家伙给他们所需的东西，以尽可能多地赋予他们力量。每次拍摄之前和之后，团队都会花时间在小组疗法课程中准备重新制作的场景，然后在事实之后进行处理。但是，当线索穿上服装并开始滚动时，这是另一回事。“在那一刻，您有点坚持着亲爱的生活，”格林说。 “这几乎就像我们受过er er医生的训练一样，这是情感上的分类。我们必须进入那里并一起工作才能到达另一侧。在创伤空间的这一点上，我们无法彼此离开。这部电影最近在Netflix上发行，并以完整的奖项模式包装，格林与他的合着者的合作持续了下来。格林说：“这部电影的含义并没有停止的这种过程，并没有停止。”格林说。我们正在工作一直以来，”他说。“老实说，每天都有五步前进，向后有七个步骤。但是首映的夜晚，所有的家伙都坐在酒吧里阅读第一批评论，并观察[电影制作过程的一部分]成为治疗过程的一部分，真是太神奇了。”
When Robert Greene began work on “Procession” – screening this week at documentary festival IDFA in the market section - the director wanted to upend long standing documentary models on the project, which follows six middle-aged survivors of abuse as they work together to reenact their traumatic memories on film.
“I didn’t want to have a traditional film where you put the camera in someone’s face, they feel a lot of stuff, you edit it into something powerful, and they feel left out,” Greene tells Variety. “Throughout the making, the more power we gave , the more cathartic and beautiful the experience was, and somewhere along the way I realized that every step of could be part of that therapy.”
On paper that meant splitting up the "film by" credit, sharing it with the full cast and crew. In practice that meant breaking down certain divisions between pre-production, production and release, working together with the film’s leads (and co-authors) as much today as over the past few years, essentially making the finished film a sort of byproduct of a larger – and ever ongoing – journey.
“We told everyone we talked to that they would now become part of this therapeutic process,” says Greene. “They either had to buy in and understand, or not get involved.”
“ did this to be seen, and now they’re getting seen,” he continues. “When we pitched this idea to them, there was a certain level of attention I could anticipate. If we didn’t screw it up, and we got a movie, I would expect that a similar level of attention would come to these guys. For them to want to go forward, they did it for this moment.”
Getting to this point took a while – just over three years, to be exact. And as Greene sees it, that was the only way to make it work. “There was a long lead-in before we ever shot a frame, and that was building the sandbox we would hopefully work in,” he says. “Our goal was to help these guys, to give them what they need, to give them as much power as possible. Building that took time.”
Both before and after each shoot, the team would take their time in group therapy sessions to prepare the reenacted scene and then process it after the fact. But when the leads got into costume and the camera started to roll, it was a different story.
“In those moments, you’re kind of holding on for dear life,” says Greene. “It was almost like we were trained as ER doctors and this was emotional triage. We had to get in there and work at it together to get to the other side. We couldn’t leave each other in this point of traumatic space. We needed to grip this and move past it.”
With the film wrapped, recently released on Netflix, and in full on awards mode, Greene’s work with his co-authors has continued unabated. “This process of being together and working through what this film means has not stopped, and it won’t stop any time soon,” says Greene.
“We're working through this all the time," he says. "Let me be honest, every day there are five steps forward and seven steps back. But the night of the premiere, all the guys were sitting around at a bar reading the first reviews, and to watch that become part of the therapeutic process was amazing.”
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太好了，终于找到宝藏论坛了！ 感谢分享，下载收藏了。最喜欢高清纪录片了。
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