纪录片自媒体解说素材-新闻动态参考-Sergei Loznitsa的‘先生Landsbergis在IDFA纪录片节上赢得了最佳电影/Sergei Loznitsa’s ‘Mr. Landsbergis’ Wins Best Film at IDFA Documentary Festival
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0503/1333hmywhbrrqev.jpgSergei Loznitsa的‘先生Landsbergis在IDFA纪录片节上赢得了最佳电影
Sergei Loznitsa’s ‘Mr. Landsbergis’ Wins Best Film at IDFA Documentary Festival
Sergei Loznitsa广泛的纪录片“先生在246分钟的时间里，Landsbergis”，描绘了立陶宛的“歌唱革命”，当时该国终于脱离了苏联，在国际比赛部分中获得了最佳电影奖，并在纪录片电影节IDFA上获得了最佳电影奖。阿姆斯特丹。它标志着多产电影制片人的第二次2021年发行，他已经展示了“ Babi Yar。七月份的戛纳电影节上的背景”。后一部电影也在IDFA中注意到，并获得了Beeld En Geluid IDFA重新映射奖，以最佳创造性地使用Archive的特别提及。 “在各个级别的工艺上，获胜的电影都代表着一项巨大的成就，充分探讨了一个人，一个国家和一个历史时刻的角色，可以在关于全球争取自由和自决的仍然无情的故事中发挥作用。”陪审员Arne Birkenstock，Claire Dioo，Elena Fortes，Jessica Kiang和Ryan Krivoshey承认BR并不容易使生活的历史变得更加激动，紧急和完全丰富。”立陶宛与荷兰之间的共同制作，” Landsbergis”（也是由Danielius Kokanauskis的编辑授予的）由Uljana Kim制作的，为Atoms＆void和Atoms＆void和当前的电视节目制作，穆尔贾纳·金（Uljana Kim），玛丽亚·乔斯托瓦（Maria Choustova）和洛兹尼塔（Loznitsa）本人以及当前的时间电视。意义。”洛兹尼察（Loznitsa）在仪式上说：“先生先生Landsbergis是“一部非常重要的电影”，不仅对立陶宛人，而且对整个世界。 “最大的疾病不是病毒，而是恐惧。这要危险得多。” IDFA最佳指导奖获得了“雾之子”的Hàlệdiễm，她在其中探索了越南苗族少数民族的传统，包括有争议的“新娘绑架”的做法。最后，白俄罗斯导演鲁斯兰·费托托（Ruslan Fedotow）进入莫斯科地铁深处的旅程，“我们要去哪里？”摄影摄影。“当我曾经住在白俄罗斯时，去地铁并不只是从一个点到另一点。我喜欢观察那里的人。” Fedotow本周早些时候告诉Variety。“这是一个公共场所，就像图书馆一样，在地下发生了整个不同的生活。” Fedotow的电影还获得了最佳第一部门奖，“薄雾的孩子”被特别提及。它标志着横截面奖首次在Fest上颁发，最佳荷兰电影（“ Jason”），Fipresci奖（“化妆师”）和Beeld En Geluid IDFA IDFA Reframe Reframe for Archive（“紫外线和血液刺”）。卡里姆·卡塞姆（Karim Kassem）的“章鱼”（Coen Dijkstrain）的第34版IDFacourtesy，Karim Kassem的“章鱼”（美国卡塔尔，卡塔尔）被证明是冠军，受到陪审团的称赞，并受到陪审团的称赞。它对AF的刻画贝鲁特港口爆炸及其“神秘和损失的语言”的术语。“它是对主题的极大尊重，感觉就像是从内部讲述的故事。没有答案，只有面对灾难的生活问题。”他们补充说。这部电影是由Karim Kassem和Moustafa Kassem制作的，伊丽莎白·波特（Elizabeth Potter）处理了销售。 Matshikiza的“一个享受恩典”。在IDFA Doclab竞赛中，特别提及了“皮肤”。 Brakel和Mark Meeuwenoord的“共生”。 IDFA的第34版已作为面对面的活动进行。迄今为止，它已收到超过100,000次电影访问，在阿姆斯特丹和在线上有大约3,000位客人。IDFA的艺术总监Orwa Nyrabia说：“我们再次了解到观众想要这个，他们需要这个，我们需要这对他们来说对他们有意义。无论是否锁定，半锁，部分锁定，我们将继续找到自己的路。”您可以在此处找到获奖者的完整列表。
Sergei Loznitsa’s extensive documentary “Mr. Landsbergis,” clocking in at 246 minutes and depicting Lithuania’s “singing revolution” when the country finally broke away from the Soviet Union, has won the Best Film award in the International Competition section, as well as €15,000, at documentary film festival IDFA in Amsterdam.
It marks the second 2021 release for the prolific filmmaker, who has already shown “Babi Yar. Context” at Cannes Film Festival in July. The latter film was also noticed at IDFA and granted the Beeld en Geluid IDFA ReFrame Award for Best Creative Use of Archive's special mention.
“On every level of craft, the winning film represents a monumental achievement that fully explores the role one man, one nation, and one historical moment can play in the still-unfolding story of the global struggle for freedom and self-determination,” argued jurors Arne Birkenstock, Claire Diao, Elena Fortes, Jessica Kiang and Ryan Krivoshey, admitting that while it’s not easy to bring history to life, “it is even more difficult to make it thrilling, urgent and totally enriching.”
A co-production between Lithuania and the Netherlands, “Mr. Landsbergis” – awarded also for Danielius Kokanauskis’ editing – was produced by Uljana Kim for Studio Uljana Kim, Maria Choustova and Loznitsa himself for Atoms & Void, and Current Time TV.
“This film is so long, but these four hours are full of meaning,” said Loznitsa during the ceremony, arguing that “Mr. Landsbergis” is “a very important film” not just for the Lithuanians, but the whole world. “The biggest disease is not the virus, it’s fear. It’s much more dangerous.”
The IDFA Award for Best Directing went to Hà Lệ Diễm for “Children of the Mist,” in which she explores the traditions of the Hmong ethnic minority in Vietnam, including the controversial practice of “bride kidnapping.” Finally, Belarusian director Ruslan Fedotow’s journey into the depths of the Moscow metro, “Where Are We Headed?,” was noticed for its cinematography.
“When I used to live in Belarus, taking the metro wasn’t just about getting from one point to another. I liked to observe people there,” Fedotow told Variety earlier this week. “It’s a public space, like a library, a whole different life happening underground.”
Fedotow’s film also scored the award for Best First Feature, with “Children of the Mist” getting special mention. It marked the first time the cross-section awards were presented at the fest, alongside Best Dutch Film (“Jason”), the FIPRESCI Award (“Makeup Artist”) and the Beeld en Geluid IDFA ReFrame Award for Best Creative Use of Archive ("Ultraviolette and the Blood-Spitters").
In the Envision Competition, Karim Kassem’s “Octopus” (Lebanon, Qatar, United States) proved to be the winner, praised by jurors Andrea Arnold, Joe Bini, Charlotte Serrand and Akram Zaatari for its portrayal of the aftermath of the Port of Beirut explosion and its “language of mystery and loss.”
“It was made with great respect towards the subject matter and it felt like a story told from the inside. There are no answers presented, just the questions of life in the face of a disaster,” they added. The film was produced by Karim Kassem and Moustafa Kassem, with Elizabeth Potter handling the sales.
In the same section, Pim Zwier was named Best Director for “O, Collecting Eggs Despite the Times,” while the Award for Outstanding Artistic Contribution went to Lindiwe Matshikiza for “One Take Grace.” Special mention was given to “Skin” by Marcos Pimentel.
In the IDFA DocLab Competition for Immersive Non-Fiction, Sacha Wares and John Pring won with their project “Museum of Austerity,” while the Special Jury Award for Creative Technology went to Marcel van Brakel and Mark Meeuwenoord for “Symbiosis.”
The 34th edition of IDFA has run as an in-person event. To date, it has received more than 100,000 cinema visits, and had approximately 3,000 guests in Amsterdam and online.
“This virus wanted to kill us and yet here we are, safe and sound, responsible, trying to make the best of it and make sure that we don’t surrender, that we keep this commitment to documentary film and art alive,” said IDFA’s artistic director Orwa Nyrabia.
“We learnt again that the audience wants this, they need this, that what we do is meaningful to them. Lockdown or not, semi-lockdown, partial lockdown, we will go on and find our way.”
You can find the full list of winners here.
本文资料/文案来自网络，如有侵权，请联系我们删除。
非常不错，感谢楼主整理。。 感谢大佬分享。我又来学习了~ 谢谢更新，天天学习，天天向上！
页:
[1]