纪录片自媒体解说素材-新闻动态参考-圣丹斯项目应对种族差异，孕产妇犯罪危机和堕胎/Sundance Projects Tackle Racial Disparity, Maternal-Mortality Crisis and Abortion
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0502/4722p2k2kstypo4.jpg圣丹斯项目应对种族差异，孕产妇犯罪危机和堕胎
Sundance Projects Tackle Racial Disparity, Maternal-Mortality Crisis and Abortion
种族主义和妇女权利是两个及时的紧急问题，众多通过虚构或纪录片在圣丹斯·塔克尔（Sundance Tackle）的导演。美国种族和种族主义。迪尔洛（Diallo）的“主人”在学术环境中描绘了种族主义，但威廉姆斯（Williams）的“紧急情况”跟随一群黑人和拉丁美洲大学的学生，他们在面对紧急情况时权衡报警的利弊。“一如既往，我们的计划是圣丹斯电影节节目主任金·尤塔尼（Kim Yutani）说：“我们非常意识到，这个节日是在美国的一年认真且急需的种族估算之后，这是美国的工作，这反映了艺术家对我们所生活的时代的反应。在Paula Eiselt和Tonya Lewis Lee的Documen中还研究了种族差异，并为这次复杂的对话带来了洞察力和细微差别。”Tary“余震”。关于美国的孕产妇危机，这部电影记录了由于分娩并发症而导致的两名年轻黑人妇女的可预防死亡。美国，”艾塞尔特说。 “然后，他们提出了有关与怀孕有关的死亡率黑白差异的后续系列，这是我认为这是设计真正的系统性问题的时候。我还认为这是如此疯狂，以至于我们的国家发生了。发行并讲述一个真正接触人的故事？”刘易斯·李说。 “这部电影的关键是[展示]人们的生活经验，然后进入系统性问题，因为这就是您真正想要注意的方式。”“ Janes”讲述了简集团的故事 - 一个地下组织，从1969年开始在芝加哥提供非法堕胎服务，直到1973年堕胎成为合法。只是在相机上，但这是有史以来第一次。”莱辛说。 “我敢肯定，这真是令人生畏，但是这些女人非常渴望记录下来。”菲利斯·纳吉（Phyllis Nagy）的“呼唤简”（Call Jane）以小说形式探索了简集体。伊丽莎白·班克斯（Elizabeth Banks）的明星是一名已婚妇女，她出乎意料地怀孕，转向由弗吉尼亚州（Sigourney Weaver）领导的妇女的地下妇女寻求帮助。 ，紧急交谈。” Yutani说。 “过去，我们很幸运能够通过诸如'After Tiller'和''After Diller'和'永远不会总是总是'这样的电影参与这些主题，但是今年的集体谈话似乎真的很重要。” T他最近对密西西比州和德克萨斯州的Roev。Wade案的威胁做出了逻辑上的编程。“这是一个永远存在的话题，不仅仅是生殖权利，” Sundance高级程序员Basil Tsiokos说。“'janes'和'余震'是关于妇女的权利，以及妇女没有被倾听自己的身体。”刘易斯·李（Lewis Lee）将集中精力归因于在娱乐行业中发展女性代表，这是帕克城（Park City）主持这些主持这些的原因之一女性电影制片人的电影。刘易斯·李说：“随着越来越多的女性电影制片人能够制作他们想要制作的电影，我们将看到的关于女性问题的电影越多。”
Racism and women’s rights are two timely, urgent issues that numerous directors with films at Sundance tackle via fictional or documentary films.
Mariama Diallo’s “Master” and Carey Williams’ “Emergency” are two examples of narrative features heading to the fest that address the issue of race and racism in America. While Diallo’s “Master” portrays racism in an academic setting, Williams’ “Emergency” follows a group of Black and Latino college students who weigh the pros and cons of calling the police when faced with an emergency situation.
“As always, our program is a reflection of artists’ response to the times we live in,” says Kim Yutani, Sundance Film Festival’s director of programming.
“We are very aware that this festival comes after a year of serious and much-needed racial reckoning in the U.S. The work speaks to that and brings insight and nuance to this complex conversation.”
Racial disparity is also examined in Paula Eiselt and Tonya Lewis Lee’s documentary “Aftershock.” About the U.S. maternal-mortality crisis, the film documents the preventable deaths of two young Black women due to childbirth complications.
“At the end of 2017, ProPublica came out with their series on lost mothers — about maternal care and preventable deaths happening in the U.S.,” says Eiselt. “Then they came out with a follow-up series on the Black-white disparity in pregnancy-related mortality and that’s when I thought it was a real systemic issue by design. I also thought it was so crazy that this was happening in our country.”
Eiselt and Lewis Lee teamed up to make a “character-driven” doc about the crisis.
“What we had to figure out was how do you come into a huge issue and tell a story that really touches people?” says Lewis Lee. “The key with this film was to people’s lived experience and then get into the systemic issues, because that’s how you get people to really want to pay attention.”
First-hand accounts are used in Tia Lessin and Emma Pildes’ “The Janes” to tell the story of the Jane Collective — an underground organization that provided illegal abortion services in Chicago from 1969 until abortions became legal in 1973.
“A lot of the women we interviewed were telling their stories , not just on camera, but for the first time ever,” says Lessin. “It was daunting I’m sure, but these women were pretty eager to go on the record.”
Phyllis Nagy’s “Call Jane” explores the Jane Collective in fiction form. Elizabeth Banks stars as a married woman who becomes pregnant unexpectedly and turns to the underground group of women led by Virginia (Sigourney Weaver) for help.
“We definitely saw a lot of work this season that dealt with reproductive rights and that felt like a timely, urgent conversation,” says Yutani. “We’ve been lucky to engage on these topics in the past through films like ‘After Tiller’ and ‘Never Rarely Sometimes Always,’ but the collective conversation seems to really jump out this year.”
The recent threat to undermine Roe v. Wade in Mississippi and Texas makes the decision to program these films logical.
“It’s an ever-present topic that goes beyond just reproductive rights,” says Sundance senior programmer Basil Tsiokos. “‘The Janes’ and ‘Aftershock’ are about women’s rights as well as women not being listened to about their own bodies.”
Lewis Lee attributes a concentrated effort to grow female representation in the entertainment industry as one reason why Park City is hosting these films from female filmmakers. “As more women filmmakers are able to make the films they want to make, the more films about women’s issues we will see,” says Lewis Lee.
本文资料/文案来自网络，如有侵权，请联系我们删除。
谢谢更新，天天学习，天天向上！ 太好了，终于找到宝藏论坛了！ 谢谢楼主分享，发现宝藏了。 谢谢更新，天天学习，天天向上！
页:
[1]