纪录片自媒体解说素材-新闻动态参考-“ f@ck this Job”导演Vera Krichevskaya：Putin下的言论自由没有空间/‘F@ck This Job’ Director Vera Krichevskaya: ‘There Is No Space’ for Free Speech Under Putin
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0502/0750o31ve2ayk0k.jpg“ f@ck this Job”导演Vera Krichevskaya：Putin下的言论自由没有空间
‘F@ck This Job’ Director Vera Krichevskaya: ‘There Is No Space’ for Free Speech Under Putin
两周前，纪录片制片人Vera Krichevskaya预计俄罗斯发行了她的最新作品《 F@CK This Job》，这是该国最后一部独立广播电视节目《 TV Rain》中充满活力的幕后肖像。但是在电影首映前几天，俄罗斯军队入侵了乌克兰。3月3日，电视雨屈服于政治压力，并表示将无限期地暂停行动。俄罗斯最大的电影连锁店卡罗（Karo）放弃了这部电影。炸弹威胁后，取消了飞溅的红地毯首映。在放映前夕到达俄罗斯的Krichevskaya逃到了俄罗斯，逃离了该国。随后，她一直在从特拉维夫（Tel Aviv）疯狂地工作，并在她帮助启动的车站上协助前同事们，以安全地将其从俄罗斯出发。导演告诉《综艺》，“这是一个全新的现实。”“当我（入侵后）睁开眼睛时，我认为这是一个梦。”“ F@CK这份工作”绘制了电视的兴衰雨（俄罗斯的“ dozhd”）是一位狂妄，自由奔放的广播公司，直到上周是独立俄罗斯媒体的最后一个持有者之一。通过其创始人的故事，香槟和喜欢探戈的社交名流娜塔莎·辛德耶娃（Natasha Sindeyeva）的故事，它遵循了一个动荡不安的十年，当时俄罗斯总统弗拉基米尔·普京（Vladimir Putin包括国际纪录片电影节阿姆斯特丹（IDFA）和Doc NYC上周在英国发行，并在英国广播公司（BBC）上播出（标题为“与普京的Tango”）。 Krichevskaya将于3月19日出席在Thessaloniki纪录片节上放映。董事是Sindeyeva的前商业合作伙伴，她的丈夫和电视雨联合创始人Alexander Vinokurov。最近几天，她说，随着俄罗斯军方升级乌克兰的轰炸，她感到非常沮丧，政府搬到沉默任何反对派。她说：“我没有能力处理正在进行的一切。”克里姆林宫（Kremlin）加大了努力，加大了努力，以一系列严厉的和奥威尔式的法令来打击战争的报道。根据3月4日宣布的严格的新法规，“假新闻”的传播可能可判处长达15年的监禁。 （目前禁止使用“战争”和“入侵”一词来描述克里姆林宫的“特殊军事行动”。）Facebook和Twitter被政府阻止，而大多数外国媒体组织都暂停了行动。克里切夫斯卡雅（Krichevskaya）将目前的镇压描述为俄罗斯媒体的“全新页面”，他说，这些措施扼杀了普京日益专制的普京下的持不同政见者。 “目前，没有任何独立声音的空间。”成立于2010年，在当时的总统德米特里·梅德（Dmitry Med）的短暂开放期间Vedev，电视雨试图提出一个有希望的远见，进步的俄罗斯的愿景。将自己配音为“乐观的渠道”，它成为了独立新闻业的堡垒，这是一个针对年轻记者的启动垫，在克里姆林宫和国家的政治精英方面的荆棘。它很快成长为俄罗斯媒体景观中的强大存在，指挥了数百万人的观众。该网络经常不受政府监管机构和立法者的影响 - 它的第一个禁令是在频道发布后的一周之后进行的 - 尽管它表现出顽强的能力适应了适应的能力。当对2014年列宁格勒（Leningrad）强迫电视雨的围困的挑衅性在线调查中，该网络在辛迪耶娃（Sindeyeva）的莫斯科公寓设立了商店。它转向其YouTube频道的订阅，捐赠和广告收入，以保持生存。这种商业模式使网络在十年的大部分时间里都保持运转。尽管如此，政府仍在继续螺丝钉。上周关闭之前，克里姆林宫已将电视雨指定为“外国特工”。横跨其网站的横幅 - 至今仍启动并运行 - 其所有社交媒体帖子和YouTube视频都写着：“以下文章和/或帖子是由执行的外国媒体创建和/或传播的在其最终广播的直播之后，外国代理商和/或俄罗斯法律实体的职能。 Tchaikovsky的“天鹅湖”的表演是象征性地提到苏联州广播公司在1991年失败的尝试推翻Mikhail Gorbachev时连续三天打芭蕾舞的表演。 “我们需要力量呼气和理解如何进一步工作，”辛德耶娃在社交媒体上写道该网络最终新闻报道的埃斯特里姆。 “我们真的希望我们能重返空中并继续我们的工作。”此后，网络负责人及其同事逃离\u200b\u200b了该国，但Krichevskaya表示，该组织已经在试图找出一种恢复电视雨的方式。 “我们需要重新发布战争。现在至关重要。”她说。 “目前，在所有俄罗斯国家，他们都没有正在发生的事情的来源。克里切夫斯卡亚（Krichevskaya 。在她的故事片中，有“太自由的人”，这是一部纪录片，讲述了著名的反对派人物和直言不讳的普京评论家鲍里斯·尼姆斯夫（Boris Nemtsov）和“案子”，讲述了普京政治导师阿纳托利·索布查克（Anatoly Sobchak）的故事，这是普京的政治导师，也是第一位民主选举的。圣彼得堡市长这位电影制片人说，在整个流亡者中，她每天都会问自己是否错误地离开。然而，乌克兰的战争平息了任何疑问。她说：“看来我做出了适当的决定。 “所有这些人都受到对俄罗斯的热爱而驱使了这么多年。我在电影中展示的这些人是真正的爱国者。”她说。 “他们希望以正常，健康的价值观使俄罗斯成为世界的一部分。对于这些人来说，白色是白色，黑色为黑色。在电视雨被迫播出以来的日子里，Krichevskaya收到了每天的俄罗斯人，表达他们的支持，并称赞网络在剩下的剩余内容中所扮演的至关重要的角色，这是对他们每个人的悲剧。他们国家的公民社会。 “人们在日常生活中，他们不了解重要的电影制片人说。“独立新闻业是任何社会的骨干。现在，俄罗斯和Dozhd的例子是一个明确的例子，说明了它的重要性。”
A fortnight ago, documentary filmmaker Vera Krichevskaya was anticipating the Russia release of her latest feature, “F@ck This Job,” a spirited, behind-the-scenes portrait of the country’s last independent broadcaster, TV Rain. But just days before the film’s Moscow premiere, Russian military forces invaded Ukraine. On March 3, TV Rain bowed to political pressure and said it would suspend operations indefinitely.
Amid the turmoil, Karo, Russia’s largest cinema chain, dropped the film; a splashy, red-carpet premiere was cancelled in the wake of a bomb threat. Krichevskaya, who arrived in Russia on the eve of the screening, fled the country.
Since then, she’s been working frenetically from Tel Aviv, assisting former colleagues at a station she helped launch to safely make it out of Russia. “It is a completely new reality,” the director told Variety. “When I opened my eyes , I thought it was a dream.”
“F@ck This Job” charts the rise and fall of TV Rain (“Dozhd” in Russian), the rambunctious, free-spirited broadcaster that until last week was one of the last holdouts of an independent Russian media. Told through the story of its founder, the champagne- and tango-loving socialite Natasha Sindeyeva, it follows the remarkable growth of the station during a turbulent decade when Russian President Vladimir Putin was determined to snuff out independent voices.
The film, whose festival run has included the International Documentary Film Festival Amsterdam (IDFA) and DOC NYC, was released in the U.K. last week and broadcast on the BBC (with the title “Tango With Putin”). Krichevskaya will be in attendance on March 19 for a screening at the Thessaloniki Documentary Festival.
The director is a former business partner of Sindeyeva and her husband and TV Rain co-founder, the banker Alexander Vinokurov. In recent days, she said she’s watched with dismay as the Russian military escalates its bombardment of Ukraine and the government moves to silence any opposition back home. “I don’t have capacity in my mind to process everything that is going on,” she said.
Last week, the Kremlin ramped up its efforts to crack down on coverage of the war with a series of draconian and Orwellian decrees. According to stringent new regulations announced on March 4, the dissemination of “fake news” could be punishable by up to 15 years in prison. (The use of the words “war” and “invasion” is currently forbidden to describe what the Kremlin refers to as a “special military operation.”) Facebook and Twitter were blocked by the government, while most foreign media organizations suspended operations inside the country.
Describing the current crackdown as a “completely new page” for Russian media, Krichevskaya said the measures have stifled what remained of dissent under an increasingly authoritarian Putin. “Right now, there is no space for any independent voices.”
Founded in 2010, during a brief period of openness under then-president Dmitry Medvedev, TV Rain sought to present a hopeful vision of a forward-thinking, progressive Russia. Dubbing itself the “optimistic channel,” it became a bastion of independent journalism, a launching pad for young journalists and a thorn in the side of the Kremlin and the country’s political elite. It quickly grew into a formidable presence in the Russian media landscape, commanding an audience of millions.
The network frequently fell afoul of government regulators and lawmakers – its first ban came just one week after the channel’s launch – although it showed a tenacious ability to adapt. When backlash to a provocative online survey about the siege of Leningrad forced TV Rain from the airwaves in 2014, the network set up shop in Sindeyeva’s Moscow apartment. It turned to subscriptions, donations and advertising revenue from its YouTube channel to stay afloat. That business model kept the network going for the better part of a decade.
The government nevertheless continued to tighten the screws. Before the shutdown last week, TV Rain had been designated a “foreign agent” by the Kremlin; a banner that runs across its website – still up and running as of March 7 – and all of its social media posts and YouTube videos reads: “The following article and/or post was created and/or disseminated by a foreign media outlet carrying out the functions of a foreign agent and/or a Russian legal entity carrying out the functions of a foreign agent.”
After the livestream of its final broadcast – which saw the channel’s staff gathered around a studio news desk – the feed cut to several seconds of a performance of Tchaikovsky’s “Swan Lake,” a symbolic reference to when Soviet state broadcasters played the ballet on a loop for three days straight during the failed attempt to topple Mikhail Gorbachev in 1991.
Whether the station will broadcast again remains in question. “We need strength to exhale and understand how to work further,” Sindeyeva wrote on social media after the livestream of the network’s final news report. “We really hope that we will return to the air and continue our work.”
The network head and her colleagues have since fled the country, but Krichevskaya said the group is already trying to figure out a way for TV Rain to resume transmission. “We need to relaunch coverage of the war. It is crucial now,” she said. “Right now, all the Russian nation, they don’t have sources of what is going on…. We need to fill this vacuum as soon as possible.”
Krichevskaya, who moved to the U.K. not long after Russia’s invasion and annexation of the Crimean Peninsula in 2014, has returned often in the years since to document the political and civic life of her homeland. Among her feature films are “The Man Who Was Too Free,” a documentary about the prominent opposition figure and outspoken Putin critic Boris Nemtsov, and “The Case,” which tells the story of Anatoly Sobchak, Putin’s political mentor and the first democratically elected mayor of St. Petersburg.
Almost daily throughout her exile, said the filmmaker, she asked herself if she was wrong to leave. The war in Ukraine, however, has quelled any doubts. “It looks like I made a proper decision,” she said.
The shutdown of TV Rain has not only dealt a blow to free speech in Russia, but has upended the lives of so many of Krichevskaya's former colleagues. “All these people were driven so many years by their love for Russia. These people I show in my film are real patriots,” she said. “They want to have Russia as a part of the world, with normal, healthy values. For these people, white is white and black is black. Right now, this journey became a tragedy for each of them personally.”
In the days since TV Rain was forced off the air, Krichevskaya has received thousands of messages from everyday Russians expressing their support and praising the crucial role the network played in what remains of civil society in their country. “People in their routine lives, they do not understand how important it is to have independent media,” said the filmmaker. “Independent journalism is the backbone of any society. The example of Russia and Dozhd now is a clear example of how essential it is.”
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