纪录片自媒体解说素材-新闻动态参考-家庭暴力的残酷流行激发了一个国家在“女性”中的估计/A Brutal Epidemic of Domestic Violence Sparks a Country’s Reckoning in ‘Femicidio’
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0501/5226anjwlp5telo.jpg家庭暴力的残酷流行激发了一个国家在“女性”中的估计
A Brutal Epidemic of Domestic Violence Sparks a Country’s Reckoning in ‘Femicidio’
当劳拉·罗维利（Laura Roveri）是一位25岁的意大利妇女，住在维罗纳（Verona），她的前男友在一家夜总会被刺伤了15次时，她几乎没有幸存下来讲述自己的故事。但是，尽管有大量的证据表明她的袭击者的杀人意图，但他声称自己的恶毒袭击从未打算杀死她 - 结果仅被判判处七年徒刑。事件只是一波残酷的袭击和女性事件。近年来，意大利震撼了意大利，并揭露了一种厌女症和大男子主义文化的破坏性后果。罗维里（Roveri）是幸存者，激进主义者和受害者的家庭成员之一，他们在“女性”中分享他们的故事，这是由尼娜·玛丽亚·帕斯卡利杜（Nina Maria Paschalidou）撰写和导演的纪录片。由帕斯切利杜（Paschalidou半岛电视台和天空意大利在意大利电影基金和威尼托基金会的支持下，电影界本周在塞萨洛尼基纪录片节上首映。Paschalidou于2018年首次前往意大利的时间，欧盟的女性数量最多。一名意大利妇女在地中海国家每三天丧生，近70％的受害者被与他们同住的男人谋杀。其余的大部分都是被前男友，前丈夫和家庭伴侣杀死的。但是，质质并不孤单，全球各地的冠状病毒大流行期间都看到家庭暴力和妇女猛增。在Paschalidou的原住民希腊，创纪录的19名妇女在2021年成为妇女的受害者，这是一场国家危机，引起了广泛的抗议和呼吁进行法律改革的呼吁。Paschalidou将意大利视为“案例研究”，是家庭暴力和女性在家庭暴力和女性中的特别戏剧性的研究在整个地中海展开。她说：“这是一个强烈的父权制社会，涉及妇女的许多问题。” “这是一个确实有女权主义浪潮的国家，一年前非常强大，但必须重新董事本身就是虐待关系的幸存者，她承认这一事实并非独特。她说：“作为女性，我认为不幸的是，我们都有这种经历。” “以小方面的方式。不一定必须有人殴打您。在#MeToo运动的激发中，全球呼吁倾听并相信幸存者的故事，这是女性的第一步，她们哭泣的第一步经常呼吁帮助，这是在全球范围内越来越多的呼吁，她们的呼声经常经常倾听，这是赋予人们的第一步被沉默或忽略。在遭受严重经济危机的意大利等国家，更多的妇女也进入了工作场所并扮演传统的男性角色作为养家糊口者，这给了她们一定程度的经济自由和赋权，大多数意大利妇女都没有过去享受。反过来，它已经开始重塑该国的权力动力。 “现在，您今天有权停止[滥用]。即使即使在家里，即使是在婚姻或威胁您的关系中，也在工作。” Paschalidou说。 “这就是为什么在意大利斗争现在更加激烈的原因。与此被视为提供者，这加剧了近期女性化的激增。对于Paschalidou，需要采取更大的机制来保护弱势妇女。她说：“当妇女打电话警察并进行干预时，应发出限制令。” “当一名妇女以肋骨骨折，两次，三次，必须报告时。”在希腊，在意大利和其他国家的领导下，正式承认妇女为犯罪也将导致变化如何报告这种情况，TRE在法庭上进行了审理。 Paschalidou说：“我认为将它们视为雌性很重要，因为它们具有可以预防的某些特征。” “因为这些谋杀是强烈的暴力，家庭暴力的结果。”董事说，罗维里有些不愿在“女性”中扮演如此重要的角色，但是自从电影情人节在《天空》上播出以来的几周中意大利越来越公众。 “她是一个非常强大的女人。她确实设法重建了自己的生活。 “我认为她成为力量和力量的象征。”其他女性受害者的家庭成员也渴望挺身而出分享他们的损失故事。 “他们真的很想说话。是时候了。他们想讲这个故事，听到，有所作为。 Paschalidou的职责和像她一样的“地中海母亲”。 “我们必须教育儿子。我们必须向他们展示道路。”她说。她说：“当我们与他们谈论女孩以及世界的意义时，我们必须教他们暴力不是道路。”也许更重要的是，全世界的社会正在与一个新的现实达成协议传统的性别角色越来越受到质疑，颠覆和重新定义。随着教育，改革和时间的流逝，长期以来的男子气概 - 尤其是在地中海世界的“女性”世界中 - 有一天可能会成为过去昏昏欲睡的遗物。 。男女的界限首次发生了巨大的改变 - 不仅在社会方面，而且还以法律方式发生了变化。” Paschalidou说。 “我认为，随着这些变化 - 谁是女人？谁是男人？什么是家庭？ - 我认为我们有机会打破关于男人应该是谁，或女人应该是谁的非常有力的想法。”
When Laura Roveri, a 25-year-old Italian woman living in Verona, was stabbed 15 times by her ex-boyfriend in a nightclub, she barely survived to tell her story. But despite a damning trail of evidence of her attacker’s murderous intent, he claimed his vicious assault never intended to kill her – and received only a seven-year prison sentence as a result.
The incident was just one in a wave of brutal attacks and femicides that in recent years have rocked Italy and exposed the devastating consequences of a culture of misogyny and machismo. Roveri is among the survivors, activists, and victims’ family members who share their stories in “Femicidio,” a documentary written and directed by Nina Maria Paschalidou.
Produced by Paschalidou for Forest Troop and Lorenzo Cioffi for Ladoc, in co-production with Al Jazeera and Sky Italia with the support of the Italian Film Fund and Veneto Fund, the film world premieres this week at the Thessaloniki Documentary Festival.
At the time that Paschalidou first traveled to Italy in 2018, it had the highest number of femicides in the E.U. An Italian woman is killed every three days in the Mediterranean country, with nearly 70% of the victims murdered by the men they live with. Most of the rest are killed by former boyfriends, ex-husbands and domestic partners.
Italy, however, is not alone, with countries across the globe seeing cases of domestic violence and femicide skyrocket during the coronavirus pandemic. In Paschalidou’s native Greece, a record 19 women were victims of femicide in 2021 – a national crisis that has provoked widespread protests and calls for legal reform.
Paschalidou saw Italy as a “case study” for the particularly dramatic rise in domestic violence and femicide that has unfolded across the Mediterranean. “It is a strongly patriarchal society that deals with a lot of issues around women,” she says. “It’s a country that did have a feminism wave, a very strong one years ago, but it has to renegotiate the rights of women.”
The director is herself a survivor of an abusive relationship, a fact that she acknowledges is sadly far from unique. “As women, I think we all have this experience, unfortunately,” she says. “In small ways. It doesn’t have to be that somebody beats you up really badly. It can be in words, it can be in different things.”
Sparked by the #MeToo movement, there have been increasing calls across the globe to listen to and believe survivors’ stories, an empowering first step for women whose cries for help have often been silenced or ignored. In countries such as Italy that have suffered from a profound economic crisis, a greater number of women are also entering the workplace and taking on the traditionally male role as the breadwinner, giving them a degree of economic freedom and empowerment most Italian women hadn’t enjoyed in the past.
That, in turn, has begun to reshape the dynamics of power in the country. “Now you have the power today to stop . Even if it’s at work, even if it’s at home, even if it’s being in a marriage or relationship that’s threatening you,” Paschalidou says. “This is why in Italy the struggle is stronger now. Because women have the means to break free.”
At the same time, that empowerment has come with a cost: many experts point to the economic crises that have roiled Italy and other countries, and the resulting loss of economic and social status for men traditionally seen as providers, as fueling the recent surge in femicides.
For Paschalidou, greater mechanisms need to be put in place to protect vulnerable women. “When a woman calls the police, and the police intervene, then the restraining order should be issued,” she says. “When a woman ends up in the hospital with broken ribs once, twice, three times, somebody has to report it.”
In Greece, following the lead of Italy and other countries in officially recognizing femicide as a crime would also lead to changes in how such cases are reported, treated and tried in a court of law. “I think it is important to look at them as femicides because they have certain characteristics that can be prevented,” Paschalidou says. “Because these murders are the result of intense violence, domestic violence."
The director says Roveri was somewhat reluctant to play such a prominent role in “Femicidio,” but in the weeks since the film's Valentine’s Day broadcast on Sky Italia, she’s become an increasingly public figure in Italy. “She’s a very powerful woman. She really managed to rebuild her life,” says Paschalidou. “I think she became a symbol of power and strength.” Family members of other femicide victims were also eager to come forward to share the stories of their loss. “They really wanted to talk. It was the time. They wanted to tell the story, to be heard, to make a difference.”
The filmmaker, who dedicated “Femicidio” to her 7-year-old son, sees the education of his generation as one of the many – and most urgent – duties for Paschalidou and the “Mediterranean mothers” like her. “We have to educate our sons. We have to show them the way,” she says. “When we talk to them about girls, and what the world is about, we have to teach them that violence is not the way.”
Perhaps more importantly, she says, societies across the world are coming to terms with a new reality in which traditional gender roles are increasingly being questioned, upended and redefined. With education, reform and the passage of time, long-held notions of masculinity – particularly in the Mediterranean world of “Femicidio” – could someday become relics of a dimly remembered past.
“This line that was so clear before is becoming thin and blurry. The lines of men and women and families, and what a family is, are being changed for the first time drastically – not just in terms of society, but also in legal ways,” says Paschalidou. “I think now, with these changes – Who is a woman? Who is a man? What is a family? – I think we have an opportunity to break these very strong ideas of who a man should be, or who a woman should be.”
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非常不错，感谢楼主整理。。 感谢分享，下载收藏了。最喜欢高清纪录片了。 资源真不错，感谢分享！
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