纪录片自媒体解说素材-新闻动态参考-随着“黑人警察”的胜利/With ‘The Black Cop’ BAFTA Win, Guardian Documentaries Builds on Momentum as Short Films Competition Heats Up
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0501/3137et5o4bfe50u.jpeg随着“黑人警察”的胜利
With ‘The Black Cop’ BAFTA Win, Guardian Documentaries Builds on Momentum as Short Films Competition Heats Up
自2016年推出《卫报》纪录片以来，英国日报的短片部门连续两年获得了奥斯卡和BAFTA，在3月13日获得了珍贵的Oteka的“ The Black Cop”的最佳英国短片奖杯。 。该医生由《卫报》纪录片委托，收到了BFI Doc Society Fund的额外资金。“监护人纪录片称赞《卫报》新闻业，”《卫报》纪录片主管Lindsay Poulton说。 “我觉得珍惜的最初提议以创造性的方式表达了紧急主题。我们反思了黑人生命问题运动。在推动LGBTQ+ equality的推动下；我们知道，关于对权力的警务和滥用，有很多重要的，不舒服的对话。所以，这些都是自从其成立的《卫报》纪录片以来，MES与我们非常相关。”普尔顿说，该部门在任何制作阶段都收到电影制片人的建议，在职业生涯的任何阶段。黑色警察。”导演解释说，他们想与《卫报》合作，因为电影臂“没有遵循创意公式。我觉得我有机会以一种创造性的方式讲述一个故事，并且不会以特定方式为其平台做出的压力。在过去的十年中分发。《纽约时报》，《纽约客》，《洛杉矶时报》和《时间》杂志也创建了与Lik竞争的简短docu部门Netflix，HBO，PBS，MTV和A＆E的ES“感觉就像是一个不同的宇宙，而10或15年前，”《 Guardian News＆Media》视频负责人Charlie Phillips说。 “这真的很棒。”虽然“黑人警察”今年没有资格获得奥斯卡的考虑，但《卫报》在奥斯卡金像奖中取得了成功。去年，它为安东尼·吉亚奇诺（Anthony Giacchino）的“科莱特（Colette）”赢得了简短的纪录片奖杯，该电影《法国抵抗运动》（Colette）是一名法国抵抗运动员，几十年来拒绝踏上德国，访问了纳粹杀害她兄弟的集中营。该部门还获得了埃德·珀金斯（Ed Perkins）的2018年短羊（Black Sheep）的奥斯卡奖，讲述了科尼利厄斯·沃克（Cornelius Walker），科尼利厄斯·沃克（Cornelius Walker）是一个年轻的英国黑人，他无法逃脱自己的种族主义环境，并试图改变自己和他的外表来适应。奥斯卡奖得主吉亚奇诺（Giacchino）是美国电影制片人之一，包括南希·施瓦茨曼（Nancy Schwartzman）（“匿名来到镇”），扎克·曼努埃尔（Zac Manuel）（“这个尸体”）和Ivete Lucas和Patrick Bresnan（“跳过日”）与《卫报》纪录片合作。“我们将近一半的观众来自美国，” Poulton说。“我们所做的重要部分是进入独立的国际电影制片人的世界，讲述故事并在他们特别知道并与之相关的社区中创作电影。”
Since the launch of Guardian Documentaries in 2016, the short film division of the British daily newspaper has garnered an Oscar and a BAFTA over the past two consecutive years, scoring the best British short film trophy for Cherish Oteka’s “The Black Cop” on March 13.
About Gamal “G” Turawa, a Black gay man who joined the London police department to help change its racial make-up, “The Black Cop” explores Turawa’s memories of homophobia, racial profiling, and harassment. Commissioned by Guardian Documentaries, the doc received additional funds from the BFI Doc Society Fund.
“Guardian Documentaries compliment Guardian journalism,” says Lindsay Poulton, head of Guardian Documentaries. “I felt that Cherish's initial proposal expressed urgent themes in a creative way. We were reflecting on the Black Lives Matter movement; on the push for LGBTQ+ equality; we knew there were a lot of important, uncomfortable conversations to be had about policing and abuse of power. So, these were all themes that were editorially very relevant to us.”
Since its inception Guardian Documentaries has released approximately 80 nonfiction shorts on Guardian’s website. Poulton says that the unit receives proposals from filmmakers at any phase of production, and at any stage of their career.
Oteka, who is the first openly non-binary person to win a BAFTA, began working with the Guardian during the development phase of “The Black Cop.” The director explains that they wanted to work with the Guardian because the film arm “didn’t follow a creative formula. I felt like I had the chance to just tell a story in a creative way and wouldn’t have the pressure of making it in a specific way for their platform.”
Guardian Documentaries is one of many media platforms that have gotten behind short nonfiction content distribution in the last decade. The New York Times, the New Yorker, the Los Angeles Times and Time Magazine have also created short docu divisions that compete with the likes of Netflix, HBO, PBS, MTV and A&E.
“It feels like a different universe compared to 10 or 15 years ago,” says Charlie Phillips, head of video at Guardian News & Media. “It's really great.”
While “The Black Cop” did not qualify for Oscar consideration this year, the Guardian has had success at the Academy Awards. Last year, it won the short documentary film trophy for Anthony Giacchino’s “Colette,” about a member of the French Resistance who, after decades of refusing to step foot in Germany, visits the concentration camp where the Nazis killed her brother. The unit also received an Oscar nom for Ed Perkins’s 2018 short, “Black Sheep,” about Cornelius Walker, a young English Black man who is unable to escape his racist surroundings and tries to change himself and his physical appearance to fit in.
Last year’s Oscar winner Giacchino is one of several American filmmakers including Nancy Schwartzman (“Anonymous Comes to Town”), Zac Manuel (“This Body”), and Ivete Lucas and Patrick Bresnan (“Skip Day”) who have worked with Guardian Documentaries.
“Nearly half of our audience comes from the U.S.,” says Poulton. “An important part of what we do is reaching out into the world of independent, international filmmakers to tell stories and create films within communities that they specifically know and have relevance with.”
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资源真不错，感谢分享！ 资源真不错，感谢分享！ 太好了，终于找到宝藏论坛了！
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