纪录片自媒体解说素材-新闻动态参考-“我是Greta”导演内森·格罗斯曼（Nathan Grossman）将两个新的以气候为中心的项目带到了CPH：DOX的论坛（独家）/‘I Am Greta’ Director Nathan Grossman Takes Two New Climate-Focused Projects to CPH:DOX’s Forum (EXCLUSIVE)
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0501/2945ty4j2noqhrs.jpg“我是Greta”导演内森·格罗斯曼（Nathan Grossman）将两个新的以气候为中心的项目带到了CPH：DOX的论坛（独家）
‘I Am Greta’ Director Nathan Grossman Takes Two New Climate-Focused Projects to CPH:DOX’s Forum (EXCLUSIVE)
“我是格雷塔”董事内森·格罗斯曼（Nathan Grossman）将向哥本哈根INTL进行两个新项目。纪录片电影节（CPH：DOX），他专门透露了综艺节目。纪录片《纪录片》的标题“亚马逊”是由悉尼Possuelo领导的一系列探险，被认为是巴西剩下的巴西剩下的领导当局孤立的土著人民。格罗斯曼（Grossman）被授予独家访问100多个小时的录像，这些镜头涵盖了从90年代中期十年来的十年来，其中包括与一个无与伦比的土著团体的第一次相遇。“这是一个被遗忘的档案馆，”董事说。 “我们正在说，在丛林中多年的探险之后，我们将独家访问亚马逊地区最大的看不见的档案之一。导演在他不断增长的工作中。 “存档材料C他说。”他说。”在CPH：FORUM，节日的国际融资和联合制作活动期间的疗法”，该活动将于3月28日至31日举行。“疗法的气候”由B-Reel Films提供了最后一部作品的突破性成功，这列出了青少年的壮观崛起二人组的气候活动家格雷塔·敦伯格（Greta Thunberg）正在寻找合作伙伴，以帮助资金，开发和制作以气候纪录片制作领域的领先新兴声音之一的最新项目。格罗斯曼说：“很少能够实现瑞典的两个国际项目。”在气候变化的前线上，成群的科学家参加了创新的小组治疗课程，他们试图处理对行星危险的感觉。这部电影研究了他们日常工作，以应对他们的工作负担，同时探索科学家期望如何以学术酷炫的表达对气候危机的感觉。这是一个在导演个人层面上共鸣的故事。格罗斯曼说：“通过阅读科学和遵循['我是格雷塔']的气候运动，也是私人人士，我受到了极大的影响。” “我可以看到每个人如何受到这些报告中所说的话的影响。但是我从来没有听说过写报道的科学家……对此有什么感觉。这就是开始的方式，好奇心并想了解他们的情绪。 “我们很快发现这个话题是ta嘘，”他说。 “学术界[]是一个情绪，因为客观原因和学术界的传统，情感不那么受到重视。”作为电影的一位主题，美国宇航局的科学家告诉他：“这是第一次有人问我我的感受，而不是我对气候危机的看法。”在美国一些顶级大学的气候研究的最前沿。从全球北部和南部的各种背景中吸引，他们经常亲眼目睹了气候变化的毁灭性损失。格罗斯曼说：“他们已经看到物种灭绝了，他们看到飓风粉碎了整个城市。”有些人正在抚养孩子或辩论将生命带入一个看起来越来越可怕的世界的道德规范。年龄很少有人会为他们的悲伤，恐惧和焦虑而出现渠道，或者是处理证明C的心理损失的方式地球上的石灰岩变化 - 即使政策制定者和公众似乎无动于衷，不愿或无法采取行动。格罗斯曼说：“这确实是他们第一次在工作方面开放他们内心的情感。” “而且他们实际上都没有谈论过成为气候科学家的感觉。疗法课程由理查德·贝克（Richard Beck）领导，理查德·贝克（Richard Beck）是世界上最著名的团体疗法专家之一理查德·贝克（Richard Beck），他领导了数百次疗程，与处理不同类型的创伤的人们一起，包括9/11幸存者。在研究目前正在开发的电影的同时，格罗斯曼，内森和研究团队参加了自己的会议，与他们所展示的科学家进行了许多相同的练习。恐惧。”格罗斯曼说。 “我发现与我的家族史有联系，来自一个家庭大屠杀幸存者。实际上，通过这种疗法，我开始理解这个故事如何真正与我的忧虑以及我的战斗精神联系在一起，以及为什么我认为这个问题对我们来说是如此重要的事情。”围绕最新令人震惊的气候报告的合理恐惧，或我们迅速加热星球上“一生一生”的天气现象的频率越来越大，“治疗中的气候”将与熟悉的电影类型的比喻相偏离Grossman说：“在这个世界上，这将是全新的，因为它更加古怪，有趣，幽默，开放，以开玩笑说这些事情。” “疗法以这种特定的治疗师让他的小组工作的方式流向哭泣和欢笑之间。比这些冰山掉落的[图像]的音调变得更柔和，更人性化。在此之前。“这些电影几乎已经20年了。也许我们正在发展（朝着）电影发展，这些电影与悲伤，焦虑和失落以及其他反应曲线后来产生的感觉更具联系。”他继续说道。“我们正在努力将电影以自己的情感为基础，朝着气候和环境主题介绍。这就是引导我们的原因。她说：“有一种特定的讲述气候故事的方式：您首先要谈论情况有多糟糕，然后最后，您陷入了希望。”“讲述气候电影的戏剧性非常清晰。而且我认为我们需要超越这一点，并以新的方式告诉他们。”哥本哈根INTL。纪录片电影节（CPH：DOX）于3月23日至4月3日举行。
“I Am Greta” director Nathan Grossman will be taking two new projects in development to the Copenhagen Intl. Documentary Film Festival (CPH:DOX), one of which he’s revealed exclusively to Variety.
The documentary feature, with the working title “Amazonia,” follows a series of expeditions into the Amazon led by Sydney Possuelo, considered the leading authority on Brazil's remaining isolated indigenous peoples. Grossman has been granted exclusive access to more than 100 hours of footage, which spans over a decade from the mid-‘90s and includes the first encounter with an uncontacted indigenous group.
“It’s a forgotten archive,” says the director. “We’re talking exclusive access to one of the biggest unseen archives from the Amazon region, following years of expeditions in the jungle to find indigenous tribes.”
The film – utilizing never-before-seen footage – touches on themes that have preoccupied the director across his growing body of work. "The archive material carries many layers of climate and environment beneath the surface," he says.
This week in Copenhagen, Grossman and “I Am Greta” producer Cecilia Nessen (“Bergman – A Year in a Life”) will also be presenting the documentary “Climate in Therapy” during CPH:FORUM, the festival’s international financing and co-production event, which runs March 28-31.
Following the breakout success of their last feature, which charted the spectacular rise of teenage climate activist Greta Thunberg, the duo are looking for partners to help finance, develop and produce the latest projects from one of the leading emerging voices in the field of climate-focused documentary filmmaking. “It’s so rare to be able to come with two international projects from Sweden about climate and the environment,” says Grossman, adding that both films will approach the subjects in unexpected and unconventional ways.
“Climate in Therapy” follows a group of scientists on the frontlines of climate change taking part in an innovative group therapy session, as they attempt to process their feelings about a planet in peril. The film examines their day-to-day efforts to cope with the burden of their work, while exploring how scientists expected to express themselves with academic cool really feel about the climate crisis.
It's a story that resonates on a personal level for the director. “I’ve been affected so much emotionally by reading the science and following the climate movement for [‘I Am Greta’], and also just as a private person,” says Grossman. “I could see how everyone was so affected by what was said in these reports. But I never heard what the scientists that wrote the reports...felt about it. That’s how it started, that curiosity and wanting to understand their emotions.”
That curiosity led to a startling discovery once the director began contacting climate scientists around the world. “We quickly found that this topic was taboo," he says. "The academic world a place where emotions aren’t that highly regarded, because of objectivity reasons, and because of tradition within the academic community.” As one of the film’s subjects, a scientist with NASA, told him: “This is the first time anyone asks me how I feel, rather than what I think, about the climate crisis.”
The scientists featured in “Climate in Therapy” are at the forefront of climate research at some of America’s top universities. Drawn from a diverse range of backgrounds in both the Global North and South, they have often witnessed the devastating toll of climate change firsthand. “They’ve seen species go extinct, they’ve seen hurricanes crush entire cities,” says Grossman. Some are raising children or debating the ethics of bringing life into a world whose future looks increasingly dire.
Yet few have an outlet for their grief, fears and anxieties, or a way to process the psychological toll of bearing witness to the impact of climate change on the planet – even as policy-makers and the general public appear indifferent, unwilling or unable to act. “This is really the first time that they’re opening up about their inner emotions in regards to their work,” says Grossman. “And none of them have actually spoken about how it feels to be a climate scientist ever before. Some of them haven’t even spoken to their families about these thoughts.”
The therapy sessions are led by Richard Beck, one of the world’s most renowned experts in group therapy, who has led hundreds of sessions with people dealing with different types of trauma, including 9/11 survivors. While researching the film, which is currently in development, Grossman, Nessen and the research team took part in sessions of their own, performing many of the same exercises as the scientists they feature.
“For me, it was very emotional confronting many of those fears,” says Grossman. “I found that there are connections to my family history, coming from a family of Holocaust survivors. It was actually through this therapy that I started to understand how that story really connects to my worry, and also my fighting spirit, and why I think this issue is such an important thing for us to manage as quick as we can.”
For all the justifiable dread around the latest alarming climate report, or the growing frequency of “once-in-a-lifetime” weather phenomena on our rapidly heating planet, “Climate in Therapy” will be a departure from the familiar tropes of a cinematic genre that has become both increasingly popular and direly relevant.
“It’s going to be something completely new in this world, because it’s much more quirky and fun and humorous and open toward joking about these things,” says Grossman. “The therapy flows between crying and laughter in a way which this specific therapist lets his groups work. The tonality becomes softer and more human than these icebergs falling."
That shift marks a conscious departure from the climate films that have preceded it. “It’s been practically 20 years of those films. Maybe we’re evolving films that connect more to grief and anxiety and loss and other feelings that come a bit later in that reaction curve,” he continues. “We’re trying to base our films on our own emotions toward climate and environmental topics. That’s what guides us.”
Nessen, who is producing “Climate in Therapy” through her B-Reel Films, agrees. “There has been this specific way of telling climate stories: you start with talking about how bad the situation is, and then in the end, you go into hope,” she says. “There's been this very clear dramaturgy to telling climate films. And I think we need to move beyond that and tell them in new ways.”
The Copenhagen Intl. Documentary Film Festival (CPH:DOX) runs March 23-April 3.
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