纪录片自媒体解说素材-新闻动态参考-“爱之火”电影制片人萨拉·多萨（Sara Dosa）和莫里斯·克拉夫特（Maurice Krafft）对火山的热情/‘Fire of Love’ Filmmaker Sara Dosa on Katia and Maurice Krafft’s Passion for Volcanoes
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0501/234400pfkf2thyz.jpg“爱之火”电影制片人萨拉·多萨（Sara Dosa）和莫里斯·克拉夫特（Maurice Krafft）对火山的热情
‘Fire of Love’ Filmmaker Sara Dosa on Katia and Maurice Krafft’s Passion for Volcanoes
圣丹斯（Sundance）的轰动“爱之火”（Fire of Love）继续吸引节日巡回演出，因为它击中了哥本哈根英特尔（Copenhagen Intl）。纪录片电影节，正在争夺顶级Dox：奖。综艺节目与其导演Sara Dosa。基于档案材料，照片和动画作品，“爱之火”讲述了法国火山学家Katia和Maurice Krafft的故事，他们将生活献给了火山，并在1970年代成为了他们领域的先驱者和80年代。这对夫妻于1991年去世，在记录日本乌Unzen山的爆发时做着自己喜欢的事情。他们录制了数百个小时的录像，并留下了数千张探险的照片，Dosa和她的团队已将其编辑成抒情的Ode。在他们的爱情故事中，无论是一对夫妻还是与火山，导演描述为构成她电影基础的“爱情三角”的故事。所有h是科学的设备，落在了他的膝盖上 - 总是让我们震惊：他是一名科学家，具有特定而有指导的目的，试图理解这个伟大的谜团，这是为了挽救人类的生命……但是他只是在爱，绝对被这种力量迷住了，他会忘记他的科学使命。冰岛火山岛。“我们开始研究火山档案馆，遇到了凯蒂亚和莫里斯，我们爱上了他们。”给他们拍摄的电影。“这是一个非常偶然的项目：我们正在计划其他事情，世界转向了，我们不得不转向它。我们认为：这不是一个有趣的项目，尤其是在孤立时期，通过AR环游世界因此，Dosa和她的团队开始寻求寻找所有材料，与法国国家视听学院（INA）和Image Est.的档案机构达成惊人的交易叙事共同证明了一个具有挑战性的挑战，因为经常没有解释的16毫米镜头，并且没有秩序。 Dosa和她的共同撰写者通过介绍叙述并创建动画作品来讲述他们的故事，从而适应了他们。梦幻般的拼贴动画的灵感来自他们多年来收集的火山图像的宝库。“这些插图通常是异想天开的，几乎是迷幻的，但也是科学的。一些可以追溯到15世纪。科学与神话之间发生了这次会议，我们认为玩耍可能会很有趣：档案本身有很多差距，我们想传达梦幻的感觉，坠入爱河。我们认为动画ins这些插图的美感可能是一种有趣的方式。电影制片人和作家米兰达·七月（Miranda July）发表的叙述对克拉夫特（Kraffts）的故事进行了独特的解释，这是对这对夫妇的许多出版物的深入研究的推动力。“我们真的想要一位好奇的叙述者，他可以提示问题 - 我们想提示问题 - 我们想提示。承认，作为电影制片人，我们不知道一切。但是，这是有科学询问的尾巴，火山的未知，人类心脏的未知，那些伟大的奥秘：我们想让所有人共鸣，” Dosa说。 “我们被他们的精神领导，读了很多书 - 我们将很多自己的解释和好奇心放在写作过程中。”该团队还从综艺节目和访谈中绘制了大约45个小时的镜头：克拉夫特（Kraffts），尤其是魅力的硕士乌里斯（Urice）在充满幽默的电视露面中变得熟悉，这使他们普及了科学。这对他们的精神感到非常真实。”多萨说。 “我们总是想知道他们是否将自己刻在写作的神话中 - 几乎就像他们知道他们随时可以死亡 - 并通过将自己的图像放在自己和其他人的相机上，他们能够创作遗产。”选择不要生孩子，而是奉献自己的生活，被鲍里斯描述为一种成瘾形式。“我认为他们确实在火山上有神秘的经历，在这种经历之后，当您不在它的面前时鲍里斯说：“再有一种孤独，一种悲伤，一种真正的忧郁，以及他们的一部分过程，试图尽可能多地回到那种神秘的经历。”ng“我看到了很多我一百岁的美丽事物。”鲍里斯说，他们想在电影中传达的关键信息并不是他们是否会为自己的激情而死，而是他们如何过生的问题。”鲍里斯说，电影是[电影的叙述中包括在电影的叙述中]的《爱是理解的其他名字》，他是禅宗僧侣，他在对话中一直在萨拉（Sara）的谈话中占有一席之地。” “更接近自己的爱使您有了更大的理解：这就是您过上有意义的生活和死亡的死亡的方式，并且立即反映在Katia和Maurice的经历中。”“ Love of Love”赢得了Sundance的Jonathan Oppenheim编辑一月份的音乐节上首次亮相。这部电影是一部沙盒电影，直观的图片和Cottage M的制作，并以法国人的原始分数为特色。乐队空气。国家地理纪录片电影在全球范围内。
Sundance sensation “Fire of Love” continues to wow audiences on the festival circuit as it hits the Copenhagen Intl. Documentary Film Festival, where it is vying for the top DOX:AWARD. Variety speaks to its director, Sara Dosa.
Based on archive material, photographs and animation work, “Fire of Love” tells the story of French volcanologists Katia and Maurice Krafft, who devoted their lives to volcanoes and became pioneers in their field in the 1970s and '80s. The couple died in 1991, doing what they loved as they documented the eruption of Mount Unzen in Japan.
They had recorded hundreds of hours of footage and left behind thousands of photographs of their expeditions, which Dosa and her team have edited into a lyrical ode to their love story, both as a couple and with the volcanoes, in what the director describes as the “love triangle” that forms the basis of her film.
“Maurice often talks about how he's in the presence of an erupting volcano and just drops all his scientific equipment and falls to his knees – and that always struck us: he is there as a scientist with a specific and guided purpose of trying to understand this great mystery, which came in service to save human lives... but he was just so in love, so absolutely enchanted by this power that he would forget his scientific mission,” Dosa says.
Dosa's first encounter with the Kraffts occurred when she was researching her previous film, 2019 Golden Gate winner “The Seer and Unseen,” which was set on the volcanic island of Iceland.
“We started researching volcano archives and came across Katia and Maurice, and we fell in love with them,” she says.
When the pandemic hit and another film project fell through, Dosa knew she wanted to devote her next film to them.
“It was a very serendipitous project: we were planning something else, the world turned and we had to turn with it. We thought: wouldn't this be a fun project to do, especially in times of isolation, to travel the world through archive footage.”
And so Dosa and her team set off on a quest to find all the material they could, striking deals with archival institutions like France's National Audiovisual Institute (INA) and Image Est.
But while the images they uncovered were beguiling, putting together a narrative proved challenging as the many hours of 16mm footage often came without explanation and was out of order. Dosa and her co-writers adapted by introducing a narration and creating animation work to tell their story. The dreamy, collage-like animation was inspired by the couple's treasure trove of volcano images that they had collected over the years.
“The illustrations were often whimsical, almost psychedelic, but also scientific. Some dated back to the 15th century. There was this meeting between science and myth and we thought it could be fun to play with that: there were lots of gaps in the archive itself and we wanted to convey the feeling of dreaminess, of falling in love. We thought that animation inspired by the aesthetic of those illustrations could be a playful way of doing that.”
Dosa co-wrote the film with long-time collaborator, creative producer Shane Boris, and editors Erin Casper and Jocelyne Chaput. The narration, voiced by filmmaker and author Miranda July, offers a unique interpretation of the Kraffts' story, fueled by in-depth research into the couple's many publications.
“We really wanted a narrator who's inquisitive, who can prompt questions – we wanted to acknowledge that we, as filmmakers, don't know everything. But that dove-tails with scientific inquiry, the unknown of volcanoes, the unknown of the human heart, those great mysteries: we wanted to have all that resonate,” says Dosa. “We were led by their spirit and read a lot of their books – we put a lot of our own interpretation and our own curiosity into the writing process.”
The team also drew on some 45 hours of footage from variety shows and interviews: the Kraffts, notably the charismatic Maurice, became familiar faces to an entire generation in TV appearances infused with humor that popularized their science.
“They were so savvy at understanding their public image, but not in a way that was inauthentic. It felt very true to their spirit,” says Dosa. “We always wondered if they were inscribing themselves to myths that they were writing – almost like they knew they could die at any moment – and by putting their images to their own and other people's cameras they were able to author their legacy.”
The Kraffts chose not to have children and dedicated their lives to their passion, described by Boris as a form of addiction.
“I think they did have mystical experiences around volcanoes, and after that sort of experience, when you're not in the presence of it anymore, there's a loneliness, a sadness, a true melancholy, and part of the process for them was trying to get back to that mystical experience as much as possible,” Boris says.
In one clip, Maurice Krafft can be heard saying “I have seen so many beautiful things that I am a hundred years old.” The key message they wanted to convey in the film, Boris says, was not so much the question of whether they would die for their passion, but how they would live their lives.
“One of the guiding principles of the entire writing process for the film was that quote “Love is understanding's other name” by Thich Nhat Hanh, a zen monk who's been a presence in the conversation Sara and I have had in our collaboration for over 10 years,” Boris says. “Moving closer to what you love gives you greater understanding: that's how you live a meaningful life and die a meaningful death, and it was so immediately reflected in the experience of Katia and Maurice.”
“Fire of Love” won Sundance's Jonathan Oppenheim Editing Award upon its debut at the festival in January. The film is a Sandbox Films, Intuitive Pictures and Cottage M production, and features an original score by Nicolas Godin, of French band Air. National Geographic Documentary Films has worldwide rights.
After Copenhagen, the doc will continue on its festival tour to Nyon, Switzerland, where it will open Swiss doc fest Visions du Réel (April 7-17).
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