纪录片自媒体解说素材-新闻动态参考-柏林银熊冠军曼努埃尔·艾布拉莫维奇（Manuel Abramovich）/Berlin Silver Bear Winner Manuel Abramovich Pitches ‘Monsters’ at Visions du Réel
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0501/1343l4duiejm20m.jpg柏林银熊冠军曼努埃尔·艾布拉莫维奇（Manuel Abramovich）
Berlin Silver Bear Winner Manuel Abramovich Pitches ‘Monsters’ at Visions du Réel
柏林银熊冠军曼努埃尔·艾布拉莫维奇（Manuel Abramovich）（“蓝色男孩”，2019年）在瑞士doc Festival visions visionsduRéel的行业活动，VDR-Pitching。我们在生活中扮演的第一个角色是性别，是与身体的表演小说。从我们出生的那一刻起，我们就已经为我们写了两个脚本：您是男人还是女人。亚伯拉莫维奇（Abramovich）是阿根廷最快的崛起的奥特尔人之一，探索了他的电影中他所说的“日常生活中的戏剧性”。节日的常规节目，他在2015年的VDR-Work In Programe论坛上介绍了他的首张专题长期Doc“ Solar”。因此，我邀请真实的人成为角色，并反思从某人转向扮演角色的转变。”董事计划邀请10 ADULTS和10个孩子，全部跨性别和非二进制文件，在他形容为“没有物理参考的空白，例如剧院或工作室，没有时间参考，例如实验室，可以一起制作电影可以写一个新的未来，一个具有其他规范的世界，也没有规范。”他说。阿布拉莫维奇（Abramovich）解释说，这部电影将包括三个层次：舞台，角色将通过练习，舞蹈，表演和重新制定一起创建自己的项目，而后台级别将具有更亲密的一对一时刻，并且他称之为“辩论”的第三级，演员和工作人员将有一个空间来讨论代表性问题，项目的含义以及该过程引起的可能紧张局势。他对标题的质疑说，他想问角色的关键问题是他们如何定义“怪物”一词，以及他们是否感觉像一个。他补充说：“但是还有第二个含义。” “也许这是我们居住的规范这是我们必须战斗的怪物。”“对我来说，这是一个共同重新考虑家庭制度的机会。这个想法是挑战规范：这是一部关于选择不同道路的人的电影。社会本身已经病态，拒绝，边缘化或遭受身体和心理虐待的跨机构，持不同政见的身体，身体。这是一个赋予能力的地方，”阿布拉莫维奇（Abramovich身体作为收入来源。他目前正在第二部分完成后期制作，即“ Pornomelancolia”，该电影已被Luxbox收购，即将到期，并在最后一部分工作“ Cowboy Love”，他将其描述为墨西哥同性恋牛仔电影。由阿布拉莫维奇（Abramovich）和胡安·帕勃罗·拉伯尼亚（Juan Pablo LaBonia）的服装Ruido制作，并在阿根廷的NA电影院和视听艺术学院，Medienboard柏林 - 布兰登堡和德国的BKM-Deutscher Kurzfilmpreis，“怪物”将于11月在布宜诺斯艾利斯拍摄。从4月10日至4月14日，VDR-Pitching与音乐节一起进行。
Berlin Silver Bear winner Manuel Abramovich (“Blue Boy,” 2019) is presenting his new project “The Monsters” at Swiss doc festival Visions du Réel's Industry event, VdR-Pitching.
The project, he tells Variety, “is about one of the first characters that we play in our lives which is gender, as a performative fiction with our bodies. From the moment we are born we have two scripts already written for us: either you are a man or a woman. This is about people who chose not to play this binary role.”
One of Argentina's fastest rising auteurs, Abramovich explores what he calls the “theatricality in everyday life” in his films. A festival regular, he presented his debut feature-length doc “Solar” at the VdR-Work in Progress forum back in 2015.
“In my work, I see the world as a big mise-en-scène – like a theater play. So I invite real people to become characters and reflect about this shift from being someone to playing a character.”
The director plans on inviting 10 adults and 10 children, all trans and non-binary, in a setting which he describes as “an empty space with no physical references, like a theater or studio, and no time references, like a laboratory, to create a film together where we can write a new future, a world with other norms, or no norms,” he says.
The film, Abramovich explains, will comprise three levels: the stage, where the characters will create their project together through exercises, dance, performance and re-enactments, a backstage level that will feature more intimate one-to-one moments, and a third level, which he calls “the debate,” where cast and crew will have a space to discuss issues of representation, the meaning of the project and possible tensions arising from the process.
Questioned about the title, he says the key question he wants to ask the characters is how they define the word “monster,” and whether they feel like one. “But there is also a second meaning,” he adds. “Maybe it's the norms we live in that are monstrous, and that is the monster that we have to fight.”
“This is, for me, an opportunity to collectively rethink the institution of family. The idea is to challenge the norms: it's a film about people who chose a different path. Trans bodies, dissident bodies, bodies that society itself has pathologized, rejected, marginalized, or that have suffered physical and psychological abuse. It's a place of empowerment,” says Abramovich, whose previous work includes “Blue Boy,” about a group of sex workers in a gay neighborhood of Berlin who build characters to seduce customers – the first part of a trilogy about the way people use their bodies as a source of income.
He is currently finishing post-production on the second part, “Pornomelancolia,” which has been acquired by Luxbox and is due out soon, and working on the final part, “Cowboy Love,” which he describes as a Mexican gay cowboy movie.
Produced by Abramovich and Juan Pablo Labonia's outfit Ruido, with the support of Argentina's National Institute of Cinema and Audiovisual Arts, Medienboard Berlin-Brandenburg and Germany's BKM - Deutscher Kurzfilmpreis, “The Monsters” will be shot in Buenos Aires in November.
VdR-Pitching runs alongside the festival from April 10 through April 14.
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太好了，终于找到宝藏论坛了！ 谢谢楼主分享，发现宝藏了。 感谢论坛提供了这么多好资源啊 感谢论坛提供了这么多好资源啊
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