纪录片自媒体解说素材-新闻动态参考-普京俄罗斯的“如何拯救死朋友”首次亮相预告片（独家）/Coming-of-Age Doc Set in Putin’s Russia ‘How to Save a Dead Friend’ Debuts Trailer (EXCLUSIVE)
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0501/0930erb0uptjksf.jpg普京俄罗斯的“如何拯救死朋友”首次亮相预告片（独家）
Coming-of-Age Doc Set in Putin’s Russia ‘How to Save a Dead Friend’ Debuts Trailer (EXCLUSIVE)
瑞士电影制片人Marusya Syroechkovskaya的首张DOC。 Lightdox在下周在瑞士Doc电影节视觉景象DuRéel之前，在电影的全球首映之前，为电影的预告片提供了综艺的独家访问。这部电影在十多年来拍摄了十多年的记录，记载了千禧一代马鲁斯和基米之间的爱情故事，以及他在普京不断崛起的独裁制度的背景下陷入吸毒成瘾的人。电影制片人在10岁时获得了她的第一张摄像机，并且从未有从那以后，停止拍摄周围的世界。她告诉综艺，从以色列讲话，她和她的伴侣在俄罗斯入侵乌克兰以来，她和她的伴侣避开了综艺。 “我一直在抗议很多年：我参加了反政府集会，最近参加了反战示威。我的兄弟是被捕，我的男朋友在监狱里度过了抗议。当局知道我们在哪里，所以我们被捕只是时间问题。”她说。她的处女作的意图是以俄罗斯的“沉默一代”的名义分享一条信息。“普京正试图通过隔离来控制人口：他将他们与世界其他地区隔离开来，这使国家更加容易控制。“除其他外，他摆脱了独立的媒体，但是我想在电影中反映的是这种孤立和冷漠如何影响新一代。她和基米在2005年16岁时在一个垃圾派对上相遇。一代。随着Kimi的吸毒成瘾成为中心舞台，Marusya的相机成为保存他记忆的最后机会。他在11月去世BER2016。“他不会让我帮助他，”她说。 “我唯一可以的方法就是在那里为他。但是看着你喜欢摧毁自己的人是非常痛苦的，所以拍摄以某种方式创造了以下距离：在小屏幕上观看事物时，出于某种原因，它们似乎不太真实。”她说。她解释说，她如何能够带上自己去世几年后观看镜头，并意识到有一个故事要讲。在她的制作团队的帮助下，她与导演和编辑库塔巴·巴哈姆吉（Qutaiba Barhamji）取得了联系，后者因2018年的“仍在录制”而获得了威尼斯奖。“我非常幸运，他爱上了这一点。项目：他精通俄语，他还给了这个外界的观点，这是如此重要，因为我如此参与，我对发生的事情了解太多。剧照，在电影和数字上都拍摄，这对夫妇多年来拍摄了。编辑始于Covid-19的大流行热门，因此在莫斯科的Marusya和巴黎的Barhamji时，该过程必须通过Skype进行 - 花了六个月的时间，并进行了最后一次会议。Musicdoice doce and tose and tose and dist。在Marusya生活中。她说：“我有一个想法是我想从基米制作音乐。”她在网上看，发现了沃斯应用程序，该应用程序将图像转换为声波。它的开发人员帮助构建了电影中使用的程序。“我们经历了很多反复试验，有时它崩溃了，我们尝试了很多不同的事情，最后我们得到了我们想要的东西。”制片人是Sisyfos Film的Mario Adamson和Docs Vostok的Ksenia Gapchenko。联合制片人是民间电影，莱斯电影杜·坦布尔·德·塞伊（Du Tambour du Soie），玛丽亚·贝鲁希科夫斯卡亚（Marusya Syroechkovskaya），里昂·凯蒂尔（Lyon Capitale）电视台和rundfunk柏林·布兰登堡（Rundfunk Berlin-Brandenburg），与Arte合作，以及来自瑞典，挪威，法国，法国和IDFA Bertha Fund的公共和私人资金。”如何保存死亡周期End”在4月12日在VisionsduRéel举行世界首映。该节于4月7日至4月17日在Nyon举行。
Swiss-based sales and distribution agency Lightdox has acquired world rights for “How to Save a Dead Friend,” the debut doc by Russian filmmaker Marusya Syroechkovskaya. Lightdox provided Variety exclusive access to the film's trailer ahead of the film's world premiere at Swiss doc film fest Visions du Réel next week.
https://vimeo.com/687947104
Shot over more than a decade, the film chronicles the love story between millennials Marusya and Kimi, and his descent into drug addiction against the backdrop of Putin's rising autocracy.
The filmmaker was given her first video camera at the age of 10, and has never stopped filming the world around her since. “It was my tool to make sense of everything that was happening to me, to explore the world,” she tells Variety, speaking from Israel, where she and her partner have taken refuge since early March following Russia's invasion of Ukraine.
“I was protesting for many years: I went to anti-government rallies and, lately, to the anti-war demonstrations. My brother was arrested, my boyfriend spent time in prison for protesting. The authorities knew where we were, so it was just a matter of time before we would get arrested,” she says.
Her intention with her debut film was to share a message in the name of Russia's “silenced generation.” “Putin is trying to get control over the population through isolation: he isolates them from the rest of the world, which makes the country so much easier to control.
“Among other things, he gets rid of independent media, but what I wanted to reflect in the film is how this isolation and apathy affects the new generations. If it wasn't for such an isolation policy maybe Kimi would have got help for his depression and his addiction.”
She and Kimi met at a grunge party in 2005 when Marusya was 16. Together they film the euphoria, anxiety and despair of their generation. As Kimi's drug addiction takes center stage, Marusya's camera becomes her last chance to save the memory of him. He died in November 2016.
“He wouldn't let me help him,” she says. “The only way I could was to be there for him. But it was very painful to watch someone you love destroy himself, so filming created this distance in a way: when watching things on a small screen, they seem less real for some reason,” she says.
She explains how she was able to bring herself to watch the footage a couple of years after his death, and realized there was a story to tell. With the help of her production team she got in touch with director and editor Qutaiba Barhamji, who won an award in Venice for the best technical contribution for "Still Recording" in 2018.
“I'm super lucky that he fell in love with this project: he is fluent in Russian, and he also gave this outside perspective that was so important because I was so involved and I knew too much about what happened,” she says.
There were 150 hours of footage to work through as well as many stills, shot on both film and digital, which the couple had taken over the years. Editing started as the COVID-19 pandemic hit, so with Marusya in Moscow and Barhamji in Paris, the process had to take place via Skype – it took six months, with a final session in person.
Music did and still does play an important role in Marusya life. “I had this idea that I wanted to make music out of Kimi,” she says. She looked online and found the VOSIS app, a software that converts images into sound waves. Its developer helped build the program that was used in the film. “We went through a lot of trial and error, sometimes it crashed, we tried a lot of different things, and in the end we got what we wanted.”
The producers are Mario Adamson for Sisyfos Film and Ksenia Gapchenko for Docs Vostok. The co-producers are Folk Film, Les Films du Tambour de Soie, Marusya Syroechkovskaya, Lyon Capitale TV and Rundfunk Berlin-Brandenburg, in collaboration with ARTE, and public and private funding from Sweden, Norway, France and the IDFA Bertha Fund.
“How to Save a Dead Friend” has its world premiere at Visions du Réel on April 12. The fest runs in Nyon from April 7 through April 17.
本文资料/文案来自网络，如有侵权，请联系我们删除。
感谢分享，下载收藏了。最喜欢高清纪录片了。 感谢分享，下载收藏了。最喜欢高清纪录片了。 太好了，终于找到宝藏论坛了！ 谢谢更新，天天学习，天天向上！ 感谢分享啊。谢谢版主更新资源。 感谢大佬分享。我又来学习了~
页:
[1]