纪录片自媒体解说素材-新闻动态参考-“ La Bonga”，“夜晚的解剖”，“其他个人资料”在Visions Du Reel行业奖中获胜/‘La Bonga,’ ‘Anatomy of the Night,’ ‘Other Profile’ Win at Visions du Reel Industry Awards
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0500/57342oh12enddvg.jpg“ La Bonga”，“夜晚的解剖”，“其他个人资料”在Visions Du Reel行业奖中获胜
‘La Bonga,’ ‘Anatomy of the Night,’ ‘Other Profile’ Win at Visions du Reel Industry Awards
在第53版的国际纪录片电影节视觉上，杜雷尔（DuRéel）的顶级行业奖已获得“ La Bonga”，“夜晚的解剖”，“其他个人资料”，“ Noor”和“ Roosi”。共有27个项目被邀请参加三个关键论坛 -VDR-Pitching，正在进行的VDR-Rough Cut Lab- 这是4月10日至14日在NYON举行的电影节行业活动的一部分。分配给16个文档，其中两个获得了双重奖项：SebastiánPinzónSilva和Canela Reyes的“ La Bonga”，获得了Visions Sud Est和Raggioverde subtitling Trophies，以及Maria Silin的“ Mailin”。埃斯特夫（Esteve）赢得了Tënk后期制作和派对电影销售奖。被认为是电影节的最高行业奖，《愿景SUD EST奖》颁发了10,000瑞士法郎（10,700美元）现金奖，分发给了南欧或东欧的最佳项目，这是唯一获得这两个奖项的奖项节日主要的行业部分：VDR-Pitching和VDR-Work正在进行的部分。“另一个个人资料”由Bocalupo Filmshand颁发，陪审团成员Delphine Jeanneret，Internationale Kurzfilmtage Winterhur在瑞士的Internationale Kurzfilmtage Winterhur的策展人说：：“我们决定授予一项非常有前途的集体工作，该工作将对一个积极参与肖像的社区产生广泛的影响，使他们通过电影制作来恢复社区。”关于一个流离失所的非洲裔哥伦比亚社区，该社区踏上了加勒比海丛林的象征性旅程，以复活仅在记忆中存在的房屋。“ Mailin”是Mailin的故事，她遭受了15年的虐待，并着手寻求追回她过去的记忆，并通过档案和童年的绘画讲述。我们最有前途的项目的VDR奖杯我们瑞士导演莱昂内尔·拜尔（Lionel Baier）（“ lavanité”）的《夜晚的解剖学》，讲述了一个遭受睡眠损失的电影制片人，他出发寻找完美的夜晚，当他离开城市以大众的陪伴下，意识到人造照明的暴力。陪审团成员的柏林艺术总监卡洛·查特里安（Carlo Chatrian）说：“我们对球场的表现感到着迷 - 我们要做的就是闭上眼睛。”获得他的奖项，拜尔开玩笑说：“真的吗？您的意思是，现在我必须在寒冷和夜晚出去制作这部电影吗？！” Manuel Abramovich（“ Blue Boy”，“ Pornomelancholia”）获得的“ The Monsters”获得了另一个顶级行业奖，即Head-Geneva后期制作奖，他的项目旨在挑战性别规范并重新考虑家庭制度，并在哪里重新考虑家庭制度。跨性别和非二进制主角将被邀请通过表演和辩论一起制作电影。令人垂涎Ench语言公共广播公司分为两个项目：JérômeLeMaire的“ Noor”（“燃烧”，“LeThéoul'électricité”）和Margit Lillak（“ The Circle”）的“ Lethéoul'électricité”）和“成为Roosi”，即将来临 - 关于一个充满活力的年轻女孩，成长为环境活动家的孩子。“ Noor”是阿拉伯语中的“光”，是世界上生产绿色能源的最大太阳能发电厂的名称。这部电影讲述了一个年轻的游牧民族在传统与现代性的希望之间撕裂的故事，因为他在摩洛哥南部的沙漠中见证了它的建设。 VDR-WORK IN GROUGRY奖的VisionsDuRéel颁发的后期制作电影主要奖项获得了Armel Hostiou的“另一个个人资料”，后者在以他的名义发现了两个Facebook Profiles之后，决定进行搜索。他在这部电影中的另一个自我。 VDR-Industry陪审团由以色列导演Avi Mograbi，Chatrian和电影制片人Isabelle Glachant组成。与去年的混合动力车相比，该节日的80多个国家的出勤率增加了四分之一以上。 “这一版本的历史成功使我们绝对不知所措。考虑到2019年是全球大流行之前的最后一个行业版，我们数量算出1,400多名认可的参与者，这一信号更加令人鼓舞。此版本之后。音乐节的主要竞赛奖将于4月16日宣布。塞纳拉·雷耶斯（Canela Reyes），塞巴斯蒂安·帕津（SebastianPinzónSilvaproduction）的“拉邦卡”（La Bonga）：Gabriella garcia-pardo（La Bonga）vdr – pitchingvdr – pitchingvdr – pitching-pitching-pitching奖。 Baierproduction：Agnieszka Ramu（Bandeà部分电影）玛丽亚·西尔维亚·埃斯特维（Maria Silvia EsteveProductionICA CAPRA（标签电影）Margit Lillakproduction撰写的“ Bote Roosi”：Margit Lillak＆Karolina Veetamm（Tiny Desk Productions）Head-Genève后生产奖“ The Monsters” Manuel Abrabomovichproduction：Juan Pablo Labonia＆Manuel Abramia＆Manuel Abramovich（Ruido） Maria Silvia Esteveproduction颁发的“ Mailin”奖：Laura MaraTablón（Rita Cine）Unifrance Doc Doc奖“ Diane Sara Bouzgarrou”，Thomas Jenkoeproduction，Jean-Laurent Csinidis（Films de efferse Majeure Majerure Majeare doce oppeplape）， Teboho Edkinsproduction：Don Edkins（Don Edkins（Day Zero day Films）Dok Leipzig奖“使用山上的山”：Casey Carterproduction：Colleen Casingham（使用Mountain LLC）EFM EFM EFM奖“比Valerio Jalongododuction的天空更广泛”： Milena Stokar（Aura Film Sagl）DAE鼓励奖“女孩 - 猎犬”，由Tali Yankelevichproduction：Leonardo Mecchi（Enquadramentoproduções）VDR-Work-work-works in Progressvdr-works in Progress in Progress in the Progrange rown range奖，由Armel Hostioupro Hostioupro ryseouproto奖Gabriella Garcia-Pardo（La Bonga）Freestudios奖“反浪潮”，Sarvnik Kaurproduction：Koval Bhatia（一部小小的Anarky Films），Sarvnik Kaur，Sarvnik Kaur（Snooker Club Club Films Pvt Ltd），Quentin Laurent（Quentin Laurent）场景奖奖“ LE CERCLE VIDE” /StéphanieRolandproduction的“ Le Cercle Vide” /“ The Ampty Sphere”：Natalia Trebik，Fresnoy-Studio National des Arts Arts Arts ersporainsdocs Up Award ofte'LeThé等人Salah El Amriproduction撰写的“LeThé等人”头 - Genève
Top industry awards at the 53rd edition of the international documentary film festival Visions du Réel have gone to “La Bonga,” “Anatomy of the Night,” “The Other Profile,” “Noor” and “Becoming Roosi.”
A total of 27 projects were invited to participate in three key forums – VdR-Pitching, VdR-Work in Progress and VdR-Rough Cut Lab – that ran as part of the festival’s industry activities in Nyon from April 10-14.
Seventeen awards were handed out to 16 docs-in-the-making, two of which won a double award: “La Bonga,” by Sebastián Pinzón Silva and Canela Reyes, took the Visions Sud Est and Raggioverde Subtitling trophies, and “Mailin” by Maria Silvia Esteve won both the TËNK Post-Production and Party Film Sales awards.
Considered to be the festival's top industry prize, the Vision Sud Est award comes with a 10,000 CHF ($10,700) cash prize handed out to the best project from the Southern or Eastern Europe, and is the only award that takes in titles in both of the festival’s main industry sections: the VdR-Pitching and the VdR-Work in Progress segment.
Handing out the prize, jury member Delphine Jeanneret, programmer and curator at the Internationale Kurzfilmtage Winterhur in Switzerland, said: “We decided to award a highly promising collective work that will have a broad impact on a community that took an active part in a portrait empowering them to reclaim their community through filmmaking.”
Pinzón Silva and Reyes' debut feature, “La Bonga” is about a displaced Afro-Colombian community that embarks on a symbolic journey through the jungles of the Caribbean to resurrect a home that exists only in their memories. “Mailin” is the story of Mailin, who for 15 years suffered the abuses of a priest, and embarks on a quest to recover the memory of her past, told through a collage of archive and childhood drawings.
The VdR-Pitching trophy for the most promising project went to “Anatomy of the Night” by Swiss director Lionel Baier (“La Vanité”), about a filmmaker suffering from sleep loss who sets off in search of the perfect night, and, as he leaves the city in his VW Combi, becomes aware of the violence of artificial lighting.
Berlinale artistic director Carlo Chatrian, a member of the jury, said: “We were mesmerized by the performance of the pitch – all we had to do was close our eyes.”
Receiving his award, Baier joked: “Really? You mean now I'm going to have to go out in the cold and the night and make this film?!”
“The Monsters” by Manuel Abramovich (“Blue Boy,” “Pornomelancholia”) picked up another top industry prize, the HEAD-Geneva Post-Production Award, for his project aimed at challenging gender norms and rethinking the institution of the family, where trans and non-binary protagonists will be invited to create a film together through performance and debate.
The coveted RTS Award, which consists of a pre-buy of TV rights by Switzerland’s French-language public broadcaster, went to two projects: “Noor” by Jérôme le Maire (“Burning Out,” “Le Thé ou l'électricité”) and “Becoming Roosi” by Margit Lillak (“The Circle”), a coming-of-age film about a feisty young girl who grows up as the child of an environmental activist.
“Noor,” which means “light” in Arabic, is the name of the largest solar power plant in the world to produce green energy. The film tells the story of a young nomad torn between tradition and the promise of modernity as he witnesses its construction in the southern Morocco desert.
The main prize for films in post-production presented at Visions du Réel, the VdR-Work in Progress Award, went to “The Other Profile” by Armel Hostiou, who, after discovering two Facebook profiles in his name, decides to go in search of his other self in this film.
The VdR-Industry jury was composed of Israeli director Avi Mograbi, Chatrian and film producer Isabelle Glachant.
With more than 2,100 participants from more than 80 countries, the festival saw industry attendance grow by more than a quarter compared to last year's hybrid edition.
“We are absolutely overwhelmed by the historic success of this edition. Considering that in 2019, the last industry edition before the global pandemic, we counted just over 1,400 accredited participants, the signal is even more encouraging,” said Madeline Robert, head of industry, who announced during the awards ceremony that she would be stepping down after this edition.
The festival's main competition awards will be announced on April 16.
Visions Sud Est Award
“La Bonga” by Canela Reyes, Sebastian Pinzón Silva
Production: Gabriella Garcia-Pardo (La Bonga)
VdR–Pitching
VdR–Pitching Award
“Anatomy of the Night” by Lionel Baier
Production:Agnieszka Ramu (Bande à Part Films)
The Party Film Sales Award
“Mailin” by Maria Silvia Esteve
Production: Laura Mara Tablón (Rita Cine)
RTS Award
“Noor” by Jérôme le Maire
Production: Isabelle Truc (IOTA Production), Enrica Capra (Tag Film)
“Becoming Roosi” by Margit Lillak
Production: Margit Lillak & Karolina Veetamm (Tiny Desk Productions)
HEAD–Genève Postproduction Award
“The Monsters” by Manuel Abramovich
Production: Juan Pablo Labonia & Manuel Abramovich (Ruido)
TËNK Post-production Award
“Mailin” by Maria Silvia Esteve
Production: Laura Mara Tablón (Rita Cine)
Unifrance Doc Award
“A Dog’s Life” by Diane Sara Bouzgarrou, Thomas Jenkoe
Production: Jean-Laurent Csinidis (Films de Force Majeure)
Cannes Docs Award
“Karatara - “Place of Deep Shadows”” by Teboho Edkins
Production: Don Edkins (Day Zero Films)
DOK Leipzig Award
“To Use a Mountain” by Casey Carter
Production: Colleen Casingham (To Use a Mountain LLC)
EFM Award
“Wider Than the Sky” by Valerio Jalongo
Production: Milena Stokar (Aura Film sagl)
DAE Encouragement Award
“Girl-Tubers” by Tali Yankelevich
Production: Leonardo Mecchi (Enquadramento Produções)
VdR–Work in Progress
VdR-Work in Progress Award
“The Other Profile” by Armel Hostiou
Production: Jasmina Sijercic (Bocalupo Films)
Lightdox Award
“5 Seasons of Revolution” by Lina
Production: Diana El Jeiroudi (No Nations Film GmbH), Torstein Grude (Piraya Film)
Raggioverde Subtitling Award
“La Bonga” by Canela Reyes, Sebastian Pinzón Silva
Production: Gabriella Garcia-Pardo (La Bonga)
Freestudios Award
“Against the Tide” by Sarvnik Kaur
Production: Koval Bhatia (A Little Anarky Films), Sarvnik Kaur (Snooker Club Films Pvt Ltd), Quentin Laurent (Les Films de l’œil sauvage)
Opening Scenes Awards
TËNK Award
“Le Cercle vide” / “The Empty Sphere” by Stéphanie Roland
Production: Natalia Trebik, Fresnoy – Studio National des Arts Contemporains
Docs Up Award
“Le Thé et le Temps” by Salah El Amri
Production: Gabriela Bussmann, Yan Decoppet – GoldenEggProduction / HEAD – Genève
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感谢分享啊。谢谢版主更新资源。 感谢大佬分享。我又来学习了~
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