纪录片自媒体解说素材-新闻动态参考-混合纪录片“像一个岛”在VisionsduRéel中获胜/Hybrid Documentary ‘Like an Island’ Wins Top Award at Visions du Réel
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0500/5459tt0epet2t5p.jpg混合纪录片“像一个岛”在VisionsduRéel中获胜
Hybrid Documentary ‘Like an Island’ Wins Top Award at Visions du Réel
“像一个岛屿”（“ L' -îlot”），这是一家混合纪录片寓言，由瑞士导演TizianBüchi饰演魔术现实主义，在瑞士尼恩的国际纪录片电影节杜雷尔（DuRéel）赢得了大陪审团奖。首次亮相专题在音乐节上举行了全球首映，这证明了该活动作为新人才的发射台及其在混合小说现实电影中的传统的声誉。获胜者中共有七个首次功能。自2013年以来，这是瑞士电影首次获得节日的最高奖项。“一个小城市岛成为当代欧洲的隐喻，并深深地反映了边界，规则，围栏和障碍的荒谬。一个出色的观察，一个令人惊讶的奇迹，以普遍的方式重写地理空间的坐标。L's评论家周和萨拉热窝电影节主任JovanMarjanović。亚军特别陪审团奖获得了Emelie Mahdavian的“ Bitterbrush”，该文档在American West的两名女性系列骑手，在美国西部散发出来的两名女性系列骑手陪审团说，“因为它的电影胜利，原始而温柔，在这种经典西方类型的重写中对两个女性游牧的存在的描绘，”陪审团说：“因其“巧妙地将俄罗斯的另一个丢失一代人的故事拼凑在一起的朋克摇滚态度”而获得了特别的提及。节日的更具实验性的燃烧灯部分由穆比内容总监ChiaraMarañón评判。瑞士的CyrilSchäublin，他的首次亮相“动荡”在今年的Berlinale遭遇部分中赢得了最佳导演，以及阿根廷的制片人Gema Juarez Allen（“来自利马的Lina”）。Wenqian Zhang颁发了另一幅首个首演“漫长的旅程回家”，这是一部有关同居，解放和在家庭中寻找地位的家庭肖像。 “通过同样温柔的裸露方法，这部电影谦虚地吸引了我们对家庭亲密关系的关注。通过精确的电影决定，在镜头前的国内情况不断发展，将家庭肖像结合在一起，对强烈的情感共鸣进行了肖像，这引发了有关约束我们的关系的重要问题，因为它弥合了当代中国及其他地区的代际差距，”陪审团说。 《燃烧灯》部分的特别陪审团奖获得了阿根廷的Leandro Listorti的“ Herbaria”，他精心将档案和新鲜图像结合在一起，以记录植物分类和保存的巨大作品。 ，“这将两个宇宙汇集在一起\u200b\u200b - 植物和电影 - 在类比的启示性游戏中。塔这部电影在探索保存的多层性质的时间上发现了科学和有条不紊的过程中的温暖，在诗意正义的行为中变得可见。移民的主题是一种新颖的方式，并具有一种强烈的人性感，同时表明沉默和“脱离框架”是讨论边界小说的非凡工具。陪审团“ Fuku Nashi”奖，这是两个孤独的灵魂之间的一次感动，讲述了Yukiei的故事，Yukiei经过多年的缺席后回到了祖母的家中。桑多（Sando）还因“一位女性电影制片人的作品揭示了精通和才华横溢的女性”奖。国家比赛的特别陪审团奖获得了朱尔斯·瓜纳里（Jules Guarneri）的第一部剧本《勒·蒙·皮佩尔》（Le Film deMonpère），陪审团被称为“陪审团的“亲密肖像”一个成员的家庭CL彼此之间，似乎相距甚远。这位电影制片人成功地制作了一部诚实而有趣的电影，讲述了房屋的灵魂和控制怪胎，寻找和削减自己的根源，同时又问一个问题：家庭是什么意思？ ”关于一位古怪的艺术家，他踏上了一个寻找宠物狗的旅程，赢得了国际中长和短片陪审团奖。最佳短片去了丹尼尔·阿萨迪·菲兹（Daniel Asadi Faezi）和米拉·兹卢克滕科（Mila Zhluktenko）的《阿拉克姆》（Aralkum），这是最后一个故事的故事。陪审团说，雅典海沿岸的居民已经失去了生活方式 - “这部电影在人类过度的景观上打开一扇门，”陪审团说。弗朗西斯科·哈维尔·罗德里格斯（Francisco Javier Rodriguez）的“ Jaime”是一个受精神障碍影响的年轻人的肖像，在短期和中等类别中得到了特别提及。授予伊朗的艺术家和导演Vida Dena的“ Ma Vie En Pappapier，”在whi她与叙利亚难民的女儿分享的曲目栩栩如生，以流亡家庭的回忆，梦想和命运。秘鲁导演曼努埃尔·鲍尔（Manuel Bauer）的首张专辑《钢铁生物》（Steel Life）是秘鲁的阿尔特普拉诺（Altiplano）到太平洋海岸的一次令人着迷的旅程，赢得了国际评论家的菲普雷西奇奖。观众奖获得了萨拉·多萨（Sara Dosa）的诗意档案蒙太奇“爱之火”（Fire of Love），自从圣丹斯（Sundance）首映以来，该节日就在节日巡回演出中闪耀。音乐节的艺术总监埃米莉·布吉斯（EmilieBujès）欢迎奖品，她说这反映了杜瑞尔（Visions duRéel）的多样性。 “新的声音与既定电影制片人的电影一起擦肩而过，并与我们的客人Marco Bellocchio，Kirsten Johnson和Hassen Ferhani进行对话。我们特别高兴的是，指导我们的电影类型，几代人，方法和地理的多样性受到公众和陪审团的奖励和欢迎。”她说。这第53版的VisionsduRéel从4月7日至4月17日跑步。该节日三年来的首个完整的物理版 - 这项活动是2020年首次在上网的活动之一，并于去年举行了有限的现场混合动力车。估计有45000人与2019年相同。“我们押注重新发明节日，我们赢得了胜利，这要归功于非常强烈的面对面活动，并且在大流行期间获得的虚拟尺寸增加了。”节日主席雷蒙德·洛雷丹（Raymond Loretan）说，杜瑞尔（DuRéel）团队“将危机变成了一个示例性的机会。”请参阅下面的VisionsDuRéel的2022年奖项的完整清单：国际故事片《竞赛》（International Semolt Film Film Formicationgrand）陪审团奖“ L' -îLot”。由Emelie Mahdavianspecial撰写的TizianBüchispecial陪审团奖“ Bitterbrush”提及Marusya Syroechkovskayaburn Lights Julting Jouring Joury PritessJury奖的“如何拯救死者”ia”，由Leandro Listortispecial提及的“欧洲”，菲利普·谢弗（Philip Scheffnational）竞争奖颁奖典礼奖“福克·纳西（Fuku Nashi）”，朱莉·桑德索尔（Julie Sandospecial）陪审团奖（Jules Guarneriinnternational Mediuntional Medium Medium Lengumy and Short Film Formation Joy奖）撰写的“ Le Film deMonpère”，最佳中型电影“无”卢卡·帕皮奇（LukaPapićjour）最佳短片“ Aralkum”奖，Daniel Asadi Faezi和Mila Zhluktenkospecial撰写丽贝卡·雷斯勒（Rebecca Ressler）和拉拉·波尔扎克（Lara Porzakakater）奖的短片“玛丽安（Marianne”由hàlệdiễm
“Like an Island” (“L'îlot”), a hybrid documentary fable tinged with magical realism by Swiss director Tizian Büchi, has won the Grand Jury Prize at international documentary film festival Visions du Réel in Nyon, Switzerland.
The debut feature had its world premiere at the festival, bearing testimony to the event's reputation as a launchpad for new talent and its tradition for hybrid fiction-reality films. A total of seven first features are among the winners. It is the first time since 2013 that a Swiss film has picked up the festival's top prize.
“A small urban island becomes the metaphor of contemporary Europe and lends itself to a deep reflection about the absurdity of borders, rules, fences and barriers. A brilliant observation, a surprising wondering, that rewrites the coordinates of geographical spaces in universal terms,” said the jury, composed of filmmaker Jessica Beshir, the winner of last year's Grand Prix, Beatrice Fiorentino, general delegate of the Venice Film Festival’s Critics’ Week, and Jovan Marjanović, director of the Sarajevo Film Festival.
The runner-up Special Jury Award went to “Bitterbrush” by Emelie Mahdavian, a doc about two female range riders in the American West, which made a splash when it premiered in Telluride, “for its cinematically triumphant, raw, yet tender, portrayal of two women's nomadic existence in this rewrite of the classic Western genre,” the jury said.
Russian director Marusya Syroechkovskaya's debut feature, “How to Save a Dead Friend,” received a Special Mention, for its “punk rock attitude in skillfully piecing together a story of another lost generation in Russia,” according to the jury.
The festival's more experimental Burning Lights section was judged by Chiara Marañón, director of content at MUBI, Switzerland's Cyril Schäublin, who won best director for his debut feature “Unrest” in this year's Berlinale Encounters section, and Argentinian producer Gema Juarez Allen (“Lina From Lima”).
They awarded their top prize to yet another first feature, “A Long Journey Home,” by Wenqian Zhang, a family portrait about cohabitation, emancipation and the search for one's place within the family.
“With an equally tender and formally bare approach, the film humbly draws our attention to the intimacy of a household. With precise cinematic decisions, domestic situations unfold before the camera, weaving together a family portrait of strong emotional resonance, that raises important questions about the ties that bind us, as it bridges an intergenerational gap in contemporary China and beyond,” said the jury.
The Special Jury Award in the Burning Lights segment went to “Herbaria” by Argentina's Leandro Listorti, who delicately combines archival and fresh images to chronicle the immense work that goes into plant classification and preservation.
“A film of extraordinary lucidity,” said the jury, “that brings together two universes – plants and cinema – in a revelatory game of analogies. Taking the time to explore the multi-layered nature of preservation, the film finds unsuspected warmth in scientific and methodical processes, rendered visible in an act of poetic justice.”
A Special Mention went to “Europe” by Philip Scheffner, “for dealing with the subject of immigration in a novel way and with a great sense of humanity while showing that silence and the “out of frame” are remarkable tools to discuss the fiction of borders.”
In the National Competition, Swiss-Japanese filmmaker Julie Sando picked up the Jury Prize for “Fuku Nashi,” a moving encounter between two lonely souls that tells the story of Yukiei who returns home to her grandmother's house after years of absence. Sando also nabbed the Zonta Award for “a female filmmaker whose work reveals mastery and talent.”
The National Competition's Special Jury Award went to “Le Film de mon père,” Jules Guarneri's first feature, described by the jury as “an intimate portrait of a family whose members live close to each other and yet seem far apart. The filmmaker succeeds in making an honest and entertaining film that tells of house spirits and control freaks, of searching for and cutting one's roots, and at the same time asks the question: what does family mean?”
Serbian filmmaker Luka Papić's absurd comedy “Without,” about an eccentric artist who embarks on a journey to find his pet dog, won the International Medium Length and Short Film Competition Jury Prize.
Best Short Film went to “Aralkum” by Daniel Asadi Faezi and Mila Zhluktenko, the story of the last inhabitants on the shores of the Aral Sea, who have lost their way of life to desertification - “a film that opens a door on a landscape swept by human excess,” said the jury.
“Jaime” by Francisco Javier Rodriguez, the portrait of a young man affected by a mental disorder, received a Special Mention in the Short and Medium category.
The Interreligious Award went to Iranian artist and director Vida Dena for “Ma vie en papier,” in which drawings she shares with the daughters of a Syrian refugee come to life to relate the memories, dreams and destiny of the family in exile.
Peruvian director Manuel Bauer’s debut feature, “Steel Life,” a fascinating journey across Peru’s Altiplano to the shores of the Pacific Ocean, won the International Critics’ FIPRESCI Award.
The Audience Award went to Sara Dosa's poetic archival montage “Fire of Love,” which has been blazing through the festival circuit since premiering at Sundance.
The festival's artistic director Emilie Bujès welcomed the prizes, which she said reflect the wealth of diversity at Visions du Réel. “New voices rub shoulders with the films of established filmmakers and engage in a dialogue with the works of our guests Marco Bellocchio, Kirsten Johnson and Hassen Ferhani. We are particularly pleased that the diversity of film genres, generations, approaches and geographies that guide us have been rewarded and welcomed by the public and the juries,” she said.
The 53rd edition of Visions du Réel ran from April 7 through April 17. The festival's first full physical edition in three years – the event was one of the first to go completely online in 2020 and held a limited on-site hybrid edition last year – drew an estimated 45.000 people, around the same number as 2019.
“We made the bet to reinvent the festival, and we won – thanks to a very strong return to face-to-face events and an increased virtual dimension acquired during the pandemic," said festival president Raymond Loretan, for whom the Visions du Réel team “has transformed a crisis into an opportunity in an exemplary manner.”
See the full list of Visions du Réel's 2022 awards below:
International Feature Film Competition
Grand Jury Prize
“L’Îlot” by Tizian Büchi
Special Jury Award
“Bitterbrush” by Emelie Mahdavian
Special Mention
“How to Save a Dead Friend” by Marusya Syroechkovskaya
Burning Lights Competition
Jury Prize
“A Long Journey Home” by Wenqian Zhang
Special Jury Award
“Herbaria” by Leandro Listorti
Special Mention
“Europe” by Philip Scheffner
National Competition
Jury Prize
“Fuku Nashi” by Julie Sando
Special Jury Award
“Le Film de mon père” by Jules Guarneri
International Medium Length and Short Film Competition
Jury Prize for the best Medium Length Film
“Without” by Luka Papić
Jury Prize for the best Short Film
“Aralkum” by Daniel Asadi Faezi & Mila Zhluktenko
Special Mention
“Jaime” by Francisco Javier Rodriguez
Special Youth Jury Award for a medium length film
“Churchill, Polar Bear Town” by Annabelle Amoros
Special Youth Jury Award for the best Short Film
“Marianne” by Rebecca Ressler & Lara Porzak
Interreligious Award
“Ma vie en papier” by Vida Dena
Zonta Award
“Fuku Nashi” by Julie Sando
International Critics’ Award – FIPRESCI Award
“Steel Life” by Manuel Bauer
Perception Change Award
“Children of the Mist” by Hà Lệ Diễm
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