纪录片自媒体解说素材-新闻动态参考-圣丹斯纪录片“驯服花园”在美国，加拿大，由大世界图片（独家图片）收购/Sundance Documentary ‘Taming the Garden’ Acquired in U.S., Canada by Big World Pictures (EXCLUSIVE)
https://cdn.6867.top:6867/A1A/hddoc/news/2022/07/0500/1836twiin0vtvdc.jpg圣丹斯纪录片“驯服花园”在美国，加拿大，由大世界图片（独家图片）收购
Sundance Documentary ‘Taming the Garden’ Acquired in U.S., Canada by Big World Pictures (EXCLUSIVE)
Big World Pictures已在美国和加拿大享有分销权，以参加SaloméJashi的纪录片“ Taming The Garden”，该纪录片参加了圣丹斯电影节，并在柏林莱尔的论坛部分中播放。总部位于多伦多的Syndicado电影销售正在处理世界销售。杰西卡·基安（Jessica Kiang）的评论中，杰西卡·基安（Jessica Kiang）将这部电影描述为“悄悄宏伟而奇怪”，并补充说，这是“超现实，安静，也许有点神圣。”这个环境故事的开头镜头捕捉了一棵树，高于15层的建筑物，漂浮在横跨黑海的驳船上。它的目的地位于一个无数英里之外的花园里，私人拥有一个有钱人的私人拥有来自佐治亚共和国的地区的树木。每次拆除时，工人和村民之间的紧张局势。有些人看到经济激励措施 - 新道路，高昂的费用 - 而另一些人则愤怒地哀悼失去了该镇的集体历史和记忆的不可动摇的整体。导演在一份声明中说：“对我来说，这部电影对它的意义没有一维线。材料谈到了生活的许多不同方面，这些方面在电影中发现了象征性的表情，例如男子气概，强迫迁移或连根拔起，这不仅仅是一个身体过程。“我还将连根拔起的主题与我的国家联系起来，在那里，价值观和稳定感正在不断漂浮。我认为这部电影是进入一个超现实世界的令人回味的旅程，矛盾的是，这也是事实的。”
Big World Pictures has taken distribution rights in U.S. and Canada to Salomé Jashi’s documentary "Taming the Garden," which competed at the Sundance Film Festival, and also played in the Forum section of the Berlinale. World sales are being handled by Toronto-based Syndicado Film Sales.
In her review for Variety, Jessica Kiang described the film as "quietly magnificent and strange," adding that it is "surreal, serene and maybe just a little bit sacred."
The opening shot of this environmental tale captures a tree as tall as a 15-story building floating on a barge across the Black Sea. Its destination lies within a garden countless miles away, privately owned by a wealthy man whose passion resides in the removal, and subsequent replanting, of trees into his own man-made Eden.
With striking cinematic style, the film tracks the surreal uprooting of ancient trees from their locales in the Republic of Georgia. With each removal, tensions flare between workers and villagers. Some see financial incentives – new roads, handsome fees – while others angrily mourn the loss of what was assumed an immovable monolith of their town’s collective history and memory.
In a statement, the director said: “To me, the film does not have a one-dimensional line as to what it is about. The material spoke of many different aspects of life, which found symbolic expressions in the film, such as the idea of manhood, or forced migration, or uprooting, which is not just a physical process.
"I also relate the theme of uprooting to my country, where values and a sense of stability is constantly floating. I see the film as an evocative journey into a surreal world, which paradoxically is also factbased.”
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